The Lost Signals

The Lost Signals try to discern who is real and who is not in their analysis of John W. Campbell’s (writing as Don A. Stuart) classic tale, “Who Goes There?” [Aggregate score: 8]

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As a precursor to kicking off Halloween season for 2018, TLS reviews the decently generic slasher flick, Hell Fest.

[Aggregate score: 6]

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Steve and Scott interview filmmaker Michelle Iannantuono about her upcoming feature, “Livescream,” as well as her company, Octopunk Media, and all of the various projects under its tentacles.

On Facebook:

Crowdfunded projects Michelle is promoting:

The post Film & TV: Interview with Michelle Iannantuono of Octopunk Media appeared first on The Lost Signals.

TLS reviews the latest Matt Groening brain-child, Netflix series Disenchantment, while channeling the habits and vices of the show’s characters.

[Aggregate score: 8]

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Less Dickensian and more Poe-esque, The Signal-Man is a story of ghastly foreshadowing and we’re just the Signals to review it. [Aggregate Score: 7.33]

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TLS devolves into beasts while reviewing The Predator, not to be confused with Predator and/or Predators.

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Join the “cool” section of video games, where exclusivity reigns. But is that a good thing? TLS discusses the nature of exclusive content/titles.

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In Bertrand Russell’s brief work, he takes TLS on a tour of philosophical hell, exploring what it means to non-exist.

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The TLS crew cleans up their emotional refuse (and ponders re-evaluating their review scale) in Amber Sparks’ wonderfully bittersweet story, The Janitor in Space.

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TLS tackles one of the modern day masterpieces that showcases both real life horror and honest humanity in the face of it, in the AFI #8, Schindler’s List.

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