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A panel of scholars discusses UC Berkeley professor Darieck Scott's new book Keeping It Unreal: Black Queer Fantasy and Superhero Comics, which explores how fantasies of Black power and triumph in superhero comics and other genres create challenges to — and respite from — white supremacy and anti-Blackness.
Listen to the discussion and read a transcript on Berkeley News.
Graphic courtesy of the Othering and Belonging Institute.
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"The beauty of speed. Time and space died yesterday. We already live in the absolute, because we have created the eternal, omnipresent speed." Part of the 1909 manifesto drawn up by Italian poet Filippo Tommaso Marinetti that declared the aims of the groundbreaking Futurist branch of modernism. Their rejection of the past included embracing the march of machinery, the power of youth and of violence so how do we view this now? Matthew Sweet is joined by Steven Connor, Selena Daly, Rosalind McKever, and Nathan Waddell.
Producer: Luke Mulhall
Image: Futurist food
Originally broadcast as part of the Modernism season on BBC Radio 3 and 4 and BBC Sounds. There is a collection on the Free Thinking programme website https://www.bbc.co.uk/programmes/p07p3nxh
And across the Proms season, various interval features are focusing on cultural openings and events from 1922. You can find those available to download as Arts and Ideas podcasts.
Ankhi Mukherjee talks about that looks at the subject of psychoanalysis as a product of social and cultural processes, and thereby reorients concepts of parental and familial bonds, trauma, coping mechanisms and so on. The conversation focuses on her recent book on the subject, Unseen City: The Psychic Lives of the Urban Poor, which studies community-based psychiatry and how it serves the working classes in three global cities.
Ankhi Mukherjee is Professor of English and World Literatures at the University of Oxford and a Fellow in English at Wadham College. Her most recent book is Unseen City: The Psychic Lives of the Urban Poor, published by Cambridge University Press in December 2021. Her second monograph, What Is a Classic? Postcolonial Rewriting and Invention of the Canon (Stanford, 2014) won the British Academy prize in English Literature in 2015. Mukherjee’s other publications include Aesthetic Hysteria: The Great Neurosis in Victorian Melodrama and Contemporary Fiction (Routledge, 2007) and the collections of essays she has edited, namely A Concise Companion to Psychoanalysis, Literature, and Culture (with Laura Marcus, Wiley-Blackwell, 2015) and After Lacan (Cambridge UP, 2018). Mukherjee has published in competitive peer-reviewed journals, including PMLA, MLQ, Contemporary Literature, Parallax, and the Cambridge Journal of Postcolonial Literary Inquiry, and sits on the editorial boards of several international journals. At present, Mukherjee has two books under contract. She is writing A Very Short Introduction to Postcolonial Literature in the widely circulated VSI series (Oxford UP, 2023) and co-editing (with Ato Quayson) a collaborative volume titled Decolonizing the English Literary Curriculum (Cambridge UP, 2022).
Image: © 2022 Saronik Bosu
Music used in promotional material: ‘Avec Toi’ by Dana Boulé.
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Fairy tales. Why have they survived a thousand years of re-telling? How do they adapt to reflect changing times, places, and storytellers? And what is it about them that captivates us from early childhood and continues to intrigue us throughout our lives? In this episode of Book Dreams, Eve and Julie explore the magic of these familiar stories with scholar, author, and teacher Jack Zipes, one of the world’s leading authorities on fairy tales, folklore, and children’s literature. They talk about the lasting power of classics like Cinderella and Little Red Riding Hood, and also about Jack’s new translation of The Original Bambi: The Story of a Life in the Forest, by the Austro-Hungarian Jewish writer Felix Salten, which was the source material for the 1942 Disney film.
Jack explains that the novel is “a brilliant and profound story of how minority groups throughout the world have been brutally treated,” an “allegory about the weak and powerless” that is both “dystopic and sobering.” By contrast, “The stupidity of the movie is so outrageous that as I was doing research on this book, I literally almost threw up.” They talk, too, about how Jack’s experiences as an activist leader during the social upheavals of the 1960s lead him to a career in children’s literature: “I realized if there's going to be a movement that really digs in and has roots in the majority of people, we have to learn how to teach critically and develop methods in which children would be able to begin to think for themselves and continue to be curious, ask questions, and also take interest in groups in the United States with which they are not familiar.”
Jack Zipes is Professor Emeritus of German and Comparative Literature at the University of Minnesota. He has written, translated, and edited dozens of books, including The Original Folk and Fairy Tales of the Brothers Grimm, Why Fairy Tales Stick, and Don't Bet on the Prince: Contemporary Feminist Fairy Tales of North America and England. In addition to his scholarly work, Jack is an active storyteller in public schools and has worked with children's theaters in Europe and the United States. Among his many awards are a Guggenheim Fellowship, the International Brothers Grimm Award, and the World Fantasy Convention Award for Lifetime Achievement. In 2018, Jack founded the publishing house, Little Mole & Honey Bear, which republishes historical children’s books with timeless values in order to “preserve the things that make us human and stand up to forces that would tear our society apart.”
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Since you’re listening to Book Dreams, we’d like to suggest you also try other Podglomerate shows about literature, writing, and storytelling like Storybound and The History of Literature.
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A conversation with Terry Pinkard about his recent book, "Practice, Power, and Forms of Life: Sartre's Appropriation of Hegel and Marx" (U of Chicago Press 2022).
From the publisher's feed