Mayonnaise Like This, by Mahon McCann was written, produced, edited, and directed as part of Queen's University Belfast's MA in Creative Writing, Page to Stage module. The module is taught by Tim Loane. 

Thomas Finnegan - GeorgieGerard McCabe - TonySusan Davies - KatieCathy Brennan - Katie's MotherMegan McGarry - ShanaPeter Gilroy - JimmyComhgall McKeating - TeacherAniskaa Rajasagaran - LecturerMahon McCann - Police/bouncer Maisie Linford - ProducerAniskaa Rajasagaran - ProducerMichael J Daly - DirectorHolly Yates - DirectorComhgall McKeating - Story EditorXuejing Wang - Sound Editor 

In this light-headed summer solstice episode, Stephen Sexton gives some excellent advice on divining rods, Ian Sansom talks to Aislinn Clarke about the supernatural, and Marcella Prince reads some poems. 
It was produced in a small back room by Ian Sansom, Stephen Sexton, and Rachel Brown. With thanks to producers Chantal Ailsby and Toby James, and to Nick Boyle for his music. 

In this labourious bank holiday episode, our regular format takes a day off, giving Ian Sansom more time to talk to Myra Zepf about working with myths and children, and Dawn Watson reads some poems.
It was recorded in a small back room by Ian Sansom, Stephen Sexton, and Rachel Brown, with thanks to producers Chantal Ailsby and Toby James, and to Nick Boyle for his music. 

In this serpentine episode, Ian Sansom doesn't talk about snakes with Manuela Moser, Gail McConnell, and Jimmy McAleavey. As far as we can tell, Padraig Regan's poems do not contain snakes. 
It was produced in a small back room by Ian Sansom, Stephen Sexton, Rachel Brown, and Chantal Ailsby, with original music and sounds by Nick Boyle and Chantal Ailsby. 

In this amatory episode Ian Sansom talks love songs with Glenn Patterson, Shakespeare's Sonnets with Leontia Flynn, and black masses with Tim Loane. Caitlin Newby reads some love poems, and Ciaran Carson sings a song for a blue-eyed lassie. 
Produced in a back room by Stephen Sexton, Ian Sansom, Rachel Brown, and Conor McCafferty. With music by Nicholas Boyle.