Welcome to the 99th and final podcast from THE SCREEN'S MARGINS of the year! What a year it's been, and what better way to round out 2021 than by...okay there's nothing special, it's just B Peterson and Witney Seibold talking good film that's available on Ovid.tv, aka the premise of OLL OBOUT OVID! We talk Alain Renais' 1956 tribute to libraries, Madeline Anderson's documentation of Civil Rights activism and activists, Lynne Sachs' experimental explorations of history, language and the documentary form itself, Jill Li's chronicling of a democratic movement in Southern China, and more besides! We hope you enjoy, and thank you for your time.

Hey y'all, we're back. We made it to episode twenty of our Ovid.tv podcast: oh oh oh two oh! And what better and more on-brand way for B Peterson and Witney Seibold to celebrate, than by exploring some international independent arthouse films, three of which are shorts, and one of which is four hours in length. That's right, this month Witney and B are discussing the complete [filmed] works of Chinese novelist, writer, editor, and director Hu Bo, who left us far too soon. They include his two 2014 thesis short films DISTANT FATHER, which he co-wrote and edited, and NIGHT RUNNER, his directorial debut, as well as MAN IN THE WELL, the 2016 short he made while working under Béla Tarr, and, of course, AN ELEPHANT SITTING STILL, his first and final feature. A warning: discussions of suicide and suicidal ideation ahead. Thank you for your time.

OLL OBOUT OVID!, our now monthly podcast dedicated to what B Peterson and Witney Seibold have seen on Ovid.tv, is back for its October installment! This month, we've got a total of 16 or so films currently available on the indie streaming service to discuss; they include horror films (THE NIGHTMARE, CREEPY), musicals (FOOTNOTES, JEANNETTE: THE CHILD OF JOAN OF ARC), queer romances (FRESH KILL, THE CITY OF THE FUTURE), and everything in between! Witney and B also try to express their adoration for the new and final film from Nobuhiko Kobayashi entitled LABYRINTH OF CINEMA. Oh, and DUNE inevitably gets mentioned. We hope you enjoy, and thank you for your time. We'll see you next month!

Welcome, everyone (including the, uh, many *many* new listeners, like what is up with that?), to the 95th and final episode of The Screen's Margins as a full-blown podcast network. After nine months of releasing on average nearly three podcasts a week, B Peterson is calling it a day. But before she goes, we've got one more weekly episode of OLL OBOUT OVID!, our podcast dedicated to Ovid.tv, and it's a doozy! B Peterson and Witney Seibold are reviewing all THIRTY-FIVE short films in Ovid's Animated Shorts Collection, all of which are provided by The National Film Board of Canada. Ranging between two and sixteen minutes each and totaling out at nearly five-and-a-half hours, these shorts are everything from hilarious to horrifying, from eye-poppingly gorgeous to downright [and deliberately] off-putting; they are absolutely worth your time. Speaking of time, thank you sincerely for offering yours to this network and to these films and filmmakers who most cinephiles will never give a second glance! We hope you've enjoyed, because we certainly have. See y'all in a month!

This week on OLL OBOUT OVID!, the Ovid.tv podcast, Witney and B talk two super long things and one very short thing. The two super long things are Ryūsuke Hamaguchi's HAPPY HOUR (2015), which B has now caught up on, HOTEL TERMINUS: THE LIFE AND TIMES OF KLAUS BARBIE (1988), the Marcel Ophuls documentary abut a Nazi's life after WWII (which B will not be catching up on), and THE GREAT MALAISE (2019), a short film from Catherine LaPage about...three guesses. We hope you enjoy, and thank you for your time.

This week on OLL OBOUT OVID!, our podcast dedicated to Ovid.tv, Witney and B talk the remainder of Dominga Sotomayor's films that are available on the service (2013's LA ISLA and 2014's MAR), as well as Ryūsuke Hamaguchi's 5-hour platonic relationship drama HAPPY HOUR from 2015. We hope you enjoy, and thank you for your time.

This week on OLL OBOUT OVID!, our Ovid.tv podcast, Witney and B talk two feature films from Chilean director Dominga Sotomayor Castillo (her first and third to be precise). First up is 2012's DE JUEVES A DOMINGO or THURSDAY TILL SUNDAY, which chronicles what will likely be a family's final road trip together through the eyes of a child, followed by 2018's TARDE PARA MORIR JOVEN or TOO LATE TO DIE YOUNG, which shows a pivotal week in the life of an off-the-grid commune through the eyes of three adolescents. Fun fact: if you pay super close attention to this episode, you might be able to detect Witney and B's particular affection for one of these films. We hope you enjoy, and thank you for your time.

This week on OLL OBOUT OVID!, the podcast dedicated to Ovid.tv, Witney and B talk cinema from Chile and China. These include two films directed by Yang Mingming which explore strained relationships between women artists (2012's FEMALE DIRECTORS and 2018's GIRLS ALWAYS HAPPY), three short films from Dominga Sotomayor which portray strained familial relationships (BELOW, THE MOUNTAIN, VIDEO GAME), and Witney finally catching up with Patricio Guzmán's NOSTALGIA FOR THE LIGHT. We hope you enjoy, and thank you for your time.

This week on OLL OBOUT OVID!, the Ovid.tv podcast, Witney and B are once again talking Patricio Guzmán with his 2010 and 2014 films NOSTALGIA FOR THE LIGHT and THE PEARL BUTTON, which, along with THE CORDILLERA OF DREAMS, form a trilogy on Chilean geography and political history. Also discussed is the new Tsai Ming-Liang film DAYS, as well as a Godzilla film or two. We hope you enjoy, and thank you for your time.

Oll Obout Ovid!, the Ovid.tv podcast is back again. This week, Witney and B talk THE CORDILLERA OF DREAMS, Patricio Guzmán's 2019 documentary exploring Chile's geography and political history, as well as the 8 experimental dance short films that make up BEST OF FEST 2! We hope you enjoy, and thank you for your time.