In what has to be the frontrunner for Horror Film of the Year, Robert Pattinson spills his beans, and Willem Dafoe is distraught about it.

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In this long-delayed sequel to Zombieland, Matt and Jim find that it’s not the familiar that grates on you, but the new, different, and terrible.

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Matt and Jim discover that, whether it’s the past or present day, if you bring a patchwork corpse back to life, people are gonna end up dead.

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Matt and Jim discover that Gary Dauberman’s script has rendered Andy Muchietti’s second It film terminally wacky, in spite of some strong performances and cast chemistry.

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In this episode, Matt and Jim discover that just as Adam Brody says, the rich really are different.

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In a move that endears the filmmakers to your hosts – Matt in particular – Scary Stories to Tell in the Dark dispenses with 80s nostalgia and goes straight back to the source – the 60s.

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While it’s got plenty of other stuff going for it, it’s worth noting that Crawl has the best shooting-a-gator-in-the-mouth action this side of Eraser.

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Matt and Jim’s takeaway from Ari Aster’s latest bonkers mindfuck is, when someone invites you to a Swedish summer festival, say no.

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If you went into Annabelle Comes Home expecting demons to be defeated by the power of love and faith… well, you were right. Again.

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Surprise, everyone! We’re a week early. Matt and Jim discover that Child’s Play loses something when you cut out the voodoo and Brad Dourif screaming gibberish.

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