In this episode we explore how to move and adjust connected clip anchor points in Final Cut Pro X. This will allow you to easily make slip edits and other trims without altering the timing of connected clips. This technique is great for those last-minute edits right before client delivery.

Have you ever had a project where you need the audio to match exactly with either a sound effect or music hit and couldn’t quite get it to match up properly? Ever needed to correct for the tiniest amount of audio drift in an interview? Here's your answer!

In this episode we'll be covering the importance of nailing your white balance in camera (and why you should err on the side of warmer footage), the ups and downs of Final Cut Pro X's built-in Match Color feature, and how to utilize a color checker if you, your DP, or Cinematographer shot one while on set. You can follow along with this tutorial by grabbing the ProRes files here http://d.pr/f/INxdeZ and the Color Finale Demo here http://d.pr/w1J0Hu

If you've ever wanted to create effects like the movie Pleasantville OR the season 2 opening flashback of Breaking Bad (with the iconic pink teddy bear), this is the episode for you!

In this episode we’ll be working on something rather cool: recreating a Dolly Zoom effect in both Final Cut Pro X and Motion, complete with examples!

In this episode we’ll cover the process of roundtripping from Final Cut Pro X over into DaVinci Resolve for color corrections and then back into FCP X for any finishing touches we might want to make.

In this episode we’ll be talking about two key, often-requested topics that are the foundation of nearly every project: media management and switching between proxy and optimized media to quickly complete your edits.

In this episode we look at EditReady as a viable alternative to generating proxy and optimized media in FCP X while exploring some of its other benefits, namely LUT previews, adding metadata, and more!

In this episode, we cover the brand new interface of Final Cut Pro X and touch on some of the powerful new features they've implemented along the way. What a time to be alive!

In this episode, we cover the interface of Motion 5. Not all of it in its entirety, but just enough to make you a dangerous motion graphics creation weapon.