The Nasty Pasty

In Minisode 2 of the Nasty Pasty Podcast, we travel to Rome to cover the very first giallo film ever made, Mario Bava’s The Girl Who Knew Too Much!

In our first Minisode of the Nasty Pasty Podcast, we go way back to the pre-Code era of 1930’s America to witness one of the first instances of both a female ensemble but a round-robin body count too with 1932’s Thirteen Women!

In Episode 15 of the Nasty Pasty Podcast, we head to the funky decade of the 70’s to follow two black women who are not only strong and independent, but are damn altruistic too in a duo of blaxploitation just for you.

In this very special episode of the Nasty Pasty Podcast, we meet with an icon of exploitation films who has done everything from Bond films, Star Wars rip-offs and sleazy 80’s slashers: the wonderful British actress Caroline Munro!

In our third Extra of the Nasty Pasty Podcast, we return to a sorority house slasher picture but not Black Christmas this time: it’s the House on Sorority Row, just released from 88 Films!

In our special episode for the first day of our Twelve Days of Christmas Horror on the Nasty Pasty Podcast, Dr. Calum Waddell is back to discuss the slasher film cycle as well as the Slasher Classics Collection from 88 Films!

In Episode 14 of the Nasty Pasty Podcast, we delve into the origins of our most bloody torture films like Hostel and Saw, having roots in the depraved splatter movies of the seventies, two of which we analyse for you!

In our unlucky 13th episode of the Nasty Pasty Podcast, we’re heading back to the sinister corridors and traumatic classrooms of the school building, to learn a thing or two about two School-based Slasher films!

In Episode 12 of the Nasty Pasty Podcast, we return to the jungle to encroach upon two cannibal films that are lacking some major elements, rendering them much more unique than your average flesh-eating nasty!

In Episode 11 of the Nasty Pasty Podcast, we return to the mysterious world of the giallo, covering two pictures that are some way west of what to expect, missing a major element of the genre whilst being the same style.