There alway something sings – Sarah Quartel by Oxford University Press

Chimes – Oliver Tarney by Oxford University Press

The Honeysuckle and the Bee – William H. Penn by Oxford University Press

All will be well – Will Todd by Oxford University Press

Under the greenwood tree – William Walton by Oxford University Press

Spring (Sound the Flute) – Edmund Jolliffe by Oxford University Press

Scarborough Fair – Trad. arr. Michael Higgins by Oxford University Press

Dr. Emily Hobson, Associate Professor at the University of Nevada-Reno, is an historian of LGBTQ history and radical social movements. As we celebrate the 50th anniversary of the Stonewall Inn uprising, Hobson takes an in depth look at the events that led to rebelling, the importance of the event to the LGBTQ community, and the lasting impact it had on the gay rights movement.

If you’re interested in learning more, we suggest “A Historical Perspective on Violence Against and Policing of LGBTQ Communities” by Courtenay W. Daum: https://oxfordre.com/politics/view/10.1093/acrefore/9780190228637.001.0001/acrefore-9780190228637-e-1221

In the 29th episode of CPR ThoughtSpace, Richa Bansal talks to Senior Visiting Fellow, Philippe Cullet, about the book, 'Right to Sanitation: Critical Perspectives' co-edited by him, Sujith Koonan and Lovleen Bhullar, published by Oxford University Press. The book represents the first effort to conceptually engage with the right to sanitation and its multiple dimensions in India, as well as its broader international and comparative setting. This episode is in collaboration with the Oxford University Press, a department of University of Oxford that furthers the University's objective of excellence in research, scholarship, and education by publishing worldwide. To know more about the book visit oup.co.in.

This is the piece that inspired the title of the collection. The text is full of the joy of singing, and this is a fast, fun, and energetic song that would work well as the first or last piece in a concert. Be sure to check that the repeated ‘la’s don’t get overworked: the tongue movements for the ‘l’ should be fast and free. Although the tempo is fast, the lines are long and flowing; stay well-connected and smooth through the syncopations in the melody.