V/H/S/99 marks the series’ full-on tonal shift into Creepshow-esque horror comedy, which ultimately proves detrimental. Better than V/H/S Viral, but that’s not saying much.

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Prey for the Devil is a movie that is impossible to care about, a worse-than-average exorcism film in a subgenre where “average” is a pretty low bar to clear.

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David Bruckner’s reboot of the 80s horror staple is a little too rigid, a little too sanitized… and frankly, just doesn’t raise all that much hell. But Jamie Clayton and Odessa A’zion are terrific.

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Halloween Ends – about two movies too late. The film is a misbegotten mess, top to bottom, riddled with baffling story decisions and underwhelming direction.

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In spite of a few solid scares, Smile is too full of same-y mystery thread-pulling – and in Matt’s opinion, annoying cops – to really succeed.

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The back end of Pearl isn’t as visually arresting as its opening act, and suffers from some scripting issues, but the film is a knockout showcase for Mia Goth’s delightfully broad performance.

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Although it falters a bit in the back half, Barbarian has a killer opening act and an assortment of thrilling hard left turns in plot and style sprinkled throughout.

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The Invitation features the sexiest vampires this side of Twilight, and in spite of some satisfyingly old-fashioned gothic horror touches, has about as much dramatic heft – or as many scares.

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Orphan: First Kill is a wholly unjustified prequel that attempts to top the original’s already ludicrous twist, but is mostly just an inert mess. William Brent Bell is a hack of the first order, and always has been.

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They/Them is a poorly scripted, entirely muddled mess, a shallow coming-of-age trauma-bonding teen drama with a vestigial slasher film appendage.

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