It's rare to encounter an actor who feels as natural in real life as they are in front of the camera. Only two names come to mind: Marlon Brando and Pauline Grace. And Brando is dead. Pauline is very much alive and living a more storied life than most. Listen and learn something about acting and tolerance, you plebeians!

WIll and I invent a new game that incorporates our love of cinema, giallo, wacky advertising campaigns and parlour games. The rules are simple. The Object is to come up with the best GIALLO movie titles. probably helps if you know what a giallo film is. If you don't, feel free to listen to our next podcast coming out on Sunday. Play along with us and send us the titles you manage to come up with.

Simultaneously responsible for modernising the superhero genre and the most famous GIF of all time, David Cronenberg's SCANNERS is a film like no other. Inspired by the works of Philip K. Dick and drawing from Cronenberg's personal neuroses, he manages to make the best exploding head movie of all time. F-you Brian De Palma's THE FURY (1978).

In this episode, our guest talks about one of the scariest horror films ever made. . . and how she was the star. Heidi Lee Douglas talks about her activism morphing into her documentary 'Defendant 5', her festival hit - a rural horror short 'Little Lamb', a story set during colonial times in Tasmania - and a short film/teaser for her debut feature film: the eco-horror DEVIL WOMAN, set in Tasmania and shot in New South Wales.

This episode we cover Stagefright (1987) by Michele Soavi and come to a surprising conclusion.

In some ways, the mutant monster movie/slasher NEON MANIACS (1986) is a perfect movie. It perfectly modernises the 18th Century Fairy Tale structure, making leaps and bounds in logic in order to stick to said structure -which makes the film unique. In many ways NEON MANIACS is not perfect and we love it all the more for being so. Will and I talk about horror filmmaking in the 1980's and Neon Maniacs!

If you're wandering why Australia DOES NOT have a ripe history of trash films on par with America and Germany, then SALLY CHRISTIE has the answers for you! Having just finished a fantastic thesis on trash icon JOHN WATERS, Sally talks about her journey through trash cinema, what she has gleaned and how we can change as a film industry to embrace the entire spectrum of art: High-end and Low-end and everything in between.

Anti-Joke. Anti-Hero. Anti-Podcast. We discuss the most underrated cannibal western horror in cinema TO DATE: the incredibly entertaining, criminally unseen RAVENOUS (1999) starring Guy Pearce and Robert Carlyle. The best music in a cannibal film since Cannibal The Musical. We talk about the history of the horror western, how important bad-taste jokes are in todays PC society, and make fools of ourselves and our podcast.

Each week, we come up with a crazy horror movie pitch to match the themes of the films we look at each week. So if we review a film about a giant blob, our film pitch has to be about a giant blob. Rest assured, our first pitch is not about a giant blob but is a slasher film. It's called Shattered Pane and it's about a glass-wielding maniac named Lester Strongbow.

A true believer in community spirit when it comes to filmmaking, Black has moved from solely focusing on music to help up and coming (horror) filmmakers a helping hand: by organising and producing independent productions and festivals. In this interview he tells us about about the evolution of Melbourne's underground horror film scene from it's origins to the present. . . . and beyond!