Don is frustrated with what a bunch of provoking dickweeds we’ve all become while David is just excited about winning Valentine’s Day. Plus some squawk about true believers (in anything) are insufferable.

Yeah. The guys get caught up in the botched impeachment of the CEO of Smarm and the horror show of the Iowa caucus. It gets heated and several horrible analogies are bandied about.

It’s Don’s 54th Birthday and he tries to pass off some lessons in honor of his advanced years. Unfortunately for you, David sets him off and Don starts sounding older and older until David must exit his lawn ASAP.

David hates Hillary Clinton for so many reasons that are based on propaganda from decades of persecution. Don disdains not Bernie Sanders but his mouth-foaming, rabid supporters. Let’s break it down.

WARNING: Don uses the word “retard” at least four too many times in this one

The boys check in with each other about Don’s 8-months gig as a Casino Manager and David’s three weeks old job as an Events Producer. While on that conversational journey, they talk about the power of choosing your own reaction, and both Don’s hidden love of dogs and the girly-ness of David’s dog tattoo revisited two years later.

David is fuming over a fight between he and Katie about Leg-Os and realizes his fury has been felt by women for generations. Also a bit about the brilliance of Ricky Gervais.

We have a show sponsor! Chicago is now the home of legal grass! Neither Apes can remember the name of that broad who never heard of Van Halen, and Harry joins us to talk Star Wars and Marvel.

Looking back at the previous decade and wondering what the fuck went wrong and, guided by the prescience of pre-2010 Himmel’s sketch comedy chops, predictions of the decade to come.

Beginning the conversation with a backpedal by actress Olivia Wilde, the dudes of Apedom spin into a ramble that includes the excessive punishment of the Ass Slap Guy to the recent U.K. election into the Court of Public Opinion vs. the Actual Courts. Oi.

The Literate Apes dive into the world of Frank Sheeran and Martin Scorsese’s latest film, The Irishman as well as looking at cinematic long game narratives that connect across generations, directors, and storylines.