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The Major Scale hosted by Kyle Eagle featuring Gillies Peterson w/ Hillary Donnell & Paul and The Broken Bones.
St. Paul and the Broken Bones revive an energy that is desperate to break free in the 21st century. Their sound brings to mind the soul innovations of the Muscle Shoals rhythm section and Booker T. And the MG's, but with the live energy of an Elvis or James Brown Revue. On their records they fire all cylinders, live they become a near religious experience with Paul Janeway's stunning voice testifying from the pulpit. Janeway joins the Major Scale in conversation about the band's album Young Sick Camellia, their sound, their family roots and, of course, that voice.The Hammond B-3 organ gets some big love in this episode. First up is the Delvon LaMarr Organ Trio and their debut album Close But No Cigar, a Billboard #1 in the jazz charts. The band takes the well honed sound and constructs an incredibly funky outing that comes off like a live mixtape. It harkens the spirit and quotes from the titans of B-3 like Booker T. and the MG's, the Incredible Jimmy Smith, and Brother Jack McDuff.
Speaking of which, The Major Scale has been waxing on for a long time about the need to spread the word on Brother Jack McDuff's overlooked spaced-out jams of the late '60s and early '70s. We take a look at a trio of albums he cut for Blue Note during this period: Moon Rappin', To Seek A New Home, and Who Knows What Tomorrow's Gonna Bring? Unlike his other work, these albums don't turn up often on playlists, but when they do they dazzle and delight with their surreal soul and hard driving funk. Crate-diggers and producers have looked to these records since the dawn of hip-hop; just ask, J Dilla, Nas (who's father plays on one of the albums) A Tribe Called Quest, or Black Moon.Cat Toren hails from Vancouver, a positive wellspring of musical talent. She's a distinctive voice in modern music, most well known as a lead performer of the Juno award winning band Pugs And Crows. Human Kind is her album, her band, her inspiration, and her greatest work to date. The music is a suite of deep feelings, pensive melody, hypnotic groove, and a sensitive yearning for hope. In this time of numerous contemporary musical landmarks, she is certainly staking her claim. The music seeks to respond to what can actually make America right again.
Kyle Eastwood comes from a family of music lovers, especially Jazz, but he's the practitioner of it. For decades he's been making solid and soulful bop, and in recent years Eastwood has really come into his own as a bandleader and composer. If the Adderley Brothers and Cleveland Eaton passed the baton, he grasped it firmly and then some. He joins in to talk about his 20 years of output and his most recent release, In Transit.
The Major Scale returns with another season of championing the past, present, future and everything in-between of the great American art form - Jazz!
Out of the gate we speak to celebrated author Ashley Kahn (The House That Train Built, The Universal Tone) about John Coltrane's lost album Both Directions At Once, which he helped produce. This is a landmark time for music, and 'Trane is still present–he's maybe even more understood now than when he was alive. We discuss this and more with Mr. Kahn, all the while listening to the never before heard music of Both Directions At Once.
Nels Cline makes a return visit to The Major Scale with some insight about Currents, Constellations, his second album release on the legendary Blue Note Records. As usual, Cline's music sparkles with soul and daringness. His deep love of all music, combined with his experiences in DIY punk, free jazz, Sonic Youth, and Wilco, have made him one of today's most formidable players to follow.
SONG CREDITS FOR THIS EPISODE:
THEME: Jazz Phantom by Chomsk' (from the album "Different Beats" on Magnetic Records).
FIRST HALF: Uh Uh and A Fan's Mail (Tron Song Suite III) by Thundercat (from the album "Drunk" on Brainfeeder).
Lone Wolf and Cub, Inferno, The Turn Down, Show You The Way, Friend Zone, and Day and Night by Thundercat (from the album "The Beyond/Where The Giants Roam" on Brainfeeder).
Curly Martin by Terrace Martin with Robert Glaspar and Thundercat (from the album "Velvet Portraits" on Rope a Dope Records).
SECOND HALF: Firefly and Incandescence by Erik Deutsch (from the album "Creatures" on Immersive Records).
Prayer for Zimawanga by Erik Deutsch (from the album "Fingerpoint" on Sterling Circle Records).
Crown Vic by Erik Deutsch (from Live at Relix.com).
ABOUT THE MAJOR SCALE:
Your attention please to a new program that celebrates and takes a fresh and bold look at the great American art form- JAZZ!!!
The Major Scale is the title, the motto and the mission are, Jazz- past, present, future, and everything in between. A lot of focus will be on new and fresh sounds, deep cuts, closer looks at underrated artists, taking a different look at some of the titans of the genre, and getting the two cents worth from a number of surprise guests and sources.
The Major Scale can boast amongst it's guests- legends like Herbie Hancock, Tom Scott, and Ahmad Jamal. The up and coming and the underrated-Kamasi Washington, Mia Doi Todd, Michael Blake. Fresh perspectives and commentary from the likes of Rock legend Al Kooper, who weighed in on the gospel. From The New Yorker, Amanda Petrusich expounds on her article about the movement to rename the Williamsburg Bridge in honor of Sonny Rollins. We explore the Soul-Jazz experiments of the Rascals. Grace Kelly from The Late Show with Stephen Colbert talks about her pop-up/flash mob concerts. Plus Thundercat, Henry Mancini, Ghostface Killah, Jaimie Branch, Nels Cline, Badbadnotgood, Cecil Taylor, and more get pick up on the Major Scale radar.
Produced in Central Florida, this program seeks to become one of the defining voices of this Native American art form, and everything else that finds itself under it's umbrella. Think about programming and content found on the likes of World Cafe, Philadelphia, PA. Tiny Desk from Washington D.C., and KEXP Live from Seattle, WA. and that's what the Major Scale strives to do.
For the curious, and lovers of music who like the details in between.
ABOUT KYLE EAGLE (Host):
Kyle Eagle has been a contributing writer and producer for the NPR-WBGO, WUCF, WPRK, Wax Poetics, The Orlando Weekly, Artbourne, and The Fiscal Times, as well as several music and film releases- Light in the Attic's documentary "This Is Gary McFarland", and an upcoming film on composer Jack Nietzsche. Recordings- Call Me-Jack Wilson, Live at the Penthouse, Grachan Moncur III, Chico Hamilton, and Andy Bey.
ABOUT CHRIS BARANYI (Producer):
Chris Baranyi is a sound engineer and music producer. He splits his time between designing AV systems for theme parks and recording music. Chris has worked with many Orlando area musicians with backgrounds in jazz, fusion, hip-hop, funk, new age, and classical. Some of which have been featured on NPR's Echoes. His passion includes jazz, vintage microphones, and hot sauces.
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