When I was trying to break into show business, and older, more experienced writer – I think he was twenty-five; I think he once had a script optioned by a Serbia-based producer – told me that the only way to break into television writing was to be on a list of network-approved writers. It was a real list, he said, with a lot of names on it, and only those names would ever be hired to be on a writing staff. Get your name on that list, he said.  It's the only way...