The Intellectual

On this week’s episode of The Waves, we’re digging into the Bravo network. From Below Deck to Selling Sunset to Vanderpump Rules, the Bravo TV network is a reality television behemoth that has made millions on the backs of its female cast members. But is it actually good for women? ICYMI founding host Rachelle Hampton and culture writer Shamira Ibrahim discuss the current Bravo era, how much of Bravo belongs to famous producer Andy Cohen, why cast members can’t rely on a reunion to tell their stories, and whether the cast members of shows like the Real Housewives really have agency. 

In Slate Plus: Let’s talk Selling Sunset. 

If you liked this episode, check out: How to Be a Woman in Music

Podcast production by Cheyna Roth with editorial oversight by Daisy Rosario and Alicia Montgomery.

Send your comments and recommendations on what to cover to [email protected].

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The question of land is largely absent in libraries. Deeply committed to the neoliberal project as a guiding ideology of the profession, libraries exist at once as ahistorical, atheoretical, and landless institutions in their understanding of themselves, their work, and their impact on people.

Land in Libraries: Toward a Materialist Conception of Education (Library Juice Press, 2023) seeks to contribute to the growing body of work on libraries and the anthropocene, decolonization, and climate change through writing in theory and practice. This edited volume explores both non-metaphorical (actual, material) as well as conceptual perspectives on land. Contributions to this book center land as a foundational category underpinning social relations, as a necessity for the function and reproduction of capitalism, and as a place where we work and learn together. Fundamentally, we live on the land and how we live in relation to the land matters to how we understand ourselves as individuals and a society.

Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.

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How do artists engage living bodies as creative material? How do they engage our ideas and assumptions of what we consider a body to be and what a body can do? How do they challenge the principles of what life is and the relations we take for granted? 

For this podcast, we invited philosopher, researcher and labour organizer Mijke van der Drift to engage with Agnieszka Anna Wołodźko, lecturer and researcher teaching contemporary philosophy and art-science at AKI Academy of Art and Design ArtEZ. Thinking through the lens of contamination, Agnieszka's recently published book Affect as Contamination: Embodiment in Bioart and Biotechnology uses bioart projects as provocative case studies to rethink affect and bodily practices. Departing from her book, they reflect upon the desire for transformation and the need for its control in our daily infrastructures, ranging from biotechnology and pharmaceutical industries to food production and healthcare.

What ethical frameworks are needed to organize and guide our actions when confronted with hard questions and uncomfortable situations that come up when engaging living matter as a creative material? How do we recognize what needs to change and for whom? Can ethics and art prompt us to become more joyful and accountable to transformative processes of justice?

We invite you to listen to this conversation and reflect upon the risks involved when artists experiment with bodies and living matter, and to think through which 'anchors' can orient us through the transformation that life inevitably begets.

Show notes

-       Marion Laval-Jeantet and Benoît Mangin, May the Horse live in me!

https://dublin.sciencegallery.com/blood-1/may-the-horse-live-in-me-#:~:text=The%20performance%20May%20the%20Horse,an%20injection%20of%20horse%27s%20blood.

-       The Center For Genomic Gastronomy, Smog Tasting: Smog Synthesizer

https://genomicgastronomy.com/work/2015-2/smog-synthesizer/

-       Adriana Knouf, Xenological Entanglements. 001a: Trying Plastic Variations https://tranxxenolab.net/projects/eromatase/

-       Be-wildering by Jennifer Willet & Kira O'Reilly, 2017, performance https://waag.org/en/event/performance-be-wildering-jennifer-willet-kira-oreilly/

-        

-       Book Deleuze & Guattari, A Thousand Plateaus: Capitalism and Shizophrenia 1980

-       Bio artist Boo Chapple invited by Prof. Rob Zwijnenberg's honours class Who owns Life? at Leiden University  

-       Baruch Spinoza, Ethics https://plato.stanford.edu/entries/spinoza/#Ethi

-       Špela Petrič, Confronting Vegetal Otherness: Skotopoiesis – semiotic triangle, 2015

https://www.spelapetric.org/scotopoiesis

-          Sandilands, Catriona (2017), 'Vegetate', in J. J. Cohen and L. Duckert (eds), Veer Ecology: A Companion for Environmental Thinking, Minneapolis: University of Minnesota Press, pp. 16–29. https://www.academia.edu/50082847/Vegetate

-       Marion Laval-Jeantet and Benoît Mangin, May the Horse live in me!

https://dublin.sciencegallery.com/blood-1/may-the-horse-live-in-me-#:~:text=The%20performance%20May%20the%20Horse,an%20injection%20of%20horse%27s%20blood.

-       Donna Haraway, Respon

The podcast and artwork embedded on this page are from Studium Generale ArtEZ & ondercast, which is the property of its owner and not affiliated with or endorsed by Listen Notes, Inc.

On today’s episode of The Oxford Comment, we discuss the state of human infrastructure in the Anthropocene with a particular focus on how research can best be used to inform public policy. First, we welcomed Patrick Harris, co-editor-in-chief of the new transdisciplinary journal, Oxford Open Infrastructure and Health, to speak about the aims and scopes of OOIH, how OOIH is poised to meet the challenges of the Anthropocene, and the kind of research the editors are seeking. We then interviewed Jonathan Pickering, co-author of The Politics of the Anthropocene, the winner of the 2019 Clay Morgan Award Committee for Best Book in Environmental Political Theory. We spoke with him about how the shift from the Holocene to the Anthropocene has affected our core infrastructure systems and how good governance can help us mitigate the many challenges we’ll face in the future

For more information on Oxford Open Infrastructure and Health, check out: https://academic.oup.com/ooih

A PDF transcript for this episode can be found here: https://oxfordacademic.blubrry.net/wp-content/uploads/2023/10/The-Oxford-Comment-Episode-88-transcript.pdf

Please subscribe to The Oxford Comment through your favourite podcast app to listen to the latest insights from our expert authors:

The Oxford Comment Crew:

Music: Filaments by Podington Bear is licensed under an Attribution-NonCommercial 3.0 International License.

© Oxford University Press

Last month, the Canadian parliament embarrassed itself during an official visit by Ukrainian Prime Minister Volodymyr Zelensky when the entire legislative body gave a standing ovation to a veteran of the Waffen SS, the paramilitary wing of the Nazi movement. Prime Minister Justin Trudeau later apologized for incident. 

To understand what happened, it’s important to realize that Canada, like other Western nations, has a long history of sheltering Nazi war criminals. This was not a matter of negligence but official policy. During the Cold War, these hardened Nazi criminals were seen as valuable allies against the Soviet Union. This policy is all the more shameful because during World War II, the vast majority of Ukrainians who took up arms did so in the Red Army against Nazism.

Lev Golinkin, a Ukrainian-American reporter, has been doing excellent work for The Forward and The Nation bringing this shameful history to light. On this episode of The Time of Monsters, I sat down with Lev to talk about the long history of Canada’s hospitality to Nazi war criminals. In the podcast, he references this enlightening video.

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Here's your discount code to purchase the book: 01UNCP30 (uncpress.org)

Archipiélago Histórico is a podcast about Caribbean history created and directed by Puerto Rican public historian Ramón González-Arango López. Archipiélago Histórico is an outreach project aimed at the general public. Here, you can learn about many interesting topics in an accessible, entertaining, and clear manner. New episode every Thursday!

In the following link, you will find where to follow the podcast and how to support me: Link

♪ 'Lo que nos une' (musical piece in the intro and outro) used with the express consent of its composer and performer, José Gabriel Muñoz.

The logo art for Archipiélago Histórico was created by Roberto Pérez Reyes: Link

© Ramón A. González-Arango López, 2023

One of the most important parts of music is beat and rhythm...without beats, without rhythm, there’s no groove...without a groove, there’s no movement or dancing or really physically getting into the music...beats and grooves are essential building blocks for so much of modern music...

In some songs, the beat is subtle but there...you feel it without someone having to keep it for you...but in others, you need a timekeeper, someone to emphasize and augment and the beats and the rhythms...

For centuries, that job has fallen to drummers and percussionists...but what if a drummer or percussionist isn’t available?...or if you want to try something rhythmic but with different sounds, sounds that a drummer can’t make?...then you might find yourself reaching for a drum machine...

Since their introduction in the very early 1980s, drum machines have become an essential part of modern compositions and productions...in fact, it’s impossible to imagine the music we have today without such electronic devices...

Oh, we still have human drummers—we always will—but drum machines have taken us places that human timekeepers never could...and I’m speaking as someone who plays drums myself...

But how did this all come about?...let’s investigate...this is the history of machines that keep time for our music...

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Mysterious plants appear on the Isle of Rum. Do they prove the island miraculously escaped the Ice Age? And what extraordinary lengths would one scientist go to in order to prove that it did? Dr Tori Herridge investigates.

Produced for BBC Audio Bristol by Beth Sagar-Fenton

Novelist Zadie Smith is one of the most acclaimed and beloved writers of her generation. Editor David Remnick has called her “a blessing not merely to The New Yorker but to language itself.” Author George Saunders has praised Smith’s work for its “heart and moral ambition.” I, too, think she’s quite good.

And so today we’re joined by Smith to discuss her prescient historical novel The Fraud (8:20), her instinctive writing process (14:06), and the role of projection in her work (20:30). Then, Zadie reflects on her upbringing in North West London (24:12), the art that influenced her growing up (27:15), and the media circus that followed the publication of her debut novel, White Teeth (33:45).

On the back-half, we discuss her desire to frequently reinvent herself as an artist as a writer (41:55), why she prioritized pleasure after her book On Beauty (45:17), the nuanced politics of her work (49:04), her evolving relationship to humanism (48:15), a striking passage from Intimations (54:00), and what she sees in this next generation of novelists (1:04:45).

This conversation was recorded at Spotify Studios.

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