Behind-the-scenes vlogging on movies like 28 Weeks Later, Sunshine and Son of Rambow, Prince's 21-date residency at the 02 and Michael Jackson's Is This It residency announcement are all jobs sitting on Damien's CV. Add to that having his photography as part of the world's first camera phone exhibition, working on Radio 2 and Radio 1Xtra, being given two choice words from Kevin Spacey and babysitting Daniel Radcliffe, and Sung has quite the story to tell. Links to his work and more can be found at Linktr.ee/Damnsung.

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Dodgy are at the forefront of bands when you think Britpop, but what was that scene like from the inside? Frontman Nigel Clark tells all, including what those whirlwind few years were like, how he and Dodgy wrote songs like In A Room, their beginnings at the Dodgy Club and how they got signed, his solo work, punk and The Beatles.

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Sea Power's frontman talks about the process of making the band's new album Everything Was Forever and the new way the band approached recording during Covid. He also talks early days club nights in Brighton, appearing on David Letterman in New York, scoring soundtracks and his feelings on playing live.

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In one of his first chats about the upcoming Feeder album Torpedo, frontman Grant talks about it's tracks and how he wrote them. Also, he chats about early Feeder gigs and getting the band known, the origin of the name (which incidentally he wouldn't choose today) and the tragic death of drummer Jon Lee and how he dealt with the aftermath, from drinking to songwriting.

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As Starsailor gear up to embark on a UK in support of the 20th anniversary of their debut Love Is Here, also lovingly reissued as a double album, singer James Walsh talks about the process behind writing and recording the album, how the band got their record deal, why Phil Spector was let go as producer on Silence Is Easy, cooking, fatherhood, hanging with Travis and Coldplay, and more.

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A delicious mix of stories from the ongoing second season of the podcast. Near-death experience, pulling knives on men with snakes, upsetting Dave Grohl, and working with Jim Carrey are just a few of the tales told here by guests Gary Numan, Skunk Anansie's Skin, Fontaines D.C's Grian Chatten, The Subways' Billy Lunn, The Horrors' Faris Badwan, Ben Schwartz from Parks and Recreation, Censor Director Prano Bailey-Bond, Garth Marenghi creator Matthew Holness, The Clockworks' Sean Connelly and James McGregor, Shame's Charlie Steen, Cat's Eyes' Rachael Zeffira and Tyne James-Organ.

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Speaking from his editing man cave, adorned with posters and memorabilia of his favourite movies, Neil Marshall covers a lot of ground in his episode. How he got Dog Soldiers up and running, his process on the Descent including details on creating the monsters movement and THAT jump scare, shaking things up when directing Game of Thrones, informal movie chat with Sir Anthony Hopkins (NB call him Tony) on Westworld, unleashing his inner pretension directing Hannibal and the bluntly verbalised reasons why he deems the Hellboy reboot the worst experience of his professional career.

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Bang, flames, bullets, car wreck, a good action movie has some if not all of these. But how do you create the glorious destruction that has adorned our movie screens for years? The answer is with people like Terry Glass. With his first job being working on Alien, Terry's career was off to a great start. He moved onto, among others, 80s great Raiders of the Lost Ark, Return of the Jedi and Indiana Jones and the Last Crusade, and continued to explode his way through Hollywood for the next few decades and is still causing carnage with Michael Bay on 13 Hours and Transformers as well as Mission Impossible 6 and 7. And he talks about all these and more in this episode.

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The full story of how an idea to run a horror festival at a famous backstreet London cinema grew into the gore behemoth it is today is laid out by one of it's directors, Ian Rattray. From a struggled start to a George Romero guest appearance to putting a PR woman in her place in front of an entire cinema to suprise director appearances and the grisly content itself, the movies, Ian details the huge effort and process of putting on the globally renowned, Frightfest.

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The Queensway Tunnel links Birkenhead to Liverpool, and it is driving through it that musician Zuzu finds most of her song ideas come to her. It's only right then to name her debut album after it, which is exactly what she did. On this episode, she talks about her songs and how she created them as well as working as an elf, opening for Blossoms at the UK's first non-socially distanced gig during the pandemic and her love for both Taylor Swift and Arctic Monekys and how they influenced her to get into music herself.

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