Most of us go from day to day just coasting on the status quo. If it ain’t broke, why fix it—right? But when routines just get too mundane or systems stop making sense, sometimes you just have to hold your breath and jump. People who leap from their lives, their comfort zones, even through time.

539: The Leap

Each week we choose a theme. Then anything can happen. This American Life is true stories that unfold like little movies for radio. Personal stories with funny moments, big feelings, and surprising plot twists. Newsy stories that try to capture what it’s like to be alive right now. It’s the most popular weekly podcast in the world, and winner of the first ever Pulitzer Prize for a radio show or podcast. Hosted by Ira Glass and produced in collaboration with WBEZ Chicago.

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Gladiators in the Colosseum. Sideshow performers. Reality television. We've always loved to gawk at the misery or majesty of others. But this week, we ask the question: What's it like when the tables are turned and all eyes are on you?


Prologue: Ira talks to Joel Gold, a psychologist and author, about a strangely common delusion known as the "Truman Show Delusion," in which patients believe that they are being filmed, 24/7, for a national reality television program. (6 minutes)

Act One: Producer Stephanie Foo speaks to Nasubi, a Japanese comedian who, in the 90s, just wanted a little bit of fame. So he was thrilled when he won an opportunity to have his own segment on a Japanese reality TV show. Until he found out the premise: he had to sit in an empty apartment with no food, clothes or contact with the outside world, enter sweepstakes from magazines… and hope that he won enough sustenance to survive. (23 minutes)

Act Two: Writer Ariel Sabar tells the story of Roger Barker, a psychologist who believed humans should be studied outside the lab. So Barker dispatched an army of graduate students to follow the children of Oskaloosa, Kansas, and write down every single thing they did. Sabar wrote a book about Roger Barker called "The Outsider." (8 minutes)

Act Three: Charlie Brill and Mitzi McCall were a comedy duo back in the mid-1960s, playing clubs around Los Angeles, when their agent called to tell them he'd landed them the gig of a lifetime: They were going to be on The Ed Sullivan Show. The only problem was that their performance was a total fiasco, for a bunch of reasons, including one they never saw coming. David Segal reports. (17 minutes)

568: Human Spectacle

A girl signs up for a class. A couple hires an accountant. A group of co-workers decides to pool their money and buy a couple of lottery tickets. In the beginning, they're full of hope and optimism — and then something turns. Stories of good ideas gone bad.


Prologue: Paul was a cop. One night he was pulling second shift when he had a perfectly good idea: He'd stretch out in the back seat and take a little nap during his break. He fell right asleep, and slept well until he woke up and realized the funny thing about the back seats of cop cars: The doors don't open from the inside. Paul is author of the book Bad Cop: New York's Least Likely Police Officer Tells All. (8 minutes)

Act One: It was two months into the tour. Katie Else and the rest of the Riverdance cast had been performing eight shows a week. They decided to pool their money for the Mega-Millions lottery. Lotto fever gripped the cast. They started to genuinely believe they would take home about $2 million each, and quit Riverdance the next day. They took the stage the night of the drawing and pulled off their best performance ever, "For the Lotto!," trying to direct their energy towards the win. An hour later, at the hotel bar, the numbers came in. (17 minutes)

Act Two: After years of neglecting their personal finances, Joel and his wife finally decide to sort things out. They hire a tax accountant named Len, whose casual manner is a real comfort, at first. But then, "casual" turns into "drunk" and then it's clear that he's just plain delinquent. Joel tries to take his business elsewhere, but Len refuses to let go of their file. He begs for a second chance, which it seems, came too late. Joel Lovell is executive editor at Pineapple Street Media. (8 minutes)

Act Three: Davy Rothbart was on a 136-city tour appearing on morning TV talk shows to promote his book Found: The Best Lost, Tossed, and Forgotten Items from Around the World. Just before one appearance he had what seemed like a great idea at the time. Without letting the host know, he tested it out, live, on-air. Davy is the creator of Found Magazine and author of the book of essays My Heart Is An Idiot. (6 minutes)

Act Four: When Elspeth was a girl, she wanted nothing more than her father's attention. He was busy, a doctor, and distant. One day he agrees to put on a volunteer seminar for their church, about his area of expertise: "The Function of the Heart." Elspeth and her best friend are the only two kids who show up, and Elspeth is attentive and engaged, the perfect student. It was an incredible experience for her, the best day she's ever spent with her dad...she thinks. That is, until her mother takes her aside and explains her big mistake. (8 minutes)

306: Seemed Like A Good Idea at the Time

It can be hard to know the right moment for something to happen.


Prologue: When Jordan was going into his senior year of high school in small town Utah, he and his buddies all lived together in a house, daring each other into Jackass-style pranks and stunts. There's one particular thing Jordan did that he did not want to talk to Ira about. (10 minutes)

Act One: Harmon Leon is a writer and comedian whose cocktail party story about “the-weirdest-gig-I-ever-did” is more weird—by a lot—than anyone else’s we’ve heard. He answered an ad several years ago that called for a hilarious sidekick to a celebrity on a hidden camera show. (30 minutes)

Act Two: One of the show's producers, Zoe Chace, tells Ira about a joke she made pretty soon after 
something terrible had happened.

564: Too Soon?

People taking it upon themselves to solve the tiny, overlooked crimes of the world.


Prologue: Host Ira Glass bikes around Manhattan with Gersh Kuntzman, in search of illegal license plates. (11 minutes)

Act One: Writer Michael Harriot reexamines the DIY criminal justice system his mom invented to deal with his bad behavior as a child. (20 minutes)

Act Two: Producer Aviva DeKornfeld talks to Caveh Zahedi about a crime he may or may not have committed, depending on who you ask. (7 minutes)

Act Three: Micaela Blei accidentally solves a crime that had been going on for a long time, right under her nose, and has to decide what to do next. She told this story onstage at The Moth. (7 minutes)

Act Four: Editor Bethel Habte examines video evidence of two parents trying to get to the bottom of a minor crime committed in their own home. (7 minutes)

828: Minor Crimes Division

Mysteries that exist in relationships we thought couldn't possibly surprise us.


Prologue: Ira talks to Rachel Rosenthal, who spent years trying to figure out who had stolen her identity. She was closing bank account after bank account, getting more and more paranoid, until she realized she knew exactly who the thief was. (5 minutes)

Act One: Ira’s conversation with Rachel Rosenthal continues. She tells the story of why it took her so long to break up with her boyfriend, even after she figured out that he had stolen from her. We heard about Rachel's story via the podcast Risk! (9 minutes)

Act Two: Producer Neil Drumming conducts an experiment to find out: can two adults, both new in town, become friends, with the right help? (16 minutes)

Act Three: Comedian Kyle Mizono, in a live performance, tells about the time she met her hero, spent a week working with him every day, and it went really well. And then, she emailed him. (10 minutes)

Act Four: A short story by Lydia Davis about trying to calculate the cost of a love affair. The story is read by actor Matt Malloy. (12 minutes)

539: The Leap

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