Those hoping for dose of vintage Cage Rage from this Five Nights at Freddy’s knockoff will be sorely disappointed. In Matt’s words, “Cage spent too much of the movie faffing about, or should I say, FNAFing about.”

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Gonjiam: Haunted Asylum is another eerily effective entry in the venerable traditions of K-horror and “old haunted building movies,” as well as the not-so-venerable tradition of found footage films.

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Issa Lopez’s dark fairy tale unsurprisingly shares a lot of DNA with the films of Guillermo del Toro, but it remains an arresting and original film, compelling in its own right.

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Peter Strickland’s latest is an appropriately bizarre giallo homage, complete with a score that might as well have been written by Goblin.

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At long last, Matt and Jim do a listener-request episode, and it’s a doozy. How fitting that on this Easter Sunday, we release a podcast featuring a villain known as “Easter Gay.”

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The Vigil adds a relatively strong and low-key entry to the decidedly mixed bag of the Jewish demon horror subgenre.

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Not to be confused with the James Wan-produced mess that we reviewed a while back, Jayro Bustamante’s film gives the well-worn legend a politically-conscious twist.

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In Matt’s words, “Praise be, praise be.” Saint Maud has finally arrived, and it does not disappoint.

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The deft noir flourishes and political subtext of Jeff Barnaby’s zombie thriller complement, rather than detract from, the delightfully gooshy practical effects and post-apolcalyptic chaos.

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With his latest film, Yeon Sang-ho has achieved a zombie hat trick, even by Matt’s stringent standards for the subgenre.

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