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The Homunculus: From Science Fact to Gothic Fiction
With a long and winding path through history from ancient times, to the renaissance and beyond, Alchemy was a vast subject with a multitude of practitioners, from the legendary and mythical to established medical gentry and scholarly clergy. In fact and fiction, they were men and women obsessed by the magical bending of the laws of nature to their will, creating gold, the elixir of life, stones that shone like the sun or offered immortality. Another sect of the sprawling tradition, however, found its interest in a far stranger creation, that of the homunculus, or “the little man”. Their writings can today be seen as some of the strangest works to exist in the history of scientific advancement and have far more in line with the publications of Gothic Horror that would eventually follow, centuries later.
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SOURCES
Maxwell-Stuart, P.G (2012) The Chemical Choir: A History of Alchemy. Continuum International Publishing, London, UK.
Lindsay, Jack (1970) The origins of alchemy in Graeco-Roman Egypt. Barnes & Noble, NY, USA.
Saif, Liana (2016) The Cows and the Bees: Arabic Sources and Parallels for Pseudo-Plato's Liber Vaccae (Kitab al-Nawamis). Journal of the Warburg and Courtauld Institutes, 2016, pp. 1-47(47). Warburg Institute, University of London, UK.
Van Der Lugt, Maaike (2009) Abominable Mixtures: The Liber Vaccae in the Medieval West, or the Dangers and Attractions of Natural Magic. Traditio: Studies in Ancient and Medieval History, Thought, and Religion, Vol. 64 (2009), pp. 229-277. Cambridge University Press, UK
Newman, William R. (2005) Promethean Ambitions: Alchemy and the Quest to Perfect Nature. University of Chicago Press, USA.
Grafton, Anthony. Siraisi, Nancy (1999) Natural particulars: nature and the disciplines in Renaissance Europe. MIT Press, USA.
Besetzny, Emil (1873) Die Sphinx Freimaurerisches Taschenbuch. L. Rosner, Vienna.
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For extended show notes, including maps, links and scripts, head over to darkhistories.com
Support the show by using our link when you sign up to Audible: http://audibletrial.com/darkhistories or visit our Patreon for bonus episodes and Early Access: https://www.patreon.com/darkhistories
Connect with us on Facebook: http://facebook.com/darkhistoriespodcast
Or find us on Twitter: http://twitter.com/darkhistories
& Instagram: https://www.instagram.com/dark_histories/
Or you can contact us directly via email at [email protected]
or via voicemail on: (415) 286-5072
or join our Discord community: https://discord.gg/cmGcBFf
The Dark Histories Butterfly was drawn by Courtney, who you can find on Instagram @bewildereye
Music was recorded by me © Ben Cutmore 2017
Other Outro music was Paul Whiteman & his orchestra with Mildred Bailey - All of me (1931). It's out of copyright now, but if you're interested, that was that.
Learn more about your ad choices. Visit megaphone.fm/adchoices
View all episodes
By Ben Cutmore
4.8
16971,697 ratings
With a long and winding path through history from ancient times, to the renaissance and beyond, Alchemy was a vast subject with a multitude of practitioners, from the legendary and mythical to established medical gentry and scholarly clergy. In fact and fiction, they were men and women obsessed by the magical bending of the laws of nature to their will, creating gold, the elixir of life, stones that shone like the sun or offered immortality. Another sect of the sprawling tradition, however, found its interest in a far stranger creation, that of the homunculus, or “the little man”. Their writings can today be seen as some of the strangest works to exist in the history of scientific advancement and have far more in line with the publications of Gothic Horror that would eventually follow, centuries later.
------
SOURCES
Maxwell-Stuart, P.G (2012) The Chemical Choir: A History of Alchemy. Continuum International Publishing, London, UK.
Lindsay, Jack (1970) The origins of alchemy in Graeco-Roman Egypt. Barnes & Noble, NY, USA.
Saif, Liana (2016) The Cows and the Bees: Arabic Sources and Parallels for Pseudo-Plato's Liber Vaccae (Kitab al-Nawamis). Journal of the Warburg and Courtauld Institutes, 2016, pp. 1-47(47). Warburg Institute, University of London, UK.
Van Der Lugt, Maaike (2009) Abominable Mixtures: The Liber Vaccae in the Medieval West, or the Dangers and Attractions of Natural Magic. Traditio: Studies in Ancient and Medieval History, Thought, and Religion, Vol. 64 (2009), pp. 229-277. Cambridge University Press, UK
Newman, William R. (2005) Promethean Ambitions: Alchemy and the Quest to Perfect Nature. University of Chicago Press, USA.
Grafton, Anthony. Siraisi, Nancy (1999) Natural particulars: nature and the disciplines in Renaissance Europe. MIT Press, USA.
Besetzny, Emil (1873) Die Sphinx Freimaurerisches Taschenbuch. L. Rosner, Vienna.
----------
For extended show notes, including maps, links and scripts, head over to darkhistories.com
Support the show by using our link when you sign up to Audible: http://audibletrial.com/darkhistories or visit our Patreon for bonus episodes and Early Access: https://www.patreon.com/darkhistories
Connect with us on Facebook: http://facebook.com/darkhistoriespodcast
Or find us on Twitter: http://twitter.com/darkhistories
& Instagram: https://www.instagram.com/dark_histories/
Or you can contact us directly via email at [email protected]
or via voicemail on: (415) 286-5072
or join our Discord community: https://discord.gg/cmGcBFf
The Dark Histories Butterfly was drawn by Courtney, who you can find on Instagram @bewildereye
Music was recorded by me © Ben Cutmore 2017
Other Outro music was Paul Whiteman & his orchestra with Mildred Bailey - All of me (1931). It's out of copyright now, but if you're interested, that was that.
Learn more about your ad choices. Visit megaphone.fm/adchoices
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