The Horror Show with Brian Keene

In this special episode, Brian counts down his favorite moments from the show this year, including stealing Drew Williams’s car, the methhead interview, Dave’s ill-fated pilgrimage to Wacken, and Scott Edelman’s shocking revelation

Brian returns from the Wasteland with a review of FALLOUT 4. Dave reviews the new James Bond film. Coop launches the Hellraiser. Plus, a discussion about the glory days of horror message board forums

Brian is away this week writing, so Dave and Coop are left unsupervised. They discuss the announcement that the World Fantasy Award will no longer be a bust of HP Lovecraft and more

Brian, Dave and Coop are joined by Cathy Gonzalez, wife of J.F. Gonzalez, to share laughter, tears, and stories about their friend — including the early days of the Splatterpunk scene and more

Brian and Dave are joined in studio by author, screenwriter, and advertising executive Robert Ford to talk about the differences between marketing and writing, his switch from horror to romance, his experience with Project Greenlight and more

Brian and Dave are joined by four top secret mystery guests for a discussion of their favorite Halloween memories. Plus, a review of Virginia Beach’s Nightmare Mansion haunted attraction

Brian and Dave sit down with one of Brian and Coop’s oldest friends, author John Urbancik, for a deeply personal discussion about following one’s artistic vision, the long and unsure path to success, writing dark fiction and more

JEFF STRAND – The Horror Show with Brian Keene Ep 37 – The funniest person in horror, Jeff Strand, sits down with Brian and Dave for a serious interview about transitioning to writing full-time

Brian and Dave sit down with legendary best-selling authors F. Paul Wilson and Thomas F. Monteleone for an intimate, revealing discussion on how a writing career impacts friendship, bonds, and brotherhood over the years

Brian and Dave sit down with musician Xander Harris to discuss his URBAN GOTHIC concept album, touring, and the perils and pitfalls of being a modern recording artist. Plus J.F. Gonzalez’s posthumous works