just go fuck yourself.

Microtonal guitar solo featuring a 12tet + 15tet polymicrotonal tuning system with 24 out of 60 pitches. 2025.

Some haptic nonsense with tone wheel organ, microtonal guitar, drums and bass and some MidiPipe solving problems with virtual ports in Logic Pro. Solving problems. 2025. Meow.

The previous microtonal guitar track along side a strange linear percussive beat with bass and drums. 2025

a guitar track in 24/60 tet played lightly with tenderness. 2025

This is an exploration in new digital music technology, using the Native Instruments Maschine Micro with 16 drum and bass tracks split to 16 separate channels/tracks, and manipulated with panning and levels, whilst the CZ101 interferes with its inane singing, whilst other sounds from the Maschine Micro interfere, whilst a 24/60 microtonal guitar tries to break through with its soft cloudy countenance, whilst being eclipsed by the annoying CZ101 (also playing more than one part in the instrumentation) and the occasional pluck algorithms from Audacity are microtones to 75 cents up and down, along with a couple of quarter tones. The music itself also modulates to the eighth and quarter tones in the middle and towards the ending. This is therefore polymicrotonal. And since the drums are chaotic at points, this is also polyrhythmic, but not necessarily polytempic. Meow. 2025

This is an experiment with Maschine Micro and the CZ101 within Logic Pro and attempting to silence the screaming snails inside my brain. 2025

This track is the second version of 53, with added tunings and instruments: 12tet poly strings, and Nordic Whistle in Partch 43, in addition to the already established 22, 48, 53 and I forgot. Cats will soon join this eternal topic making it a trialogue betwixt myself, mat and David. coming soon. maybe. 2025

Four instruments display various musical behaviors whilst encapsulating four distinct microtonal systems: 19, 22, 48, and 53tet EDOs. The instruments are guitar, bowed harp, cello with electronic reverb, and metals with hard edge percussive mallets. Underneath are 53tet micro intervallic voice leading. Composed 2025. I tried Neural Network for a score for this one, but was unsuccessful. These poly-etudes are generally without score anyway, but I had thought about transcribing them with the new AI stem tools these days, but they still need work.

The program Neural Network, a stem separation algorithm, helped me recover some of the midi in the audio file, of which I rearranged from strings, flute and piano, to brass. The midi was recreated at a very slow tempo, so I made this version at a tempo of quarter note = 1528 bpm. It both sounds and not sounds like it. It is, of course, impossible to read and play, as the measures zip by in fractions of seconds. AI robot music performance for the future! 2025. Standard tuning and single, but fast, tempo.