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A comment by a tech reviewer incited us to discuss who is qualified to pass judgment on the audio quality of devices. We discuss this with our favorite audiophile, Chris Connaker.
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Special Guest: Chris Connaker.
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Jethro Tull's Thick as a Brick is arguably the best progressive rock concept album of all time. Doug and Kirk have long been fans of this record, and discuss the genesis of the recording and the music, which still stands, nearly 50 years after its release, as one of the great albums of all time.
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We last spoke with composer and pianist Timo Andres early in the lockdown, after he made a series of videos for a recital program that had been cancelled at Carnegie Hall. Over the past few months, Andres has refined the art of filming himself at the piano, and uses both audio and video recording as part of his creative process.
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Special Guest: Timo Andres.
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Pianist Simone Dinnerstein used the lockdown to record an album of music by Philip Glass and Franz Schubert. We discuss how she built her career, how she recorded this album, and talk about Schubert's wonderful last piano sonata.
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Is stereo the right way to listen to music? After all, it is an artificial attempt to reproduce the sound of live music. Perhaps we should revolt against the tyranny of the sweet spot.
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Following our discussion of CDs in episode #190, we continue our discussion about these plastic discs, mainly because Doug bought some new audio gear and is now CD-obsessed.
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We begin an irregular series of key albums that stand out in the history of music. For our first foray into this type of discussion, we talk about The Rolling Stones' Exile on Main Street.
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We wax nostalgic about CDs, those plastic (and partly metal) discs that changed the music industry starting in the mid-1980s, and whose popularity has waned since the rise of streaming.
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A reviewer suggested that we mentioned John Cage in this podcast as a "cheap marketing ploy." That made use think about taste: highbrow, lowbrow, and unibrow. We reflect on whether we are really the "Renaissance men of music."
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Kathryn Williams plays the flute, and, because of some health issues, has a unique approach to the breath. In addition to being a free diver, she has been commissioning pieces of music for one single breath. And she's going to try to break the Guinness world record for the longest sustained note on a wind instrument.
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