This disposable, drab, tension-free nothing of a requel is only the first entry in a trilogy that’s already been shot. God help us.

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Reminiscent of both halves of Twin Peaks and redolent with curdled 90s nostalgia, I Saw the TV Glow nonetheless provoked a Siskel-and-Ebert disconnect between Matt and Jim.

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This is pretty bottom-of-the-barrel, disposable stuff. When the movies coming to mind are Wish Upon, Countdown, and Imaginary, that’s a very bad sign.

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A step down from Ready or Not – mostly because it recycles many of the same beats less effectively – Abigail nonetheless features a fun cast and a few neat tricks. We just wish it maintained its momentum following a strong opening.

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A handsomely-crafted legacy prequel that features great performances, oodles of atmosphere, and some solid scares, even if some of its departures from the original don’t quite gel.

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The latest installment in the long-running anthology franchise is a step back up from V/H/S/99, but still doesn’t hit the same sweet spot as the first two films.

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While the ending isn’t quite as balls-to-the-wall as some of the buzz might have you believe, Immaculate is buoyed by a strong central performance and atmosphere to spare.

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Unlike Fantasy Island, the last Jeff Wadlow film we reviewed, the whackadoo third-act shenanigans on offer here aren’t fun-bad… they’re just a chore.

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A taut, engaging thrill ride with gorgeous visuals and impressive sound design, Out of Darkness almost completely overcomes an ending that might not work for some.

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Strong sound and creature design fail to overcome a no-dialogue gimmick that doesn’t always work and an ending that, while conceptually interesting, remains flawed.

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