The Intellectual

We’re honored to learn from Dr. Matthew Ichichashi Potts about his book, Forgiveness: An Alternative Account, which is focused on understanding the practice of forgiveness in an unforgiving world.

In this episode, Dr. Potts shares:

• When forgiveness causes emotional distress

Matthew Ichihashi Potts, MDiv ’08, PhD ’13, was appointed the Pusey Minister in the Memorial Church and the Plummer Professor of Christian Morals in 2021. Matt has served on the faculty at Harvard Divinity School since 2013, and has focused his teaching on sacramental and moral theology, ministry and pastoral theology, religion and literature, and preaching.

He is the author of two books, Cormac McCarthy and the Signs of Sacrament: Literature, Theology, and the Moral of Stories (Bloomsbury, 2015) and Forgiveness: An Alternative Account (Yale University Press, 2022). He has also published scholarly essays in several leading journals and invited essay collections, and he sits on the editorial board of the journal Literature and Theology. He is also co-host of the podcast Harry Potter and the Sacred Text.

Dance and Activism: A Century of Radical Dance Across the World (Bloomsbury, 2022) by Dana Mills looks at the intersection of dance and radical politics from the 1920s to today, taking in case studies including Martha Graham's anti-fascist choreography, the Iraqi hip-hop dance scene, and the progressive potential of the often conservative art of ballet. Throughout, Mills is motivated both by her own passionate love of dance and by her own lifelong commitment to supporting struggles for freedom and justice. This book is essential for anyone who wants dance to be part of their revolution.

Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts.

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Melvyn Bragg and guests discuss the momentum behind rebellion in Ireland in 1798, the people behind the rebellion and the impact over the next few years and after. Amid wider unrest, the United Irishmen set the rebellion on its way, inspired by the French and American revolutionaries and their pursuit of liberty. When it broke out in May the United Irishmen had an estimated two hundred thousand members, Catholic and Protestant, and the prospect of a French invasion fleet to back them. Crucially for the prospects of success, some of those members were British spies who exposed the plans and the military were largely ready - though not in Wexford where the scale of rebellion was much greater. The fighting was initially fierce and brutal and marked with sectarianism but had largely been suppressed by the time the French arrived in August to declare a short-lived republic. The consequences of the rebellion were to be far reaching, not least in the passing of Acts of Union in 1800.

The image above is of Theobald Wolfe Tone (1763 - 1798), prominent member of the United Irishmen

With

Ian McBride

Catriona Kennedy

And

Liam Chambers

Producer: Simon Tillotson

The Moog synthesizer ‘bent the course of music forever’ Rolling Stone declared.

Bob Moog, the man who did that bending, was a lovable geek with Einstein hair and pocket protectors. He walked into history in 1964 when his homemade contraption unexpectedly became a sensation---suddenly everyone wanted a Moog. The Beatles, The Doors, The Byrds, and Stevie Wonder discovered his synthesizer, and it came to be featured in seminal film scores including Apocalypse Now and A Clockwork Orange. The Moog's game-changing sounds saturated 60's counterculture and burst into the disco party in the 70's to set off the electronic dance music movement. Bob had singlehandedly founded the synth industry and become a star in the process.

But he was also going broke. Imitators copied his technology, the musicians' union accused him of replacing live players, and Japanese competitors started overtaking his work. He struggled to hang on to his inventions, his business, and his very name. Bob's story upends our notions of success and wealth, showing that the two don't always go together.

In Switched On: Bob Moog and the Synthesizer Revolution (Oxford UP, 2022), author Albert Glinsky draws on exclusive access to Bob Moog's personal archives and his probing interviews with Bob's family and a multitude of associates, for this first complete biography of the man and his work. Switched On takes the reader on a roller coaster ride at turns triumphant, heart-breaking, and frequently laugh out loud absurd---a nuanced trip through the public and private worlds of this legendary inventor who altered the course of music.”

Nathan Smith is a PhD Student in Music Theory at Yale University. He can be reached at [email protected].

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After more than a century of genocides and in the midst of a global pandemic, Lesley Higgins and Marie-Christine Leps' book Heterotopic World Fiction: Thinking Beyond Biopolitics with Woolf, Foucault, Ondaatje (Academic Studies Press, 2023) focuses on the critique of biopolitics (the government of life through individuals and the general population) and the counterdevelopment of biopoetics (an aesthetics of life elaborating a self as a practice of freedom) realized in texts by Virginia Woolf, Michel Foucault, and Michael Ondaatje. Their world fiction produces transhistorical, transnational experiences offered to the reader for collective responsibility in these critical times. Their books function as heterotopias: spaces and processes that recall and confront regimes of recognized truths to dismantle fixed identities and actualize possibilities for becoming other. Higgins and Leps define and explore a slant, biopoetic perspective that is feminist, materialist, anti-racist, and anti-war.

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In English cities of the 17th century, there was plenty to offend the eyes, ears, nose, taste buds, and skin of inhabitants. Residents were scarred by smallpox, refuse rotted in the streets, pigs and dogs roamed free.  

In this episode of Not Just the Tudors, Professor Suzannah Lipscomb talks to Emily Cockayne — author of Hubbub: Filth, Noise and Stench in England — about all the unpleasant aspects of city life and how they were navigated, or endured, by citizens.

This episode was edited by Thomas Ntinas and produced by Elena Guthrie. 

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In this interview episode, Van sits down with Professor Jeanne Morefield to discuss critiques of liberalism and empire. Why does liberalism seem to always be obsessed with crisis and triumphalism, often at once? What is the shared DNA of Edwardian imperialism, neoconservatism, and liberal internationalism? Why has G. John Ikenberry's theoretical project of liberal hegemony recently pivoted from Woodrow Wilson to Franklin Roosevelt as the standard bearer? And isn't liberal hegemony just a ruling class ideology? Lots of controversy on the table. 

Jeanne's latest book: https://rowman.com/ISBN/9781442260283/Unsettling-the-World-Edward-Said-and-Political-Theory 

Empires without Imperialism book: https://www.google.com/books/edition/Empires_Without_Imperialism/869LjwEACAAJ?hl=en 

Ikenberry Readings: 

Survival piece: https://www.tandfonline.com/doi/full/10.1080/00396338.2021.1956187 Foreign Affairs piece: https://www.foreignaffairs.com/united-states/why-american-power-endures-us-led-order-isnt-in-decline-g-john-ikenberry 

A World Safe for Democracy book: https://yalebooks.yale.edu/book/9780300271010/a-world-safe-for-democracy/

In this engaging and insightful conversation with Claire Kaiser, we discuss her new book Georgian and Soviet: Entitled Nationhood & the Specter of Stalin in the Caucasus.

Utilizing Georgian archives and Georgian-language sources, Claire P. Kaiser argues that the postwar and post-Stalin era was decisive in the creation of a "Georgian" Georgia. This was due not only to the peculiar role played by the Stalin cult in the construction of modern Georgian nationhood but also to the subsequent changes that de-Stalinization wrought among Georgia's populace and in the unusual imperial relationship between Moscow and Tbilisi. Kaiser describes how the Soviet empire could be repressive yet also encourage opportunities for advancement—for individual careers as well as for certain nationalities. The creation of national hierarchies of entitlement could be as much about local and republic-level imperial imaginations as those of a Moscow center.

Georgian and Soviet reveals that the entitled, republic-level national hierarchies that the Soviet Union created laid a foundation for the claims of nationalizing states that would emerge from the empire's wake in 1991. Today, Georgia still grapples with the legacies of its Soviet century, and the Stalin factor likewise lingers as new generations of Georgians reevaluate the symbiotic relationship between Soso Jughashvili and his native land.

Based on examining physics and the practices of physicists, philosophers of science often see models in science as representational intermediaries between scientific theories and the world. But what do scientists do when they don’t yet have the models or the theories? 

In Interdisciplinarity in the Making: Models and Methods in Frontier Science (MIT Press, 2022), Nancy Nersessian reveals the bootstrapping creation of models in two biomedical engineering and two integrated system biology labs. Based on her cognitive ethnographic investigations, she argues that models are cognitive artifacts that are central components in distributed cognitive-cultural systems that include the scientists that create and use them. Nersessian, who is Regents’ Professor of Cognitive Science (emerita) at Georgia Institute of Technology, shows how the scientists build the epistemic infrastructure they need, along with the novel modeling practices that their cognitive artifacts enable, in order to do the science they want to do. Her teams’ investigations also led to developing award-winning curricula for science students.

Carrie Figdor is professor of philosophy at the University of Iowa.

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