Drab, incoherent, and brainless from start to finish, Fear is the result of director Deon Taylor hurling a bunch of tropes at the wall and seeing what sticks – and nothing does.

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Brandon Cronenberg adds another strong entry to his weird and unsettling oeuvre, while Mia Goth gives her third standout horror performance in the space of ten months.

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A team-up of the talents behind Housebound and Malignant should have been a slam dunk, but don’t believe the hype – M3GAN is an assembly-line-style dud.

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Skinamarink is not a perfect film, but it’s so weird and singular that we might not change a thing about it.

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Nanny is visually gorgeous and chock-full of great performances, but eventually descends into “fugue soup,” and the overwhelming water motif spoils the ending.

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While intriguing and loaded with personality, Something in the Dirt would have benefited from a little more structure and stronger distinctions between John and Levi’s dialogue.

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While not quite up to the standards of his prior work, Luca Guadagnino’s cannibal romance road movie is moody, occasionally arresting, and driven by good performances all around.

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Even if The Menu doesn’t qualify as horror comedy haute cuisine, there are some tasty morsels knocking around in there. Ralph Fiennes is a delight.

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V/H/S/99 marks the series’ full-on tonal shift into Creepshow-esque horror comedy, which ultimately proves detrimental. Better than V/H/S Viral, but that’s not saying much.

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Prey for the Devil is a movie that is impossible to care about, a worse-than-average exorcism film in a subgenre where “average” is a pretty low bar to clear.

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