The OHenry Report

On this episode of BroadwayWorld's theatre business podcast, "The OHenry Report," Broadway producer and investor Oliver Henry Roth talks with three experts on Broadway fandom. They discuss what makes a super fan, and how shows can embrace their most passionate supporters.

First, Oliver talks with Mark Dooley, the director of the documentary "Repeat Attenders," which chronicles the phenomenon of fans seeing a show dozens... hundreds... even thousands of times. Then, he talks with Melissa Anelli, the CEO of Mischief Management, the organization that created and runs BroadwayCon. Finally, Oliver chats with one of the most well-known Broadway fans, Laura Heywood, also known as BroadwayGirlNYC.

Music by: bensound.com

Hosted on Acast. See acast.com/privacy for more information.

On this final 2017 episode of BroadwayWorld's theatre business podcast, "The OHenry Report," Broadway producer and investor Oliver Henry Roth talks with BroadwayWorld's Matt Tamanini about the biggest stories of 2017, and what to expect in the new year.

Oliver and Matt discuss the longterm impact that "Springsteen on Broadway" could have on Broadway producing, how the ticketing landscape could and should change, and how the "Great Comet" casting controversy will affect decisions and announcements in the future.

They also discuss the potential for Broadway to have up to nine jukebox musicals running at the same time in the near future, and what they are most looking forward in the coming year.

Music by: bensound.com

Hosted on Acast. See acast.com/privacy for more information.

On this episode of BroadwayWorld's theatre business podcast, "The OHenry Report," Broadway producer and investor Oliver Henry Roth goes inside the numbers of "Natasha, Pierre & the Great Comet of 1812" to see what might have led the show's producers to take such drastic casting measures, as discussed and explained in Episode 2.

In this episode, Oliver uses the show's publicly available financial data and educated estimates to try to figure out why a show that routinely grossed over one million dollars per week only returned 15% of its investment. Oliver also talks to Daniel Kuney a Broadway and Off-Broadway general manager currently working on PUFFS at New World Stages, and Carrie Casselman, a theater attorney at Paul, Weiss, Rifkind, Wharton & Garrison LLP, to fill in the blanks as to why a show that appeared to be making money, actually wasn't.

Music by: bensound.com

Hosted on Acast. See acast.com/privacy for more information.

On this episode of BroadwayWorld's new theatre business podcast, "The OHenry Report," Broadway producer and investor Oliver Henry Roth talks to the playwright/producer and lawyers behind the recent major court decision that deemed the new play "Who's Holiday" protected from copyright claims from Dr. Seuss Enterprises.

In the episode, Oliver talks to the playwright of "Who's Holiday" Matthew Lombardo, as well as Jordan Greenberger, the attorney who represented Lombardo and "Who's Holiday" in litigation against Dr. Seuss Enterprises. Oliver also discussed the situation with Andrew Farber, a theater attorney whose firm, Farber Law LLC, serves as Production Counsel to "Who's Holiday."

Lombardo has been represented on Broadway in the past with his plays "High" (2011) and "Looped" (2010).

Music by: bensound.com

Hosted on Acast. See acast.com/privacy for more information.

On the fourth episode of BroadwayWorld's new theatre business podcast, "The OHenry Report," Broadway producer and investor Oliver Henry Roth talks to three of the industry leaders when it comes to capturing theatre and the performing arts for distribution in movie theatres, on TV, and online.

First, Oliver talks to Themis Gomes, the CEO of Cennarium, one of the largest streaming services for the performing arts. This week, on September 15th, Cennarium will open the first ever Streaming Performing Arts festival, the Promenade Festival.

Promenade Festival

cennarium.com

Twitter: @cennarium

Facebook

Then, Oliver brings things back to Broadway by chatting with Broadway producer and BroadwayHD co-creator Stewart F. Lane. A six-time Tony-winning producer, Lane had been dreaming of, and experimenting in, capturing live theatre for more than two decades, and with the launch of BroadwayHD in 2015, he has made the practice common and almost expected in an industry that previously viewed it as impossible.

BroadwayHD.com

Twitter: @BroadwayHD

Facebook

Finally, Oliver talks with one of the most innovative Broadway producers who kicked-off streaming in the New York theatre community. In 2015, Ken Davenport live-streamed his Off-Broadway show "Daddy Long Legs," making it the first theatrical piece to be live-streamed online from a Broadway or Off-Broadway theatre.

Ken's Blog: The Producer's Perspective

Twitter: @kendavenport

Facebook

Music by: bensound.com

Hosted on Acast. See acast.com/privacy for more information.

On the third episode of BroadwayWorld's new theatre business podcast, "The OHenry Report," Broadway producer and investor Oliver Henry Roth talks to two industry professionals about the licensing process for plays and musicals, and then what happens when a theatre company violates their license.

In the news recently, the Shelton Theater in San Francisco came under attack for dramatically modifying Stephen Adly Guirgis’s play "The Last Days of Judas Iscariot" without receiving proper approval from the author. To understand the process of licensing and the enforcement of an author's copyright, Oliver talked with Bruce Lazarus the executive director of Samuel French and Howard Sherman, the director of the new Arts Integrity Initiative.

Oliver also talked with BroadwayWorld's Matt Tamanini, The OHenry Report's producer, about recent theatrical news, specifically openings, closings, and Broadway real estate.

About Bruce Lazarus: A Tony-nominated producer before joining Samuel French, the oldest and largest publisher and licensor of plays and musicals in the world, Lazarus oversees the companies strategy, acquisitions, marketing, licensing and business affairs in New York, Los Angeles, and London. You can connect with Bruce on Twitter @BruceLazarus.

About Howard Sherman: The former executive director of the American Theatre Wing from 2003 to 201, amongst other things, Sherman is now the director of the new Arts Integrity Initiative at the New School for Drama, focused on creative and academic freedom in the arts. You can connect with Howard through Twitter @hesherman or on his website hesherman.com.

About Matt Tamanini: Matt is a Senior Editor and Administrator at BroadwayWorld, regularly writing about Broadway real estate, TV, and film. He is a proud graduate of The Ohio State University and has worked in professional and collegiate sports, as a theatre director, producer, and teacher, and he is a podcast host and producer with BroadwayRadio. He also hosts BroadwayWorld's pop culture podcast, "Some Like it Pop." You can connect with Matt through Twitter @BWWMatt.

Music by: bensound.com

Hosted on Acast. See acast.com/privacy for more information.

On the second episode of BroadwayWorld's new theatre business podcast, "The OHenry Report," Broadway producer and investor, Oliver Henry Roth talks to four Broadway professionals about the ins and outs of replacing principal cast members in a Broadway show.

First, he discusses the casting side of the process with Telsey + Company's Cesar Rocha. Then he talks to NATASHA, PIERRE & THE GREAT COMET OF 1812's Associate Director Sammi Cannold about the put-in process for replacement stars.

Next, Roth gets into how you market a show with a replacement lead with SpotCo Interactive's Creative Director Jimmy McNicholas, and, finally, he gets into the nuts and bolts of how the GREAT COMET recasting controversy could have happened from a contractual standpoint with Broadway and Off-Broadway general manager, Daniel Kuney; who is currently working on PUFFS now playing at New World Stages and he has previously worked on ROCK OF AGES, A NIGHT WITH JANIS JOPLIN, FELA!, THE 39 STEPS and many more.

Hosted on Acast. See acast.com/privacy for more information.

BroadwayWorld is proud to announce that they have partnered with Broadway producer Oliver Roth to relaunch his podcast "The OHenry Report." The show will be a one-of-a-kind look inside the business of Broadway. Through candid conversations with theatre insiders, Roth will pull back the curtain on the biggest stories, issues, and trends in the theatre today.

In the first episode, Oliver talks with his "OHenry Report" producer, BroadwayWorld's Matt Tamanini about what listeners can expect from the show moving forward, as well as the current state of Broadway real estate.

With Roth's unique approach to producing, he will discuss how production teams integrate data analytics into their projects, and what that means for their bottomline. Roth also uses trends and historical data to provide some of the most accurate Tony Awards predictions in the business.

You can subscribe to "The OHenry Report" on iTunes and Stitcher.

Roth is a theater producer based in New York. His producing credits include Broadway's upcoming ESCAPE TO MARGARITAVILLE and Off-Broadway's STRAIGHT and INVISIBLE THREAD. He has previously worked on Broadway's THE REALISTIC JONESES and MACBETH. In addition to producing independently, Roth works with several non-profits in helping them develop new works and support emerging theater artists.

Outside of New York, Roth has worked for Center Stage (MD), and the Buck Hill Skytop Music Festival (PA). He currently writes "The Broadway Beat," a monthly column in The Connector Magazine.

In 2011, Roth was awarded the American Marketing Association's Marketing Excellence Award. He founded OHenry Productions in 2014, shortly after working on his first Broadway show, MACBETH (Alan Cumming). For more information on Roth and OHenry Productions, visit their website at ohenryproductions.com.

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.