As noted several moons ago, The Peggy Mount Calamity Hour knows that the language of cinema is a little different to that of the small screen, but it’s a lesson they love to revisit nonetheless. This week’s study is of personal pronouns; as in ‘She'll probably regret wearing that’, ‘He made an egg sandwich that should be on trial’, and ‘I Bought A Vampire Motorcycle’…

The Peggy Mount Calamity Hour continues to explore the weekly cultural abyss of what really goes on After Dark. But as so often with the analysis of horror, the story of what scares us isn't quite as intriguing as what in turn reassures. And for a formative mind in the harsh striplights of the 1980s, there are few things so reassuring as the jet slacks, tousled demi-wave and leatherette blouson of the world's most mysterious techno-vigilante...

It's the question asked by anybody of an inquiring mind (and the hosts of The Peggy Mount Calamity Hour are no exception) when faced with baffling circumstance and an unexplained outcome: Did that actually just happen? In fact, so determined are they to get to the bottom of it all that they've asked The ExtonMoss Experiment to come round and help solve the mysteries of the universe. Or of Bristol, at the very least.

The Peggy Mount Calamity Hour is nothing if not a podcast of juxtapositions and contrasts, like mixing vintage TV shows with digital platforms, and necking Malibu and Quatro out of the antique sherry glasses. And it's this grating collision of 1980s futurism and sepia-toned yesteryear to which the hosts turn once again, because everyone knows it's not really a horror-season if you don't put A Dracula™ in it...

Fear of the unknown has always been a source of crippling anxiety for puny humans, and it pays to scry the future at any available moment. Whether you've got one eye on the 3:30 at Chepstow, on that recent headline about an escaped leopard, or on that pair of plimsolls in the window of Freeman Hardy & Willis for Saturday afternoon, you simply can't out-run destiny (and those plimsolls look great #BuyTheThings).

The Peggy Mount Calamity Hour's concerted foray into televisual horror continues apace, with Doctor Velvet, Blackout and Ozzy Bognops continuing to wade drinks-aloft through the darkness. But into every cobwebbed crypt an ecclesiastical sunbeam must fall, and salvation arrives in the form of The Finest Hair On Television™...

With the first stirrings of spring on the breeze, an archive-television reviewer's thoughts naturally turn to fresh air, greenery and neolithic menhirs. A quest for savage nature leads to this episode of The Peggy Mount Calamity Hour being 33% outside broadcast, as well as seeing the return of a beloved special guest back in the studio!

Ever keen to multi-task, The Peggy Mount Calamity Hour's After Dark season is at this point so blasé with unseasonally ticking off items from the Hallowe'en schedule that they've started on the Christmas telly as well. Naturally, ghosts have no real concept of earthly time and so tend to turn up impromptu and behave appallingly. Much like dinner guests...

Creepy cartoons and high-ectoplasm action series are all well and good to satisfy a 21st century lust for arcane entertainment, but sooner or later what's required is actual, verified, hard evidence of the afterlife. And with that in mind, The Peggy Mount Calamity Hour turns - once more - to Auntie Beeb for some documentary fact.

This entire series of The Peggy Mount Calamity Hour focuses on the more macabre facets of the magic lantern partly in a bid to help clear the supernatural backlog, and because sometimes a Halloween-themed programme crops up that's just too good to leave until Spooky-Season! (or is just too awful to take that coveted slot in the review-schedule, but let's try to be optimistic)

Worlds collide at Mountpeg Towers this week when Ozzy Bognops drops round, and explosions meet ectoplasm for The Fall Guy on 'October The 31st', the textbook snapshot of a celebrated 1980s TV show having a mid-life crisis. Yes, whether you're raising a cold beer to The Unknown Stuntman or a smouldering absinthe to The Mistress Of The Dark, the level of For-The-Dads™ televisual entertainment here is positively off the scale...

How many litres of water does it take to extinguish Sally Field? How many litres of whiskey does it take to incapacitate Colt Seavers? And how many members of the incidental cast are changing their surname to Carradine to ensure they get a screen-credit?

Grab the coroner, unearth the casket, press the Play button, and find out...

The Peggy Mount Calamity Hour is a free podcast from iPorle Media, which holds production copyright. Opinions and recollections expressed are not to be taken as fact. The title and credit music is by Doctor Velvet, with additional accompaniments from Ozzy Bognops. Audio segments from television programmes are presented for review and informational purposes only under fair use, and no ownership of these is claimed or implied by this show. Email enquiries to [email protected]