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Jeff Bezos’ growing influence on the Washington Post has reached a turning point, with changes to its opinion section prompting resignations from senior figures. Cameron Barr, a former managing editor, explains his decision to leave, expressing concerns about the paper’s independence. Max Tani, media editor at Semafor, offers insight into how editorial and opinion functions differ between US and UK media. Greg Williams, deputy global editorial director at WIRED, examines Bezos’ wider significance.
Also in the programme, what is it like to win an Oscar? Director Molly O’Brien, whose documentary The Only Girl in the Orchestra won Best Documentary Short, shares her experiences of Hollywood’s biggest night.
Presenters: Katie Razzall and Ros Atkins
4.4
2020 ratings
Jeff Bezos’ growing influence on the Washington Post has reached a turning point, with changes to its opinion section prompting resignations from senior figures. Cameron Barr, a former managing editor, explains his decision to leave, expressing concerns about the paper’s independence. Max Tani, media editor at Semafor, offers insight into how editorial and opinion functions differ between US and UK media. Greg Williams, deputy global editorial director at WIRED, examines Bezos’ wider significance.
Also in the programme, what is it like to win an Oscar? Director Molly O’Brien, whose documentary The Only Girl in the Orchestra won Best Documentary Short, shares her experiences of Hollywood’s biggest night.
Presenters: Katie Razzall and Ros Atkins
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