This week we sit down with Farah Nabulsi, Palestinian-British Oscar-nominated, and BAFTA award-winning filmmaker and human rights advocate. We do a deep dive into The Present exploring its themes, the thought process behind certain characters and exchanges, and the notion that we learn just as much about Palestinian cultural tendencies of hospitality and compassion as we do about the realities of life under Israeli military occupation. Farah also clues us into the only part of the Present which is fictional and reveals why she chose to focus this film around the checkpoint - just one of the settler-colonial state’s violent many structures and apparatuses. We discuss the importance of language in a liberation struggle and the interplay between the dehumanization of the Palestinians and the oppressor’s capacity to oppress (shoutout Stanley Milgrim). Farah and Lara talk Fanon and Michael recall Chomsky’s warnings about the emergence of Judeo-Nazi tendencies in Apartheid Israel. Farah suggests Lara and Michael go into radio.