For a sub-80-minute film, Sick feels weirdly bloated, and yet at the same time, suffers from a disappointing lack of ambition.

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Featuring good performances but a slightly flabby second act, Knock at the Cabin settles comfortably into the middle tier of M. Night Shyamalan’s oeuvre. It doesn’t really work as a climate change allegory, though.

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Drab, incoherent, and brainless from start to finish, Fear is the result of director Deon Taylor hurling a bunch of tropes at the wall and seeing what sticks – and nothing does.

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Brandon Cronenberg adds another strong entry to his weird and unsettling oeuvre, while Mia Goth gives her third standout horror performance in the space of ten months.

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A team-up of the talents behind Housebound and Malignant should have been a slam dunk, but don’t believe the hype – M3GAN is an assembly-line-style dud.

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Skinamarink is not a perfect film, but it’s so weird and singular that we might not change a thing about it.

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Nanny is visually gorgeous and chock-full of great performances, but eventually descends into “fugue soup,” and the overwhelming water motif spoils the ending.

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While intriguing and loaded with personality, Something in the Dirt would have benefited from a little more structure and stronger distinctions between John and Levi’s dialogue.

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While not quite up to the standards of his prior work, Luca Guadagnino’s cannibal romance road movie is moody, occasionally arresting, and driven by good performances all around.

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Even if The Menu doesn’t qualify as horror comedy haute cuisine, there are some tasty morsels knocking around in there. Ralph Fiennes is a delight.

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