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Sketch: Kaleb and James uncover corruption at the head office that goes all the way to the top, as James struggles with his innate need to be ruled by a monarch.Show: James doesn't know the story of D.B. Cooper and Kaleb goes all Cliff from Cheers about it. Also, Kaleb gets his oil changed.
Kaleb did up a sketch this week that was basically an excuse to try out his Billy Bob Thornton impression. He won't do it again, maybe.As for the rest of the show, I'm sick. Leave me alone. It's people talking. There's some movie talking, some funny talking, some sad talking, even some sports talking. It all looks the same on the editing chart. Listen to it and tell your friends and quit pressuring me all day into coming up with professional, on-brand episode summaries. I don't get paid for these.
Note: James' Audacity crashed so he had to pull his side of the episode off Skype, and it doesn't sound as good as usual. Just let it happen. We're here. We do our thing. Sometimes we ain't as Hollywood as them Hollywood types, but at least we're not hunkered down in coat closets.Anyway, there are two sketches. James did up the first one and Kaleb did up the second one. James' is about a traveling salesman, and Kaleb's is a parody of Clint Eastwood's American Sniper. Oh, and Kaleb tried recording standing up, so we'll find out if that worked.There's also some talk about old movies, the freemasons, whatever. Content. Get at that content.
Bit of a comedown from James interviewing Keith Levene, but anything would be.Anyway, this is Kaleb going it alone for a full-blown hour. Theoretically it's an attempt to do an actual solo show, with as little artifice as possible.There's a short story Kaleb wrote at the beginning, then some talk about what happened over the holidays, the 2015 Hollywood black list, the Freemasons, and a whole bunch of movies. Kaleb's been watching movies apparently. Outrageous.
The Clash founder and former PiL guitarist was very generous to talk to me about his book Meeting Joe Strummer, his time in London '76 and the creative process.
Buy Keith Levene's book here: http://www.amazon.com/Meeting-Joe-Strummer-Guitarist-Levenes-ebook/dp/B00RY2II0G
Sketch: James goes back to that ol' bar in Death Valley. This one's probably gonna have an arc.Show: We recap whatever happened in 2014. Favorite music and movies and whatever else it is we talk about.P.S. Nobody listened to the last episode, so here's an unpersuasive suggestion for you to tell all your friends about all this content we do here. We write and do impressions and sing and dance and it's really a complete package of entertainment.
Kaleb is alone on New Year's Eve (no) in a vast desert (no) of punishing emptiness (still no).
The Christmas episode. Everything is festive and seasonal. James goes on the run in death valley, and Kaleb talks about building a gingerbread boxcar and Hobo Santa. There's even some good time snark, lots of SEO-friendly snark, about Jingle All The Way. And if that's somehow not good enough, get this:
Kaleb has an Oscar screener of The Interview. The entire episode is about the fallout of the Sony hack, and the loss of this wonderful, biting satire which may now be a victim of the times, against the wishes of the American people. We run down the entire thing, scene by scene, line by line, note by note. This is where you should go if you want to know about that movie.P.S. Are you drunk right now? Feeling sentimental? Got a nice Christmas bonus like they talk about in old-timey movies? Donate to the show. We have $30 toward our 2015 hosting goal of $180, and it'd be great if anybody could help us kill that off so we can never mention donations.
James goes to the doctor. Kaleb talks about the holidays and Merle Haggard and whatever the hell else it was. Also, The Last Exit Show would like to formally acknowledge a great, ghostly 45 from private press purgatory so that we might eventually shed light on it: Frank Thomas - Love You Deep Or Not At All.P.S. "He's just standing there. Why's he standing there?"
To compete with that NPR show Serial, Kaleb and James have turned the podcast into a serialized science-fiction murder mystery where they investigate a cold case on Mars. Even their unscripted segments now include obtuse hints about the crime, and provide background for the very intricate plot, which spans generations. History, blood, the sins of the father, the conflict between believers and non-believers, the wounded heart of the old weird America, all of it in space.
Also, since we're doing all this work with prestige fiction, maybe toss us a few bucks on paypal at [email protected]. We're out of hosting money. Kaleb has to pay for it at the end of the month and he doesn't really have the bread to do it without pain.
From the publisher's feed