This is an exploration in new digital music technology, using the Native Instruments Maschine Micro with 16 drum and bass tracks split to 16 separate channels/tracks, and manipulated with panning and levels, whilst the CZ101 interferes with its inane singing, whilst other sounds from the Maschine Micro interfere, whilst a 24/60 microtonal guitar tries to break through with its soft cloudy countenance, whilst being eclipsed by the annoying CZ101 (also playing more than one part in the instrumentation) and the occasional pluck algorithms from Audacity are microtones to 75 cents up and down, along with a couple of quarter tones. The music itself also modulates to the eighth and quarter tones in the middle and towards the ending. This is therefore polymicrotonal. And since the drums are chaotic at points, this is also polyrhythmic, but not necessarily polytempic. Meow. 2025