The Intellectual

What do the stolen love letters of John Keats have to do with homicide on the streets of New York? Prosecuting both crimes falls under the remit of assistant district attorney Matthew Bogdanos. A retired Marine colonel with both law and classics degrees, he has been the head of the Manhattan District Attorney's Antiquities Trafficking Unit since its creation in 2017. In his time on the job, the office has has seized more than six thousand pieces of stolen art and antiquities from various museums, art galleries and private homes in order to return them to their countries of origin. Sandra Kanthal travels to New York to learn more about this special unit of law enforcement, and the reasons why one man thinks tracking down stolen treasures of the art world and reuniting them with their rightful owners is vitally important to our past and for our future.

In early 1965, three executives boarded a plane in Japan, bound for the United States. “Unbeknownst to the U.S. Customs, they were carrying corporate secrets. Each man had carefully placed two vials of an isomerase enzyme into their pockets before the flight.” With it, they would change the world. For after two arduous years of nearly aerobic chemical engineering, their corporation produced what it called Isomerose 30. We know it, or its technically improved successors, as corn syrup.

That’s how my guest Brian Leech begins his intricate, multi-valenced history of what went on in Clinton, Iowa, from the 1960s through the 1980s. It’s food history, it’s labor history, it’s technological history, it’s environmental history, it’s regional history—“and not any single one of them, which is to say,” to quote the great Edmund Morgan, “that it is good history.”

1.      What does cis mean?
2.      Which term is older: cis or trans? When does the term cis emerge?
3.      Which community coined the term cisgender and why?
4.      What is Perry saying about simplified notions of cis and which example does he give?
5.      How does Perry put disability and race in dialogue with cisness and transness?

Do we have a responsibility to inform ourselves about the state of the world? Is the experience of some people valued more highly than that of others? Matthew Sweet investigates the ethics of knowledge in Radio 4's round table discussion programme.

Part of a series of programmes across Radio 4 looking at what drives us apart and how to bring us together – look for Common Ground.

With The Art of Living in Avant-Garde Paris: Ethics and Self-Making in Dada, Simultanism, and Surrealism (University of Chicago Press, 2026),

Considering

Hannah Freed-Thall is Professor of French Literature, Thought and Culture at NYU. She is the author, most recently, of Modernism at the Beach: Queer Ecologies and the Coastal Commons.

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How do we encourage human flourishing? How, in fact, do we make the thriving of all 8 billion humans and the More than Human World central to all that we are and do?  It's a core tenet of this podcast, that if each of us were able to discover what's ours to do - and, more importantly, to be - and were supported in the inter-becoming that would arise from bringing the best of ourselves to the table…we'd be well on the way to the transformation we need to get us through the pinch points of the climate, cultural and technological apocalypses that are heading our way.

So in today's episode, we're talking with someone who crosses many disciplines in search of eudaimonia - the concept of human flourishing, of 'finding our best self' proposed by Plato and expanded by Aristotle.  Dr Jenna Mikus is an engineer and architect by training, and is now a consultant and strategic advisor who specialises in balancing architectural science with wellbeing science to promote flourishing health and wellbeing by design across a wide range of environments. 

As you'll hear, she did her PhD during lockdown in the ways it might be possible to help elderly people find meaning and purpose - in scientific terms, to attain self determination - in their lives.  And now she is an academic and consultant who acts as an ideas "alchemist," helping companies curate environments & experiences for eudaimonia to support optimal health and wellbeing, precipitate ineffable emotions like delight & awe, promote meaning, inspire creativity, & catalyse belonging, and innovate. She's founder of the Eauda-Group and helped found the 'Flourishing by Design' (FxD) community of practice affiliated with Harvard's Human Flourishing Network.

In a world where those who accumulate wealth are increasingly leaning towards mass extinction as if it were somehow going to be useful, it's so refreshing to explore the ways we can be differently human.  Enjoy!

Jenna on LinkedIn
Jenna on Google Scholar

—About Accidental Gods—

We offer three strands all rooted in the same soil, drawing from the same river: Accidental Gods, Dreaming Awake and the Thrutopia Writing Masterclass

Our next Open Gathering offered as part of our Accidental Gods Programme is 'BECOMING A GOOD ANCESTOR' which will run on Sunday 13th September 2026 from 16:00 - 20:00 GMT - details are here. You don't have to be a member of Accidental Gods to come along, but if you are, all Gatherings are half price.

If you'd like to join us at Accidental Gods, this is the membership where we endeavour to help you to connect fully with the living web of life.
If you'd like to train more deeply in the contemporary shamanic work at Dreaming Awake, you'll find us here.
If you'd like to explore the recordings from our last Thrutopia Writing Masterclass, the details are here

Manda and Louise both offer one-to-one Mentoring Calls.  Manda is writing a book just now, but if you'd like to contact Louise, details are here.

Theatrical stages often mirror the intricate evolution of the societies that build them. Professor Carmen Gitre explores the burgeoning performance culture of Cairo between 1867 and 1930. This era witnessed a shift from street storytelling and shadow plays to formal theater houses designed for an emerging class of Western-educated intellectuals. The discussion traverses the grand spectacle of the Suez Canal’s opening to the subversive nationalist songs of performers like Mounira al-Mahdiyya. Through this historical lens, the stage appears as a critical site for negotiating modernity, colonial influence, and Egyptian identity.

00:00 Introduction

01:28 The Evolution of Performance

03:56 Commissioning an Operatic Staple for a Global Stage

07:35 Street Storytelling & the Shadows of Earlier Traditions

12:02 Urban Redesign Mirroring a Parisian Vision of Modernity

18:46 Defensive Developmentalism & the Weight of Sovereign Debt

27:21 Syrian Practitioners & the Burgeoning Role of the Press

32:31 Efendi vs. Basha

39:01 Vernacular Choices for an Elevated Public Education

44:31 Satirical Observations through a Modernist Lens

51:14 The nuances of the women's movement

57:04 Disembodied Voices in the Era of Early Recording

58:00 Performances Spilling into the Nationalist Fervor of 1919

01:03:02 Cinematic Transitions and Legacies for the Everyman

Carmen Gitre is an Associate Professor of Middle East History and Associate Chair of History at Virginia Tech University. She earned her Ph.D. at Rutgers University in 2011. From 2011 to 2014, she taught in the International Studies and History Departments at Seattle University. Her academic interests include cultural history, imperialism, and the relationship between performance, identity, and modernity in Egypt. Her book, Acting Egyptian: Theater, Identity, and Political Culture in Cairo, 1867-1930, was published by the University of Texas Press in 2019. Other publications include 'The Dramatic Middle East: Performance as History in Egypt and Beyond,' and 'Nonsense and Morality: Comedy in Interwar Egypt.' Her current work delves more deeply into interwar art, performance, and cultural influence in Egypt.

Connect with Carmen Gitre 👉 https://liberalarts.vt.edu/departments-and-schools/department-of-history/faculty/carmen-gitre.html

Hosted by: 
Mikey Muhanna 👉 https://www.instagram.com/mikey_mu/?hl=en-gb

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Karl Whittington joins Jana Byars to talk about his new book, Queer Making: On Artists and Desire in Medieval Europe (Pennsylvania State University Press,

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CrowdScience listener George is showing Alex Lathbridge around a small, dark, and extremely hot shed, just outside the city of Accra in Ghana. Inside are row after row of shelves, stacked high with bulging grow-bags. And out of some of them, gorgeous cascades of oyster mushrooms are bursting into bloom.

We’re on George’s mushroom farm, and he’s noticed something interesting. Even though the conditions in his grow-shed are tightly controlled – they have exactly the same food, water, and light as each other – nevertheless, they respond differently. Some are more vigorous than others, some bloom quicker, others last longer, and some are more tolerant when the conditions change. And this got George wondering. Could ‘brainless’ lifeforms like mushrooms, and plants, have different ‘personalities’? Do they experience the world differently, and live their lives differently from each other? Alex Lathbridge is on the case.

He visits the PGRRI, the Plant Genetic Resources Research Centre, for a quick lesson on genetic variation in the plant world. Plants are all different at the genetic level, and it’s those differences which can result in a tastier fruit, or a hardier crop. But would we call traits like these personality?

In the Minimal Intelligence Lab in the University of Murcia in Spain, Paco Calvo thinks that we absolutely should. He studies plant intelligence, and points Alex to a whole host of examples of plants being smart in ways which might surprise you. Each one is an individual, and if we can only slow down enough to appreciate them properly, we’d be able to understand them better too.

Back in Ghana, Alex meets plant physiologist Dr Acheampong Atta-Boateng, in the beautiful grounds of Aburi Botanical Gardens, to meet some of these plants for himself. And he discovers that there’s a whole world of smart, resilient, and resourceful little organisms in the plant world, full of personality, if you know where to look. Who needs a brain!?

Presenter: Alex Lathbridge

Producer: Emily Knight

Editor: Ben Motley

(Photo: Drawing of a face and smiling eyes on a sunflower flower - stock photo- Credit: Jose A. Bernat Bacete via Getty Images)

This episode features Abbas Akhavan, a Tehran-born artist based between Montreal and Berlin, who is representing Canada at this year’s Venice Biennale. In a conversation recorded a few days before the opening, Akhavan discusses art as an ethics of encounter, the limits of language and representation, and the challenge of engaging non-human life without collapsing it into symbol or metaphor. Reflecting on institutional pressure, artistic refusal, and the importance of maintaining balance within one’s practice, he describes art as “a rehearsal, not re-enactment.” Framed by a reading from Charles Siebert’s 2016 New York Times Magazine feature “What Does a Parrot Know About PTSD?,” the conversation explores trauma, presence, and the possibility of holding intimacy without possession. Host Sky Goodden also reflects on attending a strike organized by the Art Not Genocide Alliance during the Biennale’s preview week, during which the Canadian Pavilion was one of many that closed in solidarity. 

Momus: The Podcast is edited by Jacob Irish, with production assistance from Chris Andrews.

Thanks to this episode’s sponsors, Coach House Books and Esker Foundation, for supporting our work.