On this episode we take a walk through how we've experienced leisure media and how it's changed throughout our lives.

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On this episode, we take a look at the history of Santa Claus, how we got to where we are today, and who actually owns Santa Claus. It was also an excuse for Michael/Michelle to geek out about Santa, as they are just as excitable as Buddy The Elf about Christmas and Santa.

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On this week's episode we dive deep into one of Michael/Michelle's favourite copyright cases: Trivial Pursuit and their many copyright cases. We use this as a jumping off point to then talk about all the different famous cases of false entries.

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We welcome Shaun McDonough to the show, a self proclaimed AI Enthusiast. Shaun brings a wealth of knowledge, expertise, and excitement when chatting about AI. Shaun leads Sarah with Michael/Michelle through some of the exciting prospects of what AI can do in our day to day work and life, while Michael/Michelle and Sarah still caution with not getting to ahead of ourselves.

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On this episode, Michael/Michelle gushes about one of their favourite genre of horror: Cosmic Horror, and what it is about it that makes it so fun and also, not so fun.

The first part of the episode goes into who H.P. Lovecraft, the inventor of the genre was and the tropes / characters he created. The second part looks at why anyone can use these characters he created and how copyright and trademarking doesn't apply. Finally, we get into why H.P. was not a great guy and actually how his work really isn't all that great after all.

On this episode of the IP Address, our hosts dive deep into some of the issues and pitfalls with AI technologies. We tackle some pretty heavy topics in this one, so get ready for a bumpy ride.

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Special thanks to Grace Hayhurst for the music and Leanna Osinski for the graphic.

We've all heard the argument that electronic materials are better than printed, but how does that stack up to the research? We dive deep into the numbers to finally put this question to bed: What's better for the environment, printed books, or eReaders?

We consulted a lot of different sources for this episode, so here are a few of those articles and papers:

https://archive.nytimes.com/www.nytimes.com/interactive/2010/04/04/opinion/04opchart.html 

https://themillions.com/2012/05/are-ereaders-really-green.html

https://www.energyaustralia.com.au/blog/lifestyle/which-uses-more-energy-books-or-tablets 

We hope you enjoy! Please send any feedback to [email protected]

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Special thanks to Grace Hayhurst for the music and Leanna Osinski for the graphic.

We all know The Mona Lisa is a snack, so why can someone with enough money just buy and eat her? On this week's episode, we dive into the concept of Intellectual Property within the commerce of art, as well as the physiological ramifications of consuming oil paintings.

In the end, you shouldn't eat those priceless paintings, you should eat those who have amassed enough wealth to be able to buy a priceless painting.

Sign the petition to get Jeff Bezos to buy and eat the Mona Lisa here: https://www.vice.com/en/article/y3dbgj/amazon-ceo-jeff-bezos-could-buy-and-eat-the-mona-lisa

We hope you enjoy! Please send any feedback to [email protected]

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Special thanks to Grace Hayhurst for the music and Leanna Osinski for the graphic.

What are Fan Productions, and how do they relate to copyright? How do they skirt around copyright, even when it can be said, they're violating copyright? We're going to talk about that today! We also spend way too much time talking about Star Wars and Mara Jade. Michael/Michelle apologizes for nothing.

We hope you enjoy! Please send any feedback to [email protected]

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Special thanks to Grace Hayhurst for the music and Leanna Osinski for the graphic.

In this episode, we look at the copyright within translated works. We cover authorized, unauthorized translations, and look at a famous case of a famous vampire book being translated into a whole new story.

We hope you enjoy! Please send any feedback to [email protected]

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Twitter: @IPAddresPod

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Special thanks to Grace Hayhurst for the music and Leanna Osinski for the graphic.