In this first episode, we speak with pioneering Piatt scholar Paula Bernat Bennett. In 2001, Paula published the first university-press edition of Sarah’s work.  Paula talks about how she came to find Sarah; why Sarah’s voice stood out; social expectations for woman poets; and Sarah and Emily Dickinson as contemporaries. Paula chose her edition’s title, Palace-Burner, from Sarah’s poem about women’s role in the violent social unrest of the 1871 Paris Commune.  It became her pithy phrase for Sarah herself–and her insistent challenges to gender norms.



Interview date: September 9, 2017

In this first episode, we speak with pioneering Piatt scholar Paula Bernat Bennett. In 2001, Paula published the first university-press edition of Sarah’s work. Paula talks about how she came to find Sarah; why Sarah’s voice stood out; social expectations for woman poets; and Sarah and Emily Dickinson as contemporaries. Paula chose her edition’s title, Palace-Burner, from Sarah’s poem about women’s role in the violent social unrest of the 1871 Paris Commune. It became her pithy phrase for Sarah herself–and her insistent challenges to gender norms. Interview date: September 9, 2017

In this first episode, we speak with pioneering Piatt scholar Paula Bernat Bennett. In 2001, Paula published the first university-press edition of Sarah’s work.&nbsp; Paula talks about how she came to find Sarah; why Sarah’s voice stood out; social expectations for woman poets; and Sarah and Emily Dickinson as contemporaries. Paula chose her edition’s title,&nbsp;Palace-Burner, from Sarah’s poem about women’s role in the violent social unrest of the 1871 Paris Commune.&nbsp; It became her pithy phrase for Sarah herself–and her insistent challenges to gender norms.



Interview date: September 9, 2017

The Palace-Burner

Sarah Morgan Bryan Piatt (1836-1919) was a popular, prolific, and well-regarded poet during her lifetime, writing more than 600 poems across more than half a century. Her earliest work, composed when she was still the unmarried Kentucky teenager Sallie M. Bryan, was published by the most influential newspaper editors in the nation. She married Ohio poet John James Piatt in 1861. In the tumultuous decades ahead, her work met with robust national and transatlantic acclaim. She fell into obscurity upon her death and was rediscovered only in the 1990s, by numerous scholars working independently of one another. Since that time, she has quickly gained stature as a major artist, now standing at the brink of the American canon. In this collection of interviews, scholars who contributed to Piatt’s rediscovery tell their stories about how they came to “find” Piatt—and why she merits status as one of America’s great authors.

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The Palace-Burner

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