The Lost Signals

Ever wonder what it would be like if a huge nerd who grew up in the 80s and 90s invented an entirely immersive virtual world? Well, wonder no more, venture with us down the rabbit hole of intense nostalgia as we review the newest Spielberg flick, Ready Player One. [Aggregate Score: 5.33]

The Lost Signals travels to the hidden city of Wakanda as they review Marvel’s latest–and possibly greatest–superhero story, “Black Panther.” WAKANDA FOREVER! [Aggregate score: 10]

 

In 1980s Italy, The Lost Signals follow along with the tumultuous yet touching relationship of Call Me By Your Name. [Aggregate score: 8.5]

 

 

Submitted for your approval, this week The Lost Signals turns its time and attention to Lynn Venable’s short story, “Time Enough At Last.” Time is relative and podcasts are portable, take a listen. [Aggregate Score: 6.7]

Welcome to the new Steven Spielberg cookie cutter normal. We discuss why sub par Spielberg films keep getting nominated for Oscars and ways that this could’ve been a more interesting movie. [Aggregate Score: 4.6]

The Lost Signals discuss relationships, perspective and a traumatic taxi cab ride featured in the story  “Thank You” by Alejandro Zambra.

[Aggregate score: 7]

“Benny Hill Style Theme” by Orion Williams

The Signals head to jolly old England to hang out with Winston Churchill. It just happens to be during the country’s Darkest Hour. [Aggregate score: 8.3]

TLS returns to talk with our favorite guest, and yours, game designer Ara Shirinian a sort of loose AMA session. Big thanks to everyone who submitted a question, and we will be speaking with Ara again sometime in the near future, so be sure to keep and ear, and eye out.

Check out more from Ara on:

instagram

Youtube Channel

Twitter

It is Oscar season and the Lost Signals is catching up on the “best” movies of the year.  Today’s episode features Daniel Day Lewis in a classy reboot of 50 Shades of Grey. [Aggregate Score: 8]

In a Lost Signals first, the crew simultaneously reviews two works that share many narrative and thematic similarities.  We are less Roger Ebert and more Henry Ford.