Before reverb, a recording was a document. After it, a recording was a place. This episode traces how engineers, producers, and artists weaponized echo, decay, and spatial illusion — from Sam Phillips flooding Sun Studio with slap-back tape delay to Phil Spector's Wall of Sound to the gated reverb snare that defined an entire decade — to make listeners feel like they were somewhere that never existed. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com
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