Welcome back to our third podcast at the Courtauld Gallery in Central London.
In this episode David and Harry look at 2 paintings: Vincent Van Gough’s Self Portrait (with bandaged ear), 1882, and Paul Cézanne’s The Card Players, 1895.
We invite you to look at the image while listening. Please click on the artist name to view the image.
Vincent Van Gogh - Self Portrait (with bandaged ear, c.1889
Vincent van Gogh (1853–1890) was a Dutch Post-Impressionist painter whose intensely emotional work and bold use of colour made him one of the most influential figures in the history of Western art. Born in Groot-Zundert in the Netherlands, Van Gogh struggled from an early age to find direction, working variously as an art dealer, teacher, and lay preacher before committing himself fully to art in his late twenties. Van Gogh was largely self-taught, developing his skills through persistent drawing and close study of other artists. In 1886 he moved to Paris, where he encountered Impressionist and Neo-Impressionist painters. Exposure to brighter palettes, broken brushwork, and Japanese prints transformed his style, leading him to experiment with vivid colour and expressive line. In 1888 Van Gogh relocated to Arles in southern France, hoping to establish an artists’ community. However, his mental health deteriorated, culminating in a breakdown during which he famously mutilated his ear following an argument with Paul Gauguin. Despite producing over 2,000 artworks in just a decade, Van Gogh sold very little during his lifetime and relied heavily on financial and emotional support from his brother Theo. In 1890, aged 37, Van Gogh died from a gunshot wound, widely believed to be self-inflicted. His reputation grew rapidly after his death, and today his work is celebrated for its raw honesty, emotional depth, and lasting impact on modern art.
Paul Cézanne - The Card Players, 1895
Paul Cézanne (1839–1906) was a French painter whose radical approach to form and structure laid the foundations for modern art. Often described as the bridge between Impressionism and Cubism, Cézanne transformed traditional ways of representing space, influencing generations of artists in the twentieth century. His early works were dark, thickly painted, and emotionally intense, reflecting the influence of Romanticism and Realism. In the 1870s, Cézanne worked alongside Impressionist painters such as Camille Pissarro and adopted brighter colours and outdoor painting. However, he soon diverged from Impressionism’s focus on fleeting effects of light. Cézanne sought something more enduring, famously aiming to “make of Impressionism something solid and lasting.” He developed a methodical approach, constructing forms through repeated brushstrokes and reducing nature to cylinders, spheres, and cones. His still lifes, particularly those featuring apples, challenge conventional perspective, subtly shifting viewpoints to emphasise the act of perception. After his death in 1906, Cézanne’s influence became profound, shaping the development of Cubism through artists such as Picasso and Braque. Today, Cézanne is regarded as one of the most significant figures in Western art, revered for redefining how painting could represent the world.
Credits:
Podcast content and founders: David Johnson and Harry Baxter
Audio production: Clear Voice Enterprises.org
Our thanks to the Courtauld Gallery and their staff for their co-opperation and access to the described art works.
