There wasn’t enough meat on these bones to turn this short into a viable feature, and yet Bryce McGuire left some behind in favor of a grab-bag of tired and disconnected horror tropes.

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William Brent Bell’s latest is a cut above most of his other work, which is to say it’s a run-of-the-mill folk horror film with a lousy ending.

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An improvement over some of Eli Roth’s more risible work, Thanksgiving is a refreshingly old-fashioned slasher that nonetheless feels rather predictable and thin.

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The video game series doesn’t hold a special place in either of our hearts, but the film adaptation is not the wholesale disaster social media makes it out to be.

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David Gordon Green’s latest attempt at a legacy sequel to a landmark horror film has more in common with The Exorcist’s legion of shoddy imitators than it does with the source material itself.

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Matt and Jim take this opportunity to do a full retrospective on the Saw franchise, and while it’s got a handful of high points, it’s mostly schlock. This entry is better than most.

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Apologies for the unannounced hiatus, but we’re back with a throwback to our second episode all-time. The Nun may not have been good, but this sequel is just… boring. It doesn’t help that it’s drowning in disposable tertiary antagonists, either.

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Even with its slam-dunk premise, we didn’t love “Dracula on a Boat.” However, it gets points for hearkening back to 90s and early 2000s Universal monster flicks.

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Despite being well-made and periodically effective, Danny and Michael Philippou’s film left us cold. We wouldn’t mind seeing the hand come back, though.

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Samuel Bodin’s dramatically under-promoted film features a few good scares and some deft camerawork, but the parents were written without depth and the film is sometimes paced too much like a trailer.

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