A better-than-average entry in the haunted hotel genre, The Night is boosted by an understated and compelling ending.

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Do you have a friend who’s really bad at handling stress? Imagine cloning them six times, tossing them in a deadly box, and being forced to watch them scream at each other for 88 minutes.

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“Well, uh… the Purge is over, but it’s, like, forever now.”

That’s it. That’s the post.

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This Ilana Glazer vehicle grapples with some serious real-life issues, and elements of the film have a great deal of merit, but it also has a lot of problems – none more glaring than its WWE-inflected climax that makes a few tone-deaf choices.

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The Warrens’ third (fourth?) entry in the James Wan Expanded Universe in the weakest yet, completely lacking in scares and drowning in jargon.

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Now that the creatures have proven to be mortal, some of the tension of the original film has dissipated. But A Quiet Place Part II still has a lot going for it.

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Zack Snyder’s return to the zombie genre finds him still plagued by the self-seriousness of his superhero films, even as he tries to recapture the breezy tone of Dawn of the Dead ’04.

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With a villain whose voice wouldn’t scare a toddler, and burdened by a neverending parade of cop cliches, Spiral is as tedious as its full title.

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Holy Mary Mutherra Gawd, pray foah us sinnahs, until we can be freed from this misbegotten religious horror flick.

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This blatant Body Snatchers knockoff has nothing to contribute to the formula, except an unnecessarily convoluted life cycle for the pod people.

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