This is my final version of string quartet 17 in full polymicrotonal polytempo. This has 13-14-15-22 tet tunings, and four competing tempos that shift and change throughout this piece. composed 2025. There are three main sections: staccato-free-harmonics and pizz.

A version without the 12tet in the background with more harmonics, and pizzicato...many versions more to come. The polymicrotonal compression of intervals sounds otherworldly as the violins flautando begin to sound flute-like. The entire timbral world of the string quartet has shifted to other timbres altogether unlike any string quartet known. This is partially due to the processing of Entonal microtonal retuner and its problems handling polyphony, such as multi-stops and makes errors in its processing, which I keep. I choose to keep these odd sounds. I create them and the errors of technology reinterpret them.

This piece is realized in both 12tet NotePerformer AND SWAM physical modeled polymicrotonal string quartet in 15, 14, 22, and 26 tone equal in addition to 12tet. The double quartet is overlaid on top of each other and acts as a "halo" of concentric tuning rings, like an auric field. This music is scored and the score is still in progress. One day an actual string quartet of humans, who spend time on the tuning, will perform this and it will sound probably nothing like this, or any computer realized piece. This is why I believe in "manifold" composition: many versions of the same piece. Manifold composition is not wholly new, as each performer adds their own distinctive and unique way of interpreting the score. This is actually no different, depending on the algorithmic output of computer programs always lends indeterminacy to the realizations, particularly mine, since there are numerous uncodified parameters at play in my music, not yet accepted by academia.

This string quartet is dedicated to Rob Reiner who gave me many enjoyable moments throughout my entire life. This work is a first installment and there will be a polymicrotonal version coming soon. This version is polytempic but is only standard tuning. The work is in four different and mutating tempi and differing time signatures that change throughout the work. The music is in three sections, but is fused as a single piece. I may break them up into movements, but would prefer not to. The polymicrotonal version is in progress.

Tuba solo with Brass Orchestra and third tone, eighth tone and quarter tone modulations. 2025

all brass in 12tet with dynamics, fermatas, tempo changes, and zero tonality, except for an occasional A here and there.

The 12tet version of the same piece for microtonal guitar, drums and cello, however somewhat different and with more piano parts. 2025

Price of coffee is up 5 dollars now because of Trump tariffs, which happen to be illegal, as everything he does is illegal, with full support of the idiot dumb stupid Americans.

night mare track for zombies.

A sampled violin is distorted and sequenced in Circuit Rhythm, along with microtonal guitar in Carlos Beta tuning and 12tet piano with pitch bending, in two sections--peace to war. Trump Hitler's war on planet Earth. 2025.