Sarah Belle Reid is a rule breaker. A performer-composer who trained in trumpet and moved through, and at times against the status quo, to modular synthesizer, and an ever-expanding array of handcrafted electronic instruments. The personal voice she explores, moves between the intersections of contemporary classical music, experimental and interactive electronics, visual arts, noise music, and improvisation. Reid holds a Doctorate of Musical Arts from California Institute of the Arts, with a research focus on the development of new electronic instruments and musical notation systems as interfaces for exploring temporal perception and co-creation. Reid is on faculty at Chapman University teaching music technology, as well as Temple University, where she teaches Physical Computing and Electronic Instrument Design. 

Sarah and I discuss her early career and how she disrupted her own ideas of musical success to forge a path all of her own. She shares the story of creating her own instrument, MIGSI, explaining what inspired its development, its mechanics, and how it has propelled the trumpet into the future with innovative sensing technology and sound processing. Sarah also reflects on her journey as an innovative musician in her field, building a social media presence, independent research and improvisation, and how she felt like she was “just starting”, once she realized she was not just a performer but so much more, herself. Sarah goes on to announce, for the first time publicly, her newest work, an opera titled “Times Undoing and Progress”.

Alexandra Arrieche, Brazilian-born conductor keeps busy working with some of the most important ensembles and figures in both classical and pop music. With an ability to move masterfully between genres, she distinguishes herself as one of the most unique and exciting conductors of her generation. Alexandra currently serves as Music Director of the Olympia Symphony Orchestra and the Henderson Symphony, and as Principal Conductor of the Antwerp Philharmonic in Belgium as well as conducting the European Emmy Award-winning Night of the Proms. Alexandra has a laundry list of collaborations including Bryan Ferry, Seal, Simple Minds, Earth Wind and Fire, Pointer Sisters, Natasha Bedingfield, Chaka Khan, Roger Hodgson (Supertramp), Peter Cetera (Chicago), Toto, and Alan Parsons.

In this episode Alexandra shares her life’s story, starting from her early days in Brazil, emerging as a musician from a family of chefs, attributing her musical talent to her maternal grandfather, a traditional fado guitarist who she never met. We chat about her early life, starting with piano and composing for the first time at the age of 16, creating a musical storm. Today, she is an extremely accomplished and a rare “collaborative conductor”. We chat about her upcoming Britt performances in Jacksonville Oregon where she is a guest conductor, why classical music is vital, and how she works to successfully produce applaudable performances from the orchestral ensembles she works with.  

From picking up the violin before even mastering speech, to gracing prestigious concert halls worldwide, Jennifer Roig-Francoli’s musical odyssey is as captivating as her performances. An international prize-winner, her talent has been featured in TIME Magazine. She’s also certified and accomplished Alexander Technique (AT) instructor, reshaping how musicians perceive and inhabit their craft, with the goal to free mind, body, and spirit. 

Jennifer immerses us in her enthralling violin journey, recounting tales of her childhood violin practice. We delve into what drew her to the Alexander Technique and its exploration, her current teaching path, her “without hands” approach, and her mission to empower students’ to train themselves. Her recent book, Make Great Music with Ease adds depth to our conversation; expect to be inspired by Jennifer's spark and sharp insight. 

This week, I sit down with Idit Shner. Idit holds a Bachelor of Music degree from Oklahoma City University, a Master’s degree in Music Education from the University of Central Oklahoma, and a Doctor of Musical Arts degree from the University of North Texas. She currently teaches at the University of Oregon as a professor of saxophone and jazz studies. Idit has performed solo recitals across the United States and Israel.

Idit is one of those rare musicians who excels in both classical and jazz saxophone. I couldn’t wait to hear about her theories on playing both genres and her tips and tricks for switching between these two demanding styles. We discuss how she gigged to pay for college, her experience meeting her husband when she started grad school, and the newest hot topic of reeds—when she would use synthetic ones and why she prefers not to.

Idit’s enviable drive, dedication, and work ethic are a wonder to behold, yet she still manages to keep things Playful.

Heralded as one of the best prepared and most serious bassists by Chuck Israels, Garrett Baxter is also a longtime friend. Though years separate us, Garrette and I grew up in the same small town in Southern Oregon where we cut our teeth in band rooms from high school to college. Residing now in Portland he is one of the most exciting young bassists in the city. 

One of only a few in person interviews I have done, I was excited to join Garrett in his home in Portland to talk music. We chat about practice patterns and tips, what we do before we even pick up our instruments to learn new pieces, and who he is currently playing with, in the Pacific NorthWest and beyond, including his first gig in New York City at Dizzy’s Club. 

Garrett is a consummate student of music. Listen as he shares some of the best advice and most memorable lessons he’s learned along the way. 

Assistant Professor of Jazz Studies and Jazz Ensemble Director at Houghton University  Russell Scarbrough is a composer, bandleader, trombonist, and educator. His works have been performed by symphonies, orchestras, big bands, jazz ensembles, and soloists alike on a multitude of stages, at schools and universities, Carnegie Hall, and the steps of the US Capital. 

Russell and I get nostalgic and walk down memory lane in this episode. Tune in and reminisce with us about choosing our first instruments in school and making the trek home with our cumbersome choices. While swapping stories from the jazz band, we discuss the changing landscape of jazz education, and what Russell learned by playing along with borrowed records from the public library. Russell shares the trials and joys of writing for jazz musicians, who each have their own voice and we debate whether a composition is there to serve the needs of the musician or the soloist is there to serve the piece.

Joanna Wallfisch is a London born vocalist/composer, hailing from generations of musicians. A multi-instrumentalist, she plays the guitar, ukulele, charango, piano, flute, and is a master in the art of live vocal looping. Her music is at once, hypnotic, and genre defying.

We sat down right before her newest album, now released, All in Time dropped. This latest is a collection of songs, with “no particular theme, but an overarching sense of purpose”. About allowing herself to be more patient, “it’s all at once about nothing and everything”. The second track, Killer Whale, will pull your skin away from your bones, calling you like a siren, to the sea. 

Music in her family has been more than a career, it was a means of survival. She tells the harrowing story of her grandmother, a survivor of Auschwitz. As a young teen she preserved her life by playing the cello in the orchestra at the camp. “If it weren’t for music, none of us would exist.”

A lively listen as we discuss endurance, in sport, in music, motherhood, and life.  

Purchase Joanna’s book The Great Song Cycle

Watch Joanna’s documentary The Great Song Cycle, Down Under

Kat Eaton has a voice dripping with deep, sultry tones and a pen that cuts through both light hearted topical themes and heavy social issues with equal parts soul and finesse. From drunk-dialing your ex to the persecution and attacks on the LGBTQAI+ community, Kat is the relevant, progressive musician we are all searching for. Truly an artist for the modern times. Kat has toured the UK/EU and sold out multiple headline shows in London, co-writing with the likes of Caro Emerald, Ruby Turner, and Roberta Campos; breaking through to distant territories via the national radio airwaves of Holland, Belgium, Brazil, France, and Italy. Kat’s voice is a rich jewel in the music scene.

Kat shares how with her first exposure to blues and soul, at the age of ten, she knew she wanted to create the visceral, full body experience she felt in the music.  As a very shy kid, Eaton created an alter ego to embody the confidence she needed, to become the performer she is today. From winning a Battle of the Bands, to playing pubs, Kat and I discuss how the ability to remain objective about her performance and talent, opened doors to a full life of songwriting, performance, and composition. Her new album, Honestly dropped Friday last, March 22nd. 

The Playful Musician is back with a new season and you won’t want to miss it. 

Our host Steve Davidson will chat with musicians of every ilk; diving into the background, practice rituals, and origin stories of each guest. Discover talented, inspiring artists as you are introduced to them for the first time or hear stories regaled from your favorite performers and legends of our era.

With Davidson’s captivating interview style he deftly pulls out intimate stories and candid moments you’ll not hear anywhere else.  

So sit back and tune in as you deep dive into the personal world of professional musicians and what makes them tick.

Multi award-winning Canadian singer-songwriter, pianist and CBC Music national radio host Laila Biali returns to the Playful Musician to talk about her brand new recording Your Requests. This recording is the result of her deep connection to her fans and their "requests" for songs for her to record. Bringin new imagning's and fresh ideas these jazz standards, Your Request is a joyful, breath of fresh air!