Newspaperwomen Anne Rogers and Spritely Poole are being sent on a special assignment to report on the battle zones of World War II, but Nazi agents try to interfere.

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John McMillan meets with Barnes’ crew to talk about how they can work together. The BSS crew updates Jaffra on the status of Zardoz and his ship. Gabby Marko and JoMac depart the Mercury in the shuttle. They approach Cali City for a landing in the shuttle followed by the Mercury. Kate gets a tip on a possible drug shipment heading for Florida. Meanwhile Thornton and Scarlett meet with Cliff, the airboat operator who picked up McMillan. Simon’s crew meet with director Cage then depart for Azerbaijan’s capital, Baku where they meet with their contact DeLarge.

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John McMillan meets with Barnes’ crew to talk about how they can work together. The BSS crew updates Jaffra on the status of Zardoz and his ship. Gabby Marko and JoMac depart the Mercury in the shuttle. They approach Cali City for a landing in the shuttle followed by the Mercury. Kate gets a tip on a possible drug shipment heading for Florida. Meanwhile Thornton and Scarlett meet with Cliff, the airboat operator who picked up McMillan. Simon’s crew meet with director Cage then depart for Azerbaijan’s capital, Baku where they meet with their contact DeLarge.

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We return with Dry Smoke & Whispers' Shadowman Saga with Part 3 of Assassins of Hadaragule!

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Life on 253 Mathilde is drawing to a close.

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Captain Jet Morgan and his crew aboard Discovery continue with their exciting missions with "The World in Peril". This week it's episode 18!

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Summer Starlight is dimming this last week with host Lothar bringing The World in Peril #18, 253 Mathilde: Episode 31, and The Shadowman Saga 2: Assassins of Hadaragule- Part 3!

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We're back with our continuing second collection. This week it's: "The Empty House" by Algernon Blackwood read by Will Tijerina!

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Vera is faced with a truth she never expected, but answers often come with more questions. As she steps deeper into the world of the Families, the weight of legacy, power, and deception begins to take shape. What does it truly mean to be a part of something larger—and what will it cost her?

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Last year The National Edgar Allan Poe Theatre was invited by The Provincetown Tennessee Williams Theatre Festival to adapt for the stage an early and little-known story by Williams, “The Eye That Saw Death.” This is the reading and sound design for Poe Theatre’s movement-based piece.

With themes echoing Poe’s story “The Tell-Tale Heart,” our production of “The Eye That Saw Death” was an undeniable hit of the festival.

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