Leigh Whannell continues a successful post-James Wan career with a nervy thriller that reminds us – the terror of the unseen is the most unsettling of all.

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Severin Fiala and Veronika Franz’s follow-up to Goodnight, Mommy is as bone-chilling as the frozen landscape that it inhabits.

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Matt and Jim may have disagreed about The Turning, but they’re on the same page about this woefully misbegotten adaptation of the 70s TV show – Fantasy Island is a trainwreck in all but the most literal sense.

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Oz Perkins takes a quantum leap forward with a gorgeously lensed and delightfully atmospheric adaptation of perhaps the most well-known of Grimms’ Fairy Tales.

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If you’ve been waiting for Matt and Jim to have their Siskel and Ebert moment, this is it. The Turning is… divisive, to say the least.

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The first really good horror movie of the year features the return of a Nicolas Cage voice we thought had been lost to the sands of time.

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While it borrows a lot from a lot of different places, Underwater clips along so fast, you hardly have time to think about it. The end result is a good time at the movies – particularly for January.

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There are good remakes of J-horror, and there are bad ones. This one? Well, let’s just say William Sadler’s Detective Wilson may have had the right idea.

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Did Black Christmas need to be remade? As was the case in 2006, the answer is… probably not.

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Matt and Jim discover that the only thing more irritating than the Countdown notification noise is… wait, no, that’s the world’s most annoying thing.

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