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John Wyver's company Illuminations produces films of live performances: theater, dance, opera, and music. He joins us to discuss the future of live performances in what he calls The After, that period when Covid-19 is just a memory. Will live performances be able to start again even if there isn't a vaccine? How can social distancing allow live performances to return?
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We meet harpsichordist Mahan Esfahani, who is showing how the harpsichord is no longer an instrument just for "old" music. His latest recording features contemporary music for harpsichord and electronics.
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Plex is a great way to manage your media library. Doug and Kirk discuss how they use it. Note: we recorded this episode before the lockdown began, but held off publishing it because we had a number of interviews with musicians in lockdown.
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TJ Connelly is a sports DJ: he provides "scores" for live sporting events, such as baseball, football, and hockey games. Since the lockdown, he's been out of work, and he has been focusing his attention on Uncertain Times, a daily streaming radio show. We talk with him about what it means to score live sports, and how his streaming show is reconnecting him with real radio.
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Timo Andres is a young composer and pianist, nominated for the Pulitzer Prize in 2016. We discuss his music, and how he missed his first solo recital at Carnegie Hall du to the coronavirus lockdown, and decided to make home videos of all the works to present his program to the public. (Apologies for the audio; we made some mistakes when recording.)
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Oliver Craske has just published the first biography of the legendary Indian musician Ravi Shankar. Craske knew and worked with Shankar near the end of his life, and carried out extensive research to tell the tale of the man who brought Indian music to the west. (Apologies for the poor Skype audio quality.)
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Anne Midgette resigned as classical music critic for the Washington Post a few months ago, but she is well placed to discuss the dangers facing live performances of classical music in The After. And she tells us about the historical novel she's writing about the woman who built pianos for Beethoven.
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We talk with harpsichordist, conductor, and "general music addict" Richard Egarr, about original performance practice in early music.
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We talk with pianist Marc-André Hamelin, whose repertoire, in more than 60 recordings, covers many little-known composers, as well as a number of twentieth-century works, by composers such as Ives, Rzewski, and Feldman.
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We talk with Ian Bostridge, Kirk's second-favorite lieder singer, about life in lockdown, and about Schubert's Winterreise, the song cycle that Bostridge is best known for, through his many performances, recordings, films, and a book he wrote about it.
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