The Intellectual

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Over the past several decades, ancient DNA and other archaeological sciences have transformed our understanding of Europe in prehistory. Professor Kristian Kristiansen has worked with these new methods since the very beginning, and combines them with a deep grounding in both traditional archaeology and big-picture thinking about what it all means.

Patrick's book is now available! Get The Verge: Reformation, Renaissance, and Forty Years that Shook the World in hardcopy, ebook, or audiobook (read by Patrick) here: https://bit.ly/PWverge 

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Teklife, Ghettoville, Eski: The Sonic Ecologies of Black Music in the Early 21st Century (Goldsmiths Press, 2021) uses three Black electronic musics – footwork, grime, and the work of the producer Actress – to provide a theory of how Black musical experimentation has disrupted the circuits of racialized domination and exclusion in the 21st Century city. The book carefully attends to the unique ‘sonic ecologies’ produced by these three musical forms in South/West Chicago; East London and South London respectively, steering a course between uncritical celebration narratives of ‘resistant’ cultural production and dystopian analyses of urban decay.

Brar instead theorises these musics as forms of popular experimentalism which are not just inseparable from questions of space, race and class, but are productive of social and spatial relations. The book draws upon, and intervenes in, Black Studies literature to contribute a set of examples, questions and provocations that help readers to think about how the ‘Blackness of Black electronic dance music’ has produced (and continues to produce) a fugitive urban aesthetic sociality that has flourished in spite of the degradations of state and capital.

At the end of the interview, Dhanveer recommended some music as good entry points into the three musical worlds that we discuss and that he analyses in the book:

Actress – Splazsh (2010)

DJ Rashad – Just a Taste Vol. 1 (2011)

Slimzee/Wiley/Dizzee Rascal and more – Sidewinder sessions (2002-2004)

Gummo Clare is a PhD researcher in the School of Media and Communications, University of Leeds.

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On this episode I'm talking with Dr. Nick Stevens about the intersections of opera and society in various historical moments—up to and including the present day. Nick is a musicologist (ecommerce production associate) for ArkivMusic, who has also taught most recently as the Visiting Assistant Professor in Musicology at the Wichita State University School of Music. His monograph, Crisis Mode: Opera as Form and Medium After the End of History, is under contract and due out within the next couple of years. On this show we discuss the "undoing of women" in traditional opera genres, the status of contemporary opera and its imbrication with neoliberal crisis, as well as musicological debates, working outside of academia, and more.

References:

Janet Roitman, Anti-Crisis

Catherine Clement, Opera: The Undoing of Women

Wayne Koestenbaum, The Queen's Throat: Opera, Homosexuality, and the Mystery of Desire 

Judith Butler, Gender Trouble

Susan McClary, Feminine Endings

Elizabeth S. Anker, Rita Felski, Critique and Postcritique

Carolyn Abbate and Roger Parker, A History of Opera

Clara Hunter Latham, "How Many Voices Can She Have? Destabilizing Desire and Identification Opera Quarterly, Volume 33, Issue 3-4, summer-autumn 2017.

Michael Dango, Crisis Style: The Aesthetics of Repair

In Underdevelopment and African Literature (Cambridge University Press, 2020), Sarah Brouillette tackles the print culture and literature in English in South and East Africa. Starting from the period of the 1970s to the contemporary times. She analyses literary texts as well as textbooks and books written for the learners of the English language. She puts forth how piracy, short-fictions app, apps and so on form an intricate part of this diverse field.

Sarah Brouillette is a professor at Carleton University in Canada.

Gargi Binju is a researcher at the University of Tübingen.

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As a careful study of the world, science is reflective and reactive — it constrains our flights of fancy, anchors us in hard-won fact. By contrast, science fiction is a speculative world-building exercise that guides imagination and foresight by marrying the known with the unknown. The field is vast; some sci-fi writers pay less tribute to the line between the possible and the impossible. Others, though, adopt a far more sober tactic and write “hard” sci fi that does its best to stay within the limits of our current paradigm while rooting visions of the future that can grow beyond and beckon us into a bigger, more adventurous reality.

The question we might ask, though, is: which one is which? Our bounded rationality, our sense for what is plausible, is totally dependent on our personal life histories, cultural conditioning, information diet, and social network biases. One person’s linear projections seem too conservative; another person’s exponential change seems like a fantasy. If we can say one thing about our complex world, it might be that it always has, and always will, defy our expectations…

Welcome to COMPLEXITY, the official podcast of the Santa Fe Institute. I’m your host, Michael Garfield, and every other week we’ll bring you with us for far-ranging conversations with our worldwide network of rigorous researchers developing new frameworks to explain the deepest mysteries of the universe.

This week on Complexity, we join up with Caitlin McShea and the InterPlanetary Project’s Alien Crash Site podcast for a wild discussion with SFI Trustee, technologist, and philosopher Gary Bengier about his science fiction novel Unfettered Journey. This book takes readers forward more than a century into a highly automated, highly-stratified post-climate-change world in which our protaganist defies the rigid norms of his society to follow fundamental questions about mind, life, purpose, meaning, consciousness, and truth. It is a perfect backdrop to our conversation on the role of complex systems science in our understanding of both present-day society and the futures that may, or may never, come to pass…

If you value our research and communication efforts, please subscribe to Complexity Podcast wherever you prefer to listen, rate and review us at Apple Podcasts, and/or consider making a donation at santafe.edu/give.

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