Totally synthesized version of nonet for acoustic instruments, all with samplers. Relax and enjoy, or I'll kick your fucking ass.

Music for English horn, trumpet, violin, viola, cello, two vibraphones, guitar and piano. Tunings will be discussed later. Working on score, still. This piece is constantly evolving. 2025

This music is about how we are all fucked and Trump will destroy the Earth, as I've been fucking telling you idiots for the last ten fucking goddamned years and you just sat on your ass doing nothing. Happy Death. 2025

Like a wild Klezmer orchestra, everyone is going dixieland Mad with pdlytempo and polymicrotonality, for piano, guitar, violin, viola, cello, 2 marimbas, English horn and Trumpet. It's a mad drunken bar fight but, fun, a fun mad drinking bar fight. No one lives! Composed today and all week. This is related to the Boner happy day piece. You're welcome.

This piece is an outgrowth of the previous sextet that is now a NONET, with English Horn, C Trumpet, violin, viola, cello, 2 marimbas, guitar and piano. This is fully polytempic, but is only standard tuned, no microtones. (unless of course 12tet in-itself is already microtuned as it deviates from just overtones) . This piece is sprightly and alive, quite the opposite of its composer, so that remains an enigma.

Our country is a fucked up mess.

Tunings are: five sets of differently tuned 17-19-21-23-25-28-31 overtones for piano, violin, marimba, trumpet and English horn, and 48tet for the guitar.

A polycyclic piece with 5 looping cyclic parts not in a neat order, but not polytempic nor polymetric, either. Formerly a string quartet, but with added synth, is essentially a quintet. 2025

This is the mixed trio with bassoon added: Clarinet, Bassoon, Cello, and Piano. No fireworks. Just a rather nice low key ensemble. Neither morbid nor jubilant. This is the sister piece to the trio and Polymicrotonal Quartet. My pieces will have several versions. Actually they frankly always did, but it's much more deliberate now. 2025

This, my second mixed Trio in poly, features 17-19-21-23-25-28-31 seven note scale in the cello, that loops 6X against two polyrhythmic contrapuntal 24 unequal Pythagorean scale of al Farabi in the piano, and Ben Johnston's 6th Prime row of 25 unequal per octave, in the Clarinet. The interplay is finely thought out and responsorial. The poly trio is a new form I am experimenting with for more transparency for the contrapuntal interplay between the instruments in polymicrotonality. 2025