Star Wars Episodes VII - IX/ Rogue One and Solo, Prometheus, The World's End, Dutchman Gustav has worked on a variety of films building creatures, aliens and robots as one of the main players in the industry. He talks in detail about his Star Wars work from the first meeting to his work hitting the screen, building an Engineer head for Ridley Scott, a robot alien for Edgar Wright, and his not so easy path in getting to this stage in his career.

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The Favourite bagged Make-Up and Hair Designer Nadia the BAFTA, and she talks to host Kevin Dawson about her work on it as well as Tyrannosaur, This Is England and Eddie the Eagle. She shares her story of working all hours to make it to the top of her game, and the many collaborations her job puts her in, including working with Paddy Considine, Olivia Coleman and Nicolas Hoult.

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Post Supervisor Katie talks to host Kevin Dawson about how she entered the industry via Bond before working on Harry Potter for 11 years as well as 3 Tim Burton films, Justice League and more. She also talks about the three stage process of post-production, what happens at movie premieres, and the many facets that can make or break the quality of a film.

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Following host Kevin Dawson's first conversation with newly BAFTA-winning producer Stephen in the last episode, Kevin gets the lowdown on the second half of Stephen's illustrious career so far. Continuing on Interview With the Vampire and working with Cruise and Pitt, they also talk about Stoned and the implications of rock star murder surrounding the story, as well as female empowerment in movies such as Collette, Carol, Your Finest, Byzantium and Made in Dagenham.

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BAFTA-Winning Film Producer Stephen Woolley talks at his production company Number 9 Films to host Kevin Dawson about his hands-on Arthouse and World cinema education before managing the infamous Scala cinema himself. He details distributing The Evil Dead and how Sam Raimi slept at his house, as well as tales of producing classics such as Company of Wolves, Mona Lisa, Absolute Beginners, The Crying Game and Interview With the Vampire. And, how he pitched a film to Sean Connery in a lift.

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Helicopter pilot Will explains how he went from farmer to a pilot in the movies. He shares his incredible in-the-air account of the London Olympic stunt when James Bond and the Queen parachuted from a helicopter, about being in the helicopter than destroys Bond’s house in Skyfall, how he thought the placement of a rock by Ridley Scott would end up with a jeep exploding under him, the challenges he faced when trying to line up his helicopter with the aeroplane Tom Cruise was clinging to the outside of and the logistics of landing by a famous landmark in Fast & Furious spin off Hobbs & Shaw.

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Co-owner of Pindrop Ltd, Steve has formed a career out of mixing sound for independent film by directors such as Shane Meadows, Noel Clarke and Dexter Fletcher. He was also responsible for the audio in recent horror Strangers: Prey at Night and talks about the swimming pool scene in detail with host Kevin Dawson. Throw in working with Tim Burton and Paul Schrader, how to he does the sound for a punch up and the process of the horror movie jump scare.

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Industrial Light and Magic have their VFX Supervisor Julian to thank for the stunning CG in a host of blockbusters such as Rogue One, Transformers: Last Knight, Ready Player One and Ninja Turtles 2. He talks about these films as well as being on set for Dark Knight Rises, Solo and Fast & Furious 6, how he created the alien in Paul and just what goes into making robots for Transformers.

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Starting as a background artist on Disney cartoons, Jason now heads the art department at Industrial Light and Magic. He talks to host Kevin Dawson about how he designed Two-Face‘s look for Dark Knight, watched Spielberg in action on the set of War Horse and worked on Harry Potter, Jurassic World: Fallen Kingdom and the new Star Wars movies. Also, how he became Daniel Radcliffe‘s almost naked CG double.

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How does someone intent on being a producer actually become one? And what is the role of a producer or does it cover many facets of the recording process? Hugh details how he works with artists such as Rae Morris, Jamie N Commons, Crystal Fighters, Michael Kiwanuka and Will Joseph Cook to get the best version of a song out into the world. From arranging the song to sending them home when the performance isn‘t there, Hugh reveals how he runs his studio as a freelance music producer.

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