The Spark with Madelyn Postman

Featured author: Holly Gramazio

This month I recorded under a duvet (best for sound quality) in Birmingham. I was up there to speak about ESG Expectations at FAB, the Festival of Accounting and Bookkeeping, on as part of my work at Grain Sustainability. Carbon accounting goes hand-in-hand with financial accounting. I’ve also been refining a keynote speech on sustainability which incorporates storytelling.

📚 Recommendations for ravenous readers

March’s theme, thanks to Backstory London, is “New Beginnings.”

The Husbands by Holly Gramazio

The Strange Case of Jane O. by Karen Thompson Walker

Remainder by Tom McCarthy—sent to me through the Big Green Bookshop Book Club subscription

The Promised Land by Mary Antin

Share The Spark

✏️ Resources for wonderful writers

The free, online Writer’s Workout conference, March 17-23

How to Tell a Story: The Essential Guide to Memorable Storytelling from The Moth

Lists on Bluesky, like the small presses I’m submitting to, and Tania Hershman’s hybrid writing starter pack

The inaugural Alternative Book Fair in London was held on March 5-8. Check out all the independent presses listed!

👣 Updates on my moseying

CanvasRebel’s mission is to create a space for artists, creatives and entrepreneurs to be able to learn from their peers through the magic and power of storytelling. My own life, writing, and sustainability work resonate with that mission, and I’m excited to be featured there. “Meet Madelyn Postman”

Learning from Becca Syme’s Better-Faster Academy about CliftonStrengths

More learning from Becca, on her QuitCast for Writers podcast, about #JOMO: the Joy Of Missing Out

Short story collection submissions to small presses — tracked on Chill Subs 📊⏱️ 10 pending🚫 3 rejected🟰 13 total

Queries to literary agents — tracked on QueryTracker 📊🤷‍♀️ 7 closed after no response to query letter🚫 2 rejections after reading query letter😭 2 rejections after reading full manuscript🟰 11 total

Story submissions — tracked on Chill Subs 📊🏆 6 accepted⏱️ 1 pending🙅‍♀️ 7 withdrawn (accepted elsewhere)🚫 57 rejected🟰 71 total

🎙️ Author interview with Holly Gramazio

Holly is a writer, game designer, and curator from Adelaide, living in Walthamstow in London. Her debut novel The Husbands is a comedy about a woman whose attic starts creating an infinite supply of husbands. It just came out in paperback.

She founded, and for five years directed, the experimental games festival Now Play This, and wrote the script for the award-winning video game Dicey Dungeons. She’s interested in rules, play, cities, gardens, games that get people acting creatively, stories that buy into a ridiculous premise and then really commit to it, and art that gets people interacting with their surroundings in new ways.

Listen to Holly on The Spark wherever you listen to podcasts (here’s a link to all platforms). Her reading recommendations are Living with Birds by Len Howard, The Animals in That Country by Laura Jean McKay, and Memento Mori by Eunice Hong.

Holly can be found at hollygramazio.net, on Bluesky and Instagram, and you can sign up to her newsletter.

📙 Where to find my writing

"Things My Dad Told Me" in Tomorrow There Will Be Sun, the Hope Prize anthology published by Simon & Schuster Australia.Buy in US | Buy in UK

“Gold Mountain Diggers” in Issue 10 of Livina Press.Buy in US | Buy in UK

“His Bones” in Transformations, the Oxford Flash Fiction Prize anthology.Buy in US | Buy in UK

Find out more about me and my writing, including press coverage, on my website: madelynpostman.com.

Most book links go to my Bookshop.org page, where sales are win-win-win, benefiting the authors, local bookstores, and my own writing—unlike using A-you-know-who!

You can listen to The Spark on your favorite podcast platform. On Substack, you can listen to the podcast and subscribe to the newsletter. Please take a moment to leave a review on Apple Podcasts or Spotify—it would mean a the world to me. And if you know other writers and readers, please share it!

Featured author: Jason Buchholz

I’m excited about The Spark this month. Like last month, the spoken, podcast version is mostly improvised rather than simply reading out my written newsletter as I was doing previously. This time, I happen to be recording in the Austrian Alps—well, under a duvet in the Alps so I can keep the high sound quality ; )

It’s also the first month that our author interview is a recording of the author themself. Following a recommendation from a podcast listener, the interview will be at the end instead of the beginning. So sit (or drive, or walk) tight.

📚 Recommendations for ravenous readers

Last year, the bookshop Backstory London had a reading challenge card to fill with books, like young adult, under 200 pages, and a book in translation. A friend and I called it Backstory Bingo. This year, the bookshop is suggesting one theme per month. January was “stories set in winter.” February is “one-word titles.” I’m not promising to follow Backstory’s theme every month, but I have some good ones this month.

* Orbital by Samantha Harvey

* Sinkhole: A Legacy of Suicide by Juliet Patterson

* Homegoing by Yaa Gyasi

✏️ Resources for wonderful writers

* The Great Beta Reader Match Up. Looking for beta readers? Submit your info and 3,000 words of your writing to Bianca Marais, founder of The S**t No One Tells You About Writing podcast, by March 2nd. The cost is $25. Almost two years on, I still have two amazing, active beta readers from the match up!

* The Writers’ Workout Conference, March 17th-23rd. “This free, virtual conference is designed to help you make the most of your time with short videos from presenters around the world.”

* On Writing by Stephen King. Entertaining and useful.

👣 Updates on my moseying

I took part in the Mslexia Agent Extravaganza earlier in February but there weren’t any agent bites or feedback on my pitch. I don’t think that seeking agent representation is the right way for me to go right now. I am continuing to submit my short story collection, Staring into the Sun, directly to small presses.

My next project will be a nonfiction book, the SME Sustainability Handbook, which ties in with my consulting business, Grain Sustainability. I’ll probably self-publish it.

Short story collection submissions to small presses — tracked on Chill Subs 📊⏱️ 7 pending🚫 2 rejected🟰 9 total

Queries to literary agents — tracked on QueryTracker 📊⏱️ 7 waiting for replies on query letter🚫 2 rejections after reading query letter😭 2 rejections after reading full manuscript🟰 11 total

Story submissions — tracked on Chill Subs 📊🏆 6 accepted⏱️ 2 pending🙅‍♀️ 7 withdrawn (accepted elsewhere)🚫 55 rejected🟰 70 total

🎙️ Author interview with Jason Buchholz

I first came across Jason Buchholz when I read his debut novel, A Paper Son, while researching my family history. Once I had a complete draft of my book manuscript, I realized that he and his colleague Ben LeRoy offer manuscript assessments as part of their offering at Collaborist. Jason’s feedback gave me confidence and encouraged me to stick with my project. It’s a pleasure to feature Jason as the first interview on The Spark with the author speaking. Here he is!

Jason can be found at jasonbuchholz.com, at Collaborist.org, and on Instagram as @jasondbuchholz.

📙 Where to find my writing

"Things My Dad Told Me" in Tomorrow There Will Be Sun, the Hope Prize anthology published by Simon & Schuster Australia.Buy in US | Buy in UK

“Gold Mountain Diggers” in Issue 10 of Livina Press.Buy in US | Buy in UK

“His Bones” in Transformations, the Oxford Flash Fiction Prize anthology.Buy in US | Buy in UK

Find out more about me and my writing, including press coverage, on my website: madelynpostman.com.

Most book links go to my Bookshop.org page, where sales are win-win-win, benefiting the authors, local bookstores, and my own writing—unlike using A-you-know-who!

If you enjoy The Spark, please share, rate, and review it on your favorite podcast platform. On Substack, you can listen to the podcast and subscribe to the newsletter. I don’t think I actually have any reviews yet, so I’d really appreciate your review on Apple Podcasts or Spotify.

Thanks for reading The Spark! Subscribe for free to receive new posts and support my work.

Trying something new this month: a bit of improvising! Most of the content is in the audio version only, with the full author interview and some links below. My submission stats are exclusive for newsletter readers this month (only because I forgot to read them out 🙃). Please let me know your thoughts on this new, improvised format.

📖 Author interview with Wiz Wharton

Wiz Wharton was born in London of Chinese-European heritage and is a prize-winning graduate of the National Film and Television School (NFTS). Her debut novel Ghost Girl, Banana was published in 2023 and deals with issues of identity, belonging and familial secrets. It was longlisted for the Authors’ Club Best First Novel Award 2024 and shortlisted for the Diverse Book Awards 2024. Adaptation rights have been optioned with Wharton on board as screenwriter and executive producer. In 2023 the Scottish Government Expo Fund named her as one of the 40 Authors Predicted to Set the Literary World Alight. She lives in the Scottish Highlands.

What inspires you?A lot of the obvious stuff, I suppose, like books and art and music, but across the whole spectrum of what I personally regard as creatively successful. I hate the phrase “teachable moment” but I’m often inspired as much by things I don’t particularly enjoy because it’s interesting to consider how I would have done them differently. Whatever the medium, or person, I’m hugely inspired by authenticity in all things because it speaks of fearlessness which is a state I’m constantly trying to get to, both in my writing and in life.

For me, writing is a way of evolving or making sense of the world so I’m obviously inspired by past experiences and past relationships although not in an autofiction way. Rather, it’s the feelings behind those stories that I like to explore. Finding the universal in the specific.

Do you have a writing routine?I’m lucky enough to write full-time now, although when I had an additional job it did oblige me to be more disciplined about the creative stuff so it’s been a learning curve! I always start the day with coffee and admin—writing or replying to emails, following up on invitations or filling out tax spreadsheets—all the things that keep the business side running. Before I was published, I didn’t really think much about this aspect, but it’s become something that solidifies writing as a job to me. Then I’ll turn off the internet and put my phone into do not disturb mode and sit down to whatever I’m working on, whether it’s my current book or a script. I’ll usually read back the previous day’s work and mark any new thoughts I’ve had without editing the pages themselves. I always leave the manuscript at a point where I can immediately dive into the writing itself when I return. Sometimes I’ll have left notes in the margin about what I’m trying to achieve in terms of plot or what a character wants in a scene. Sometimes I’ll have left mid-sentence! I learned this trick a few years ago and it definitely works for me.

People often think writing is just about getting words on the page, but I probably only spend about five or six hours a day on this, ending up at around 3pm, and some days I don’t write at all. The advice to write every day is more of an ideal than a reality for lots of people and like most rules about writing (which when you’re beginning are easy to regard as sacrosanct) it really has no bearing on whether or not you’ll be published. Incredible novels have come out of all sorts of situations.

Unless I’m on a particularly tight deadline, when my usual routine tends to go out of the window, I’ll spend the rest of the day doing things that revolve around writing, so reading and researching or watching films or TV. This feeds the analytic side of my brain and I always do it with a notebook in hand. I also advocate naps. It’s amazing what your mind comes up with when you’re not whipping it into submission!

The other thing I build into my routine is lots of walks with our dog, Wilson. The change of scene and the physical effect of being outdoors does wonders if I’m feeling stuck or need to think about the project in its entirety and what I’m trying to do with it.

My worst writing momentThe dreaded book two syndrome. With my debut I’d had considerable time to write without expectation and Ghost Girl, Banana was in pretty good shape by the time I even thought about submitting to agents. A second book is another prospect entirely because by then you’re already on the publishing carousel with all the other commitments that entails and I definitely felt the pressure. It’s not simply the dread of showing a really bad first draft to someone whose opinion you respect, it’s that debuts also tend to set out your stall as a writer, meaning that readers have expectations of you too. It took me a good year and four failed attempts at a second manuscript before I came to the realization that I—as my first audience—should actually be enjoying what I was writing, without becoming bogged down in whether it would sell or do well. Getting out of my own way was the key to finally landing on the right idea—the one that means something to me and that I would want to read. I definitely panicked myself into thinking I would never write another book, but it’s been a valuable lesson in trusting my gut.

My best writing momentThe best moments (plural) are undoubtedly getting to meet readers. The prize lists are wonderful but they’ll never beat the experience of talking to someone who thinks of your characters as real people and who have invested such time and emotion into their stories. So many have written to me saying that they felt seen by Ghost Girl, Banana and will remember it for a long time to come and that’s the kind of legacy that makes it all worthwhile. That particular novel is very much about coming to terms with being “other” and even growing to a place of empowerment with that knowledge, and from a personal perspective, readers have helped me in that journey too, not only validating me as a writer but as an individual.

What are you reading right now?Dear Dickhead by Virginie Despentes, which I am loving. I tend to gravitate towards books with similar themes to whatever I’m working on at any given moment and Despentes has a lot to say about feminism and sexuality and generational differences which speaks very strongly to what I’m trying to achieve in this second book. I haven’t read an epistolary novel since Where’d You Go, Bernadette and it’s a form I really enjoy when it’s done well, as this is! One of the reasons I’m loving it so much is because Despentes really nails the pathos-through-humor trick. To convey a sense of human fragility without recourse to sentiment or victimhood is very hard to pull off creatively and I’m in awe of her skill.

Book recommendationApart from the Despentes, I’ve read so many good things in the last twelve months, it would be hard to choose just one. I’d happily press into anyone’s hands Ordinary Human Failings by Megan Nolan, or Trespasses by Louise Kennedy.

Where can we find you?I’ve more or less given up on social media, especially since Twitter got taken over by Musk, but I’ve retained my handle @Chomsky1. Maybe I’ll take the mothballs off it if it ever returns to its golden years. I’m slightly more active on Instagram @wizwharton although I have a love-hate relationship with social media, to be honest. It can be both a balm and a time-suck. Just write already!

📚 Recommendations for ravenous readers

* Returning Home with Glory: Chinese Villagers around the Pacific, 1849 to 1949 by Michael Williams

* Sour Heart: Stories by Jenny Zhang

* A Feather on the Breath of God by Sigrid Nunez

* Backstory London’s monthly reading challenge

✏️ Resources for wonderful writers

* The Writers’ Workout Fiction Potluck contest, “About an Egg.” I’m the judge! Up to 5,000 words, due February 20th.

* Mslexia Agent Extravaganza, February 3rd & 4th.

* Reedsy lists, e.g. Best Short Story Book Publishing Companies in UK and Best Short Fiction Independent Publishers in 2025.

👣 Updates on my moseying

I’m now submitting my short story collection, Staring into the Sun, directly to small presses. My next project will be a nonfiction book, the SME Sustainability Handbook, which ties in with my consulting business, Grain Sustainability. I’ll probably self-publish it.

Short story collection submissions to small presses — tracked on Chill Subs 📊⏱️ 1 pending🚫 1 rejected🟰 2 total

Queries to literary agents — tracked on QueryTracker 📊⏱️ 7 waiting for replies on query letter🕰️ 1 waiting for reply on full manuscript🚫 2 rejections after reading query letter😭 1 rejection after reading full manuscript🟰 11 total

Story submissions — tracked on Chill Subs 📊🏆 7 accepted⏱️ 3 pending🙅‍♀️ 7 withdrawn (accepted elsewhere)🚫 52 rejected🟰 69 total

📙 Where to find my writing

"Things My Dad Told Me" in Tomorrow There Will Be Sun, the Hope Prize anthology published by Simon & Schuster Australia.

“Gold Mountain Diggers” in Issue 10 of Livina Press.

“His Bones” in Transformations, the Oxford Flash Fiction Prize anthology.

US and UK printed books plus ebook links are all available on my website.

Most book links go to my Bookshop.org page, where sales are win-win-win, benefiting the authors, local bookstores, and my own writing—unlike using A-you-know-who!

If you enjoy The Spark, please share it, rate, and review on your favorite podcast platform or go to Substack where you can listen to the podcast and subscribe to the newsletter. I don’t think I actually have any reviews yet, so I’d really appreciate your contribution on Apple Podcasts or Spotify.

Thanks for reading The Spark! Subscribe for free to receive new posts and support my work.

This month brings an interview with a thriller author, a tip on moving to bluer skies, and a recommended novel about a daredevil pilot flying in blue skies.

📖 Author interview with Alex Pavesi

Alex Pavesi lives just outside of London, in Surrey, England, where he writes full time. He previously worked as a software engineer and before that obtained a Ph.D. in Mathematics. He enjoys puzzles, long walks, and recreational lock picking. His debut novel, Eight Detectives, published in 2020, was translated into more than twenty languages and was picked by the Sunday Times and the New York Times as one of their books of the year.

What inspires you?I write the books that I'd like to read: namely, thrillers that move in truly unpredictable directions and do things with the story that you don't expect. My biggest influence is probably the group of authors, active in the 1960s, 70s and 80s, who are often described as "postmodern". Paul Auster, John Fowles, Jeanette Winterson, etc. I am really excited by the idea of finding different ways to tell stories.

Do you have a writing routine?As I get further into my career, I spend more and more time planning my books. I don't have a routine for planning. It involves long walks, visits to coffee shops, and reading other books. But it's fairly chaotic. When it comes to actually putting words on the page, I try to treat it like a 9-to-5 and be at my desk for as much of that time as possible. I wrote my first book in coffee shops before work, for ninety minutes each morning. But I don't think that was sustainable long-term.

Writing’s biggest secret is…I'm a great proponent of time as a tool for writers. If you're not fully convinced by an idea, give it more time. Don't rush. The brain uses time in ways that are hard to understand. You could struggle for months to think of the ending for a story, then one day it will just come to you. You have to see this as one of the tools in your toolbox...though of course it can be hard to reconcile with deadlines and publishing schedules. I don't have a solution to that unfortunately.

My worst writing momentI scrapped several earlier versions of my second novel and started from scratch. Each time was more painful than the last. This is why I now spend more time planning.

My best writing momentMy first book was written out of order (anyone that reads it will probably understand why), but the opening chapter was written first and I've always been really happy with it. I knew as soon as I'd finished it that it would eventually grow into an entire novel.

What are you reading right now?I've just adopted a pair of kittens and have been struggling to concentrate on novels. So instead I've been working my way through the complete short stories of J.G. Ballard.

Book recommendationI always recommend the novels of Alison Moore, who publishes with a small independent press and so doesn't get the publicity a lot of lesser authors get. Her latest, The Retreat, might be my favourite. It's about a socially awkward woman struggling to fit in with her peers at an artists' retreat on a remote island. The sense of discomfort is sublime.

Where can we find you?I'm on Twitter/X as @pavesi_alex and on Bluesky as @AlexPavesi. My website is alexpavesi.com.

📚 Recommendations for ravenous readers

I was intrigued by the complex, interwoven structure of Alex Pavesi’s Ink Ribbon Red. Six friends gather every year—but this year is different. Anatol, the host, asks his friends to write short stories about murdering each other according to his “motive, murder, death” requirements. As a reader, it’s initially unclear which stories are the actual novel and which are the tales written by Anatol and his friends. Near the end, I was worrying, “What if I don’t understand anything?” but thankfully all was revealed, and I even patted myself on my back for noticing a few of the clues.

You’ve probably heard a few times by now about The Hope Prize anthology, Tomorrow There Will Be Sun. Though it’s a little cheeky of me to include my own writing as a recommendation, my story is only one of twenty in this hope-infused book. Australia’s former Prime Minister Julia Gillard says, “Tomorrow There Will Be Sun is more than just a book, it is hope in your hands.” From a young gay couple in Nigeria to a mother escaping an abusive partner, all the stories emerge from darkness into the light. All royalties go to Australia’s mental health charity Beyond Blue.

Maggie Shipstead’s historical and contemporary fiction novel Great Circle is a tour de force. Marian Graves is a daredevil pilot determined to complete a great circle: to circumnavigate the globe by flying over the North and South Poles. She sets off in the 1950s. Decades later, in the 2010s, actor Hadley Baxter plays Marian in a biopic. We follow Marian’s entire life story, even from before her birth. By the end of this 672-page book (I had to buy two extra 10-hour packs on Spotify Premium to get through it!), I was so invested in the characters that it felt like my heart was being torn out every time something happened to them.

✏️ Resources for wonderful writers

Have you noticed the X-odus? (And please may I claim credit for that coinage?) The writing community has pulled up its tent stakes and moved over to Bluesky en masse. Maybe some non-writers too, considering that 1 million people signed up in 24 hours. The Chrome extension Sky Follower Bridge is a super-easy way to check who you’re following on Twitter/X and follow them all on Bluesky with the click of a button. I’m running it every couple of weeks and every time there are more and more people flying over to where the sky is blue.

Particularly for short story and poetry writers, there are competitions all over the world you can enter. They’re useful for providing you with a deadline, getting published, and raising your profile. Short Story Comps on both Bluesky and X is a great place to find competitions—they tend to retweet/re-X/re-sky (??) calls for submissions. Chill Subs is also a fab source for many things including contest listings, though their Writing Contests section is getting a revamp at the moment, so there are fewer listings than usual. And check my Instagram on December 22nd for a fun announcement!

The Writer’s Routine podcast is where you can discover that everyone is different and there is no one “right” way to write. Host Dan Simpson starts each interview by asking what the writer sees around them at that moment, in their writing space. Of course he enquires about their routine as well, and then he picks up on writers’ responses to further explore their work and approaches. The weekly episodes cover a wonderful range of genres, from crime to fantasy, young adult to nonfiction. Fun fact: it’s where I first heard of Alex Pavesi.

👣 Updates on my moseying

It’s another month of writing updates! December saw in the publication of Tomorrow There Will Be Sun, together with a launch in Melbourne. I regretted the lack of teleportation technology to whisk me over there. The publicity team at Simon & Schuster Australia have been hard at work: the day before the launch, The Conversation Hour on ABC Radio Melbourne asked “How do we find hope?” and right toward the end of the hour, I had the opportunity to talk about my shortlisted short story and even mention my work in sustainability.

I came across Jason Buchholz, author of A Paper Son, when I was researching the Chinese side of my family. It turned out that he offered manuscript assessments through Collaborist, which he runs with publisher Ben LeRoy, so Jason provided the very first evaluation of my short story collection manuscript. Now, almost two years later, the duo kindly invited me as a guest on their podcast, Collaborcast. It was an honor and a pleasure to discuss my writing at length, responding to their thoughtful questions.

Check out my reading of “His Bones” at the Oxford Flash Fiction Prize anthology launch back in October! Transformations is available on Amazon US and Amazon UK.

I haven’t been writing much for the past six weeks or so, and over the winter break I’m looking forward to playing around with more tweaks to my short story collection while continuing to submit to agents. I also plan to work on two new short stories as well as my first full novel.

Queries to literary agents — tracked on QueryTracker 📊⏱️ 7 waiting for replies on query letter🕰️ 1 waiting for reply on full manuscript🚫 2 rejections after reading query letter😭 1 rejection after reading full manuscript🟰 11 total

Writing submissions — tracked on Chill Subs 📊🏆 7 accepted⏱️ 6 pending🙅‍♀️ 7 withdrawn (accepted elsewhere)🚫 48 rejected🟰 68 total

Most book links go to my Bookshop.org page, where sales are win-win-win, benefiting the authors, local bookstores, and my own writing—unlike using A-you-know-who!

If you enjoy The Spark, please share it, rate, and review on your favorite podcast platform or go to Substack where you can listen to the podcast and subscribe to the newsletter. I don’t think I actually have any reviews yet, so I’d really appreciate your contribution on Apple Podcasts or Spotify.

Thanks for reading The Spark! Subscribe for free to receive new posts and support my work.

After eight years of research and writing, everything has snowballed in the most wonderful way. Find out more after the author interview, reading recs, and writing resources!

📖 Author interview with Alex Pickett

Alex Pickett grew up in Wisconsin. He received his MFA from the University of Florida.

His debut novel, The Restaurant Inspector, was published in 2021. His short story collection, Camera Lake, was published this year. His stories have appeared in literary journals such as The Southern Review and Subtropics. The Restaurant Inspector was selected as the Wisconsin Public Radio "Book of the Month" in May 2024.

But he has had to work to live. He was an inspector in New York City and supervised a warehouse in Fairbanks, Alaska. He has worked at two cemeteries and four factories. He has been a movie extra, a researcher, a copywriter, and a winter caretaker at Denali State Park. He also managed a London homeless shelter and taught creative writing to undocumented refugees and asylum seekers for the British Red Cross.

Currently, he is a doctoral researcher at the University of Westminster and teaches creative writing at City Lit in London. He just got a dog named Maxine.

What inspires you?Being able to sit down tomorrow and write fiction.

Do you have a writing routine?Do I ever. I eat the same breakfast every day. Oatmeal, coffee, smoothie. The muscle memory of preparation allows my mind to ease into the day. After breakfast I drink coffee and read. I used to read fiction during coffee time. But I began to notice the style of what I read seeping too much into my own writing. Sitting down to write is scary. The words might not come. When motivation strikes, I force myself to the computer. I write or edit for three to five hours, eat lunch, and then go back to work. But usually not writing work. Emails, editing, answering these questions, that kind of thing. Every day that I am able to adhere to this routine is a gift.

Writing’s biggest secret is…I wish I knew! Well, I’ll say this. Don’t stop. Keep going. Figure some stuff out. Fail. Get used to failing. Figure more stuff out. Keep writing. Enjoy writing. Writing is difficult. Is that the secret? Writing is difficult? Or, revised: Writing is difficult but worth the heartache.

My worst writing momentHow to choose from all the rejection! Fine, I’ll do a workshop story. Padgett Powell, a wonderful writer, concluded my workshop by saying, “If this is the story that Mr. Pickett wanted to write, then he has done it.” I had played it safe. I did not risk failure. I knew what I was doing. I still regret it. I don’t want to be that person. But I was that day.

My best writing momentI’ll interpret “moment” loosely. I stopped writing for a few years after university. I had nothing to write about. Plus, I was able to sacrifice writing from my life. Then, one summer, I think it was 2010, I decided I would write. That was it. I decided to. I had a horrible apartment with no bed. I slept on the floor, wrapped in a quilt, surrounded by books. I worked at a cemetery. Every free moment I wrote. I sat at a glass-topped table that came with the apartment and typed on a netbook. I had no internet access. A flip pay-as-you-go phone. I read short story anthologies and anything by a Russian. I had two stories in mind and spent the summer obsessing about them. It was so hot. I had no air conditioning. Incredible.

What are you reading right now?Time Shelter by Georgi Gospodinov. It’s great.

Book recommendationThe Quick & the Dead by Joy Williams? Or Oreo by Fran Ross? The Dog of the South by Charles Portis? Horse Crazy by Gary Indiana? Those are all near-perfect books, but I feel I should be imperfect and recommend a deeper cut. How about Memories of Amnesia by Lawrence Shainberg. Yes, that. It’s about a brain surgeon who realizes he has brain damage while performing brain surgery, then describes his ailment in meticulous detail as both practitioner and patient. It’s wild. The novel I am writing for my PhD involves memory loss. If anyone has any amnesia or memory loss fiction recs, please get in touch.

Where can we find you?My website is rapickett.com and Twitter is @alex_pickett1.

📚 Recommendations for ravenous readers

I thoroughly enjoyed Alex Pickett’s short story class at City Lit last autumn. Fittingly, I also love his short story collection, Camera Lake, as well as his novel, The Restaurant Inspector, which is told masterfully from many points of view. His characters are unforgettably unique, and he weaves together tragedy and humor in his plotlines.

Speaking of short story collections, Jhumpa Lahiri’s Interpreter of Maladies tells nine stories set in the 1980s and 1990s of Indians, Americans, and Indian Americans. Full of subtle observations and sensory details, Lahiri explores personal relationships as well as wider cultural expectations and clashes. It’s the closest comparative title I’ve found for my own short story collection (I say humbly, noting that it won the 2000 Pulitzer Prize for Fiction).

In my exploration of dual timelines and historical fiction, I read The Alice Network by Kate Quinn. The novel incorporates elements of mystery, suspense, and thrillers. I’d categorize it as “upmarket” or “book club” since it balances character development and gorgeous (yet non-gratuitous) language with the fast-paced plot. In 1947, Charlie St. Clair is investigating her cousin’s disappearance in France, aided by Eve Gardiner. In 1915, during the Great War, Eve is a spy in France. As the search for the cousin unfurls, the women discover that one man lies behind their suffering.

✏️ Resources for wonderful writers

(Or, The Tale of Two Jessicas)

Save the Cat! Writes a Novel is a classic book for plotters. Jessica Brody takes 15 essential plot points from screenwriting and adapts them to novels. It’s a helpful way to structure your three-act plot.

Jessica Payne, The Spark’s featured author last month, has written a super-useful post, ”A How-To Guide: from Pantser to Plantser Pt 1,” in her Substack, The Payneful Truth About Being a Writer. I’ve even printed it out for easy reference. In this guide, she mentions both Lisa Cron’s Story Genius and Save the Cat! Writes a Novel. I’m excited to use her approach to map out my first full novel.

👣 Updates on my moseying

So: the snowball effect. I started researching and writing about my family in January, 2017. From the summer of 2023, I started querying agents and in August, my query letter and first five pages were critiqued on The S**t No One Tells You About Writing podcast. After a few months, with some feedback from agents, I decided to rework the manuscript. Around that time, in autumn 2023, I began submitting to contests and literary magazines. Fast forward a few months to spring 2024, and two stories got long-listed in Flash 500 Short Stories 2024, and another story was featured on The Failing Writers’ Podcast.

Then, the game-changer in June: getting shortlisted for The Hope Prize, with the anthology published by Simon & Schuster Australia and all royalties going to mental health charity Beyond Blue. Next was another shortlist, for the Oxford Flash Fiction Prize, and an opportunity to read at the Weston Library (part of Oxford University’s Bodleian Libraries) at the anthology launch in October. And, most recently, with a super-fast turnaround, was the placement of another story in Livina Press Issue 10 with the “Golden” theme.

So now I have three printed publications on “my shelf” and the unbelievable thing is that they were all being printed around the same time—mid-October—in Australia, the U.K. and the U.S.! 📚 🇦🇺 📚 🇬🇧 📚 🇺🇸

Queries to literary agents — tracked on QueryTracker 📊⏱️ 10 pending (7 🇺🇸, 3 🇬🇧)

Writing submissions — tracked on Chill Subs 📊🏆 7 accepted⏱️ 6 pending🙅‍♀️ 7 withdrawn (accepted elsewhere)🚫 45 rejected🟰 65 total

Most book links go to my Bookshop.org page, where sales are win-win-win, benefiting the authors, local bookstores, and my own writing—unlike using A-you-know-who!

If you enjoy The Spark, please share it, rate, and review on your favorite podcast platform or go to Substack where you can listen to the podcast and subscribe to the newsletter.

Thanks for reading The Spark! Subscribe for free to receive new posts and support my work.

Hope you enjoyed The Spark’s new theme music, with a huge thanks to my brother Anthony Postman for the original composition and all the mixing. This month’s interview is with psychological thriller author Jessica Payne. I have a whole new batch of amazing reading recommendations for you, some top writing tips—and some very exciting updates on my moseying!

📖 Author interview with Jessica Payne

Jessica Payne is a psychological thriller author who has probably spent a little too much time studying the dark intricacies of the human mind. An expert coffee drinker, she loves to go on long runs to manage the resulting caffeine jolt. Jessica lives in the Pacific Northwest with her husband, daughter, and their many (many!) cats and dogs. Her novels include Make Me Disappear, The Lucky One, The Good Doctor, and Never Trust the Husband. (Note: book links go to Jessica’s local bookstore.)

What inspires you?I always wonder if any author truly knows the answer to this. For me, there is no one answer. I get ideas from everywhere, and sometimes, seemingly from nowhere—the idea just pops into my head. In my debut, Make Me Disappear, all I knew was that there was this nurse in Seattle trapped in a bad relationship and that she wanted to have herself kidnapped to escape. Then, in my research, I discovered extreme kidnapping—people treat it like a sport!

My latest book, Never Trust the Husband, was all inspired by running alone before sunrise in Texas when I briefly lived there—people leave the lights on in their homes, keep their curtains drawn back. Whether I wanted to or not, I'd get glimpses inside their houses, see them drinking coffee and reading the newspaper. It sparked an idea for a character who ran through the darkness looking in people's houses on purpose—why would she do something like that? What did she want? Thus, a plot was born. 

Other ideas have come from podcasts, dreams, overheard conversations...I think a lot of it is about being open to creativity. Letting your mind wander and speculate.

Do you have a writing routine?No. Yes. Kind of? The reality is that my routine is constantly changing—each book demands something different, and also, I'm responsible for a small human. As she's in school, on summer break, or sick for a day, my routine fluctuates around her. But you know what, I love that I can work from home and be around for all these moments, and I wouldn't have it any other way. 

My weekday routine looks similar to this:

* 5am - alarm goes off. I ignore it.

* 5:20am - my cat gets annoyed and stomps all over me until I pull myself from the bed.

* 5:21am - COFFEE.

* 5:40am - I'm at my desk, checking emails, social media, chugging coffee, etc.

* 6am - working on whatever needs attention most. This might be writing the next chapter, combing through revisions from my agent, or writing up pitches for the next book. 

* 7am - kiddo is awake and I get her ready for school.

* 9am-10:30am - workout (running, yoga, gym time, not all on the same day), shower, eat.

* 11am - back at the desk, again working on writing or revising for the next book. 

* I work until about 3pm, taking breaks to stretch, walk the dogs, make tea, etc.

Once I've picked my daughter up from school, I'm usually done working for the day. Occasionally, if I have a pressing matter, I'll work more at night, after she's in bed, but that's fairly rare. I'm of the opinion it's important to intake creativity as much as I put it out—so reading books, watching shows, going on walks with my dogs to let ideas percolate—that's all important, too!

Writing’s biggest secret is……not giving up. So many people expect their first book to land them an agent and a huge book deal, and they're devastated when it doesn't work out that way. I get it—I, too, thought everyone would love my first book. But I got zero requests from agents, and now I realize that it lacked plot and character development. It takes time and hard work to get good at writing, and that's normal and okay. It took me four books to get an agent and a publishing deal. For some of my friends, it took five or six, and then for some it took ONE. Every writer has their own journey. You just have to keep going. Also, your path will likely look different than your friends', and again, that's okay and normal!

My worst writing momentWhen I realized I needed to rewrite a book that was on deadline. That felt really icky—realizing it wasn't good enough, realizing it wasn't ready to go to my editor, but instead, I needed to ask for an extension and rewrite a big part of it. But it also taught me to trust my gut when something felt off, and it's kept me from making that same mistake. 

My best writing momentGetting a book deal. When you get that call or text from your agent—discovering an editor loved your book and fought to acquire it and that manuscript you've been working on for the last 6 months or year is going to become a REAL book. Publishing has so many ups and downs, and this is one of my favorite moments. Another best writing moment would be my first book event. It was held at Browsers Bookshop in Olympia, Washington (it's adorable, go there!). So many friends—and strangers!—came to support me and my debut. It was just incredible. 

What are you reading right now?I'm currently reading an Advance Review Copy (an ARC) of You Are Fatally Invited, Ande Pliego's debut. She and I are writing friends, and I got to see an early version of it. Now, on the verge of her publication date, it's such a privilege to hold a physical copy and get to see how that raw manuscript transformed. It's such a good book—I highly recommend pre-ordering it!

Book recommendationShoot, I suppose I already recommended a book! Well, here's another: It Had to be You by Eliza Jane Brazier. Think Mr. & Mrs. Smith but...different. Overseas and hired killers hired to kill one another while trying not to fall in love with one another. Part romcom (seriously hilarious dialogue) and part thriller (so tense!), this is one of my favorite books this year. 

Where can we find you?On my website jessicapayne.net or on Instagram as @jessicapayne.writer. But I'm pretty much everywhere online, including here on Substack.

📚 Book recommendations for ravenous readers

Told through the points of view of three sisters a year after the death of their fourth sister, Blue Sisters by Coco Mellors is excruciatingly stark and tender. Set in the present day, the novel travels between Los Angeles, New York, London, and Paris. Last month, I was struck by the figurative language of Kaliane Bradley’s The Ministry of Time. Blue Sisters is also full of original similes and metaphors—there was one about a hungover Lucky crawling up her sister’s front stoop like a Slinky going up stairs. (The only drawback of listening to books is that it’s tough to find quotes if you don’t note the time stamp when they’re spoken.) Lucky spends a lot of time hung over, so here’s a description of her in that state.

“Her body no longer felt like a pillowcase that had been filled with rocks and broken glass, then put in the tumble dryer, but she didn’t feel great.”

Holly Graziano’s career as a game designer is apparent in her debut, The Husbands. Lauren returns home one day to find an unknown man in her house who thinks he’s her husband. His belief is backed up by everything around them—wedding photos, text messages, and so on. He goes into the attic and—bzzzz—another one comes down the ladder. Repeat. It’s like Sliding Doors on steroids—or rather than Choose Your Own Adventure, it’s You Don’t Get to Choose Your Own Husband. While the story is entertaining, between the lines it makes you reflect on big topics like fate (or lack thereof), “what if?,” happiness, pet peeves (like separate-toe shoes), and commitment. Oh, and there’s a simile with a capybara which I won’t attempt to find (neither the quote nor the capybara).

Hidden: The Lies She Told recounts growing up in Liverpool, mixed-race, with an absent father and an abusive mother. Lisa Nicol’s memoir details her harrowing “…daily life in this so-called United Kingdom, which felt anything but united.” The big, hinted-at reveal about her ancestry, discovered through a DNA test bought for her by a friend, happened in her adult life and appears late in the book. Finally, Lisa says:

“For the first time in my life, when I look in the mirror, I truly see myself. The cloud of uncertainly that once shrouded my reflection has been lifted.”

✏️ Resources for wonderful writers

My top tip for October is to submit to writing contests and magazines that offer feedback. For example, West Trade Review accepts fiction up to 5,000 words and creative nonfiction up to 6,000 words. Per reading period, you may “…choose to receive a quick decision about your work for $10, and may also receive a quick decision about your work along with personalized feedback from the editors for $25 (1.5-2 pages). The response time for both expedited and personalized options is approximately 2 weeks.” Receiving insightful feedback from experienced editors takes the sting out of rejection and boosts chances to win future contests and get published.

History Through Fiction offered feedback on pieces entered into its Short Story Contest, but doesn’t seem to offer it for regular submissions. Two people separately provided scores from 1-10 (“completely inadequate”—harsh—to “brilliant”) on:

* Overall theme/message - Consider how effectively the central message is conveyed through characters and setting, and its relevance to both the historical context and today's world.

* Historical Relevance - Focus on the accuracy of events, settings, and cultural norms of the time period, ensuring they align with documented history and contribute to the story's authenticity.

* Character/Plot/Setting - Evaluate characters for historical accuracy and depth. Assess the plot for engaging, credible events. Ensure the setting reflects the era's authentic details and atmosphere.

* Narration and Point of View - Consider if the narrator's perspective is consistent and authentic to the time period. Assess how the point of view influences the story's credibility and engagement.

* Overall Impact/Quality - Consider the story's emotional pull, authenticity of setting, character depth, and how well it blends fact with fiction to engage and enlighten readers.

Speaking of submissions and contents, I’ve discovered a wonderful format for stories. I was looking up one of the actors who reads Matt Haig’s Echo Boy, Thomas Judd, and came across this 2022 interview with him on Books Forward. He explained:

“I was spotted performing at Liars’ League, which is a live event in London where actors narrate new short stories by writers.”

I’ve submitted twice to the Liars, to no avail—yet—and am writing a piece specifically for the next event, themed Wreaths & Wraiths, in December. Fingers crossed! Even if you’re not near London or even in the UK, you can still submit. All videos are up on the Liars’ League YouTube channel.

👣 Updates on my moseying

A lot has happened since mid-September. On 23 September, I did the London Writers’ Salon “100 Days of Writing” workshop, which is helping me track progress and keep focus. On my 100 days sheet, I’m circling in green the days that I’m working on my short story collection and orange are non-short-story-collection things.

Becca Syme’s Better-Faster Academy and having a coaching session with Becca herself put me back on the traditional publishing track as my first priority. I’ve now written all nine chapters and I’ve set 1 November as my date to start querying my short story collection with literary agents.

My story, “Things My Dad Told Me,” getting shortlisted for The Hope Prize has been a game-changer for me. It’s the first story in my work-in-progress short story collection. The Hope Prize anthology, Tomorrow There Will Be Sun, will be published by Simon & Schuster Australia on 4 December and is now available for pre-orders: paperback in Australia and it’ll be on Kindle too but it might take some VPN (virtual private network) jiggery-pokery to access it. The cover is GORGEOUS and I’m still stunned how the title fits in with the title of my short story collection, Staring into the Sun. All Tomorrow royalties will go to Australia’s mental health charity Beyond Blue. I might have an opportunity to contribute to the charity’s marketing by sharing my story about being bereaved by my mother’s suicide.

As if all this weren’t surreal enough, one of my stories has been shortlisted for the Oxford Flash Fiction Prize and will be included in the anthology. The prize’s theme is “transformation,” in conjunction with the Bodleian Libraries’ “Kafka: Making of an Icon” exhibition. On 26 October, the event “Words of Wonder” will include a launch and eight author readings—including yours truly. So if you’re in the area, please head over to Oxford University’s Weston Library at 2pm!

Submissions stats — tracked on Chill Subs 📊🏆 6 accepted⏱️ 10 pending🙅‍♀️ 6 withdrawn (accepted elsewhere)🚫 41 rejected🟰 63 total

Most book links go to my Bookshop.org page, where sales are win-win-win, benefiting the authors, local bookstores, and my own writing—unlike using A…you-know-who!

If you enjoy The Spark, please share it, rate, and review on your favorite podcast platform or go to Substack where you can listen to the podcast and subscribe to the newsletter!

Thanks for reading The Spark! Subscribe for free to receive new posts and support my work.

Last week was the first full week of the younger kid being back at school (the older one is off to uni/college next week), with my husband and me back at work at our sustainability consultancy. I got in a little bit of writing on Wednesday morning and then a fantastic 4-hour session on Saturday, so I’m all fired up now.

Author interview with Sophie Thomas

Sophie Thomas is a Londoner, writer, and reader. She breaks the rules of grammar far too often for someone with an English degree. When she's not coming up with ideas on her hot girl walks or sitting in a theatre watching a musical, she enjoys getting people to fall in love and kiss each other (and get secret tattoos for one another).

What inspires you?Anything can if I am in the right mindset. Typically there is something magical that happens when I hear a certain song lyric when I am mid-walk and an idea sort of spools from there. Sometimes my ideas come to me when I am not quite asleep but not quite fully awake. When I am reading a book I can come across something that I can use as a springboard for something in the piece that I am working on. Recently just watching sports has inspired a couple of ideas that I've had to add to the burner. 

Do you have a writing routine?For the most part I write in 50-minute bursts during Writers’ Hour hosted by London Writers’ Salon four days a week a minimum at 4pm. If I am in the flow then I will write for longer, or I will pick up my laptop and write at different times, but it's mostly in those 50 minutes that have allowed me to write and edit two novels, draft this third novel, write all my Substack posts, create content for marketing purposes, and so much more.

Writing’s biggest secret is……there is no magic way to do it. You really do just have to sit there and put words on the page. Be that in large chunks of time or in stolen moments throughout the day in your Notes app. Then you have to delete those words and write them again. And again. And again. And it will somehow never feel “done” but it will feel “done enough.” Eventually.

My worst writing momentI hate when you can feel yourself writing your way into a corner. You know where you have to go but you haven't quite made the journey to that end point clear and as you try to figure it out the words do weird things that kind of make sense but aren't actually getting you any closer to the destination you are trying to reach. So you keep going in the hope that the right path reveals itself but you actually just end up stuck. I hate having to sit in that corner and try and figure out if any of what I've written is salvagable or if I’m going to have delete it all and start again.

My best writing momentWriting “The End” on my first book. I had attempted to write a book so many times over the years but had always run out of steam around 15-20,000 words. I could never make anything stick. I had a lot of beginnings and a lot of endings but the first time I managed to stick both the beginning and the end together with a mostly well-constructed middle felt almost euphoric. It unlocked something in me and gave me the confidence to know that I can do it again. And again. Writing the middle is still always a little bit terrible, but I have belief that I can navigate my way through it and that would not have been possible if it wasn't for what I am still lovingly calling Thing 2 (I do have the title and it is currently due to be released next year, I've just not made the title official yet).

What are you reading right now?I am basically incapable of only reading one book at a time so at the moment I have What A Way to Go by Bella Mackie, Emily Wilde's Encyclopaedia of Faeries by Heather Fawcett, and Funny Feelings by Tarah DeWitt.

Book recommendationI will keep telling people to read Savor It by Tarah DeWitt until I have achieved the goal of getting everyone to read this book (the second venture to her Spunes, Oregon via her Left of Forever out next year is just as delicious). How to End a Love Story by Yulin Kuang is also a gorgeous novel. And for a trio of romance book recs I close it off with Kennedy Ryan’s Before I Let Go.

Where can we find you?The Giraffe Files on Substack and @ashakespearenerd on Instagram.

Book recommendations for ravenous readers

In The House of Doors, Tan Twan Eng transports us to Penang, Malaysia in 1910 and 1921. Think of a framed narrative, add a couple more frames, including spinning doorframes, and then you’ll grasp the nested structure of this work that fills all the senses. It could have been a response to, “What would it be like to invite Willie Somerset Maugham and Dr. Sun Yat-sen to a dinner party?”

Speaking of transporting people through time, Kaliane Bradley’s debut, The Ministry of Time, is shockingly stunning. The plot, characters, and particularly the figurative language is outstanding: every simile and metaphor is perfectly on point. I recommend the audio book, narrated (mostly) by Katie Leung.

Adela shrugged. "We have time-travel," she said, like someone describing the coffee machine. "Welcome to the Ministry."

And again speaking of time (see what I did there?), I consumed Ocean Vuong’s poetry collection Time Is a Mother like chocolate truffles, savoring it, reading and re-reading one poem per day or even less frequently. He packs entire, often heart-breaking, worlds into few words. I received this book in the mail a couple of years ago and it took me a few weeks to figure out that it was a gift from my brother. Thank you, Anthony.

Resources for wonderful writers

Who understood the reference from this month’s header photo? If you’ve read Bird by Bird: Some Instructions on Writing and Life by Anne Lamott, you’ll remember her advice: if you’re feeling overwhelmed about what to write, start with what you can see through a 1-inch-square frame. I was looking for a 1-inch frame in wood and then found a necklace which Chriscelle, based in Bristol, made to the exact size for my bestie Kate Hammer and me.

Remember last month’s guest, Iqbal Hussain? He’s interviewing Fighting Fantasy author Ian Livingstone on Monday October 7, from 7-8pm BST (2-3pm ET, 11am-noon PT). Tickets are free for the online "YOU are the hero!" Meet Fighting Fantasy author Sir Ian Livingstone.

I regularly listen to Sacha Black’s The Rebel Author Podcast, and on practically every episode she mentions the Strengths (listeners can do a shot every time she says it). I DMed her to ask what the heck she was talking about, and she pointed me toward The Better-Faster Academy with Becca Syme. I now have all 34 of my Gallup CliftonStrengths and through the BFA, I’m learning how to apply them to my writing. It’s mind-blowing and I’m really immersing myself in it (hello, Learner and Activator!).

Updates on my moseying

On September 3, freshly arrived home after a week away at a family wedding in the U.S., I attended a talk at the University of West London by Jung Chang, author of Wild Swans: Three Daughters of China and Big Sister, Little Sister, Red Sister: Three Women at the Heart of Twentieth-Century China. I had been to her reading at Conway Hall in 2019, when she signed my book. It was fascinating and entertaining to hear her anecdotes of being a student at UWL and later, the first person from the People's Republic of China to be awarded a PhD from a British university—namely, linguistics from York. I haven’t actually read her Sisters book yet, so at least it’s off the shelf and on my coffee table now.

Whenever I listen to The Creative Penn podcast, I get excited about self-publishing. My plans for my short story collection change almost daily. Today’s idea is to complete chapters 8 (my Poa-Poa Corri) and 9 (my brother’s and my trip to China in 2015) and then submit it to small presses. I read that 40,000 words is the minimum for a short story collection, and that would be right around where my word count for the 9 stories would land. I’m sure my vision will be different by the time The Spark comes out in October. By the way, I’m aiming for the 15th of each month for The Spark’s publication.

Submissions stats — tracked on Chill Subs5 accepted14 pending4 withdrawn (accepted elsewhere)35 rejected (with a record 3 in one day )

Welcome to the relaunch of The Spark. I published a dozen weekly editions last autumn which you can find online. This new incarnation will be monthly, with four sections: an author interview, book recommendations for ravenous readers, resources for wonderful writers, and updates on my meanderings.

Author interview with Iqbal Hussain

Iqbal’s debut novel, Northern Boy, about being a “butterfly among the bricks”, was published in June with Unbound Firsts. He is currently working on edits for his debut middle grade children’s novel, The Time Travelling Misadventures of the 7th Son. His work appears in various anthologies, including Mainstream by Inkandescent, and Lancashire Stories by UCLan Publishing. Iqbal’s short stories have won multiple awards, including the Creative Future Writers’ Awards, Writing Magazine’s Grand Flash and the Evening Standard Short Story Competition. You can read Iqbal’s nature writing on sites including The Hopper and Caught by the River.

What inspires you?I’m often inspired by things that happened in my childhood. My first novel, Northern Boy, is semi-autobiographical, and draws on a lot of things that happened while growing up in a Northern former mill town. I just think that if I don’t document what happened back then, those stories, characters, and streets will be lost for ever. The neighbourhood I grew up in was razed to the ground after a compulsory purchase order, so my past has literally been wiped out — so it’s so important to preserve it in any way I can.

Do you have a writing routine?I have a regular job for four days of the week, working in the word-processing department of a City [of London] law firm, so I write on the other three days. I tend to start around 9 in the morning, and then keep going until 5, with breaks to take our labradoodle Milo out for his walks. I’d love to have a day off, when I can just spend time with my partner, but it’s tricky to build in, especially when there are always deadlines to be met. I tend to say yes to most writing opportunities that come my way, as I can’t bear to miss out! I write directly on the computer — my handwriting is too terrible to sustain an analogue process. I use Word, which I’m able to manipulate to be the best writing software for my needs. I’ve tried Scrivener, but have found the learning curve too steep, plus the one time I exported back to Word I ended up with section breaks everywhere, which really weren’t helpful.

Writing’s biggest secret is……it’s not that lonely! I have a good group of writing friends, from various parts of my writing past. It keeps me sane, and you know that they will completely understand what you’re saying when you go into raptures about a scene you’ve written, or when you’re banging your head against a wall when the words won’t flow. I also love a book launch, where I’m often found to be gossiping around the drinks table with a samosa in one hand and a glass of bubbly in the other, putting the world to rights. I can’t stress the importance of finding your writing community, to exchange views, news, tips, challenges. To share in each other’s successes — and failures and rejections, as there are plenty of those outside of the curated posts we put on social media.

My worst writing momentWhen Northern Boy failed to be picked up on submission. It was incredibly dispiriting. All those years of working on it, only to be told no-one wanted it. Nothing prepares you for it, as you always assume once you’ve got your agent the rest is plain sailing. Sadly, it isn’t, and there are many more hoops to pass under and gates to walk through.

My best writing momentWhen Northern Boy got picked by Unbound Firsts as one of their two novels by debut writers of colour for publication in 2024. I sent the manuscript to them on an off-chance, not for one second thinking it would be picked — and then it was! I can’t describe how loudly I screamed. I’m delighted by how gorgeous a job the whole Unbound team have made in bringing my characters to life. I can’t think of a better home for my debut.

What are you reading right now?I’m a magpie, and read widely and, often, simultaneously. Currently, I’m reading Timeline by Michael Crichton, a highly entertaining blend of sci-fi, time travel and historical fiction. Also on the go is The Explorer by Katherine Rundel, a rip-roaring read about four children whose plane crashes in a South American rainforest.

Book recommendationHarriet the Spy by Louise Fitzhugh. This New York-set children’s book from the ‘60s made me laugh and cry when I was a child, and it still does (I’ve read it many times over the years). It tells the story of Harriet, who keeps a notebook in which she makes observations about her friends and neighbours. These aren’t always nice observations, but they’re always honest. When her friends find her notebook, they’re understandably annoyed and upset, and Harriet finds herself ostracised. What’s extraordinary is that, even when the odds are stacked against her, Harriet remains true to herself — a message that really struck me as a child, and which appears throughout Northern Boy. With the help of her former nanny, Harriet realises you sometimes have to tell a lie to keep the peace, but to always be true to yourself. I spent many hours as a child spying on neighbours, making a spy route like Harriet did, and she inspired me to become a journalist and a writer. Thank you, Harriet!

Book recommendations for ravenous readers

Spotify’s decision to include audiobooks for Premium users has been a game-changer for me. I always listen to podcasts on dog walks and often while driving. I think it was on the now-ended podcast Literary Friction where I heard about finding your way into audiobooks with nonfiction. 

My first listen was The Salt Path, written and narrated by Raynor Winn. It was disturbing how a middle-class couple could become homeless so quickly due to one bad investment and a lost court case. After the bailiffs claimed their house, they gathered a few things into backpacks and set off on England’s 630-mile South West Coast Path. Winn originally wrote the account for the eyes of only one person, her walking companion: her husband. Her writing, particularly about the natural world, is lyrical and evocative.

A more recent listen was Echo Boy by Matt Haig. It’s a young adult thriller romance set in 2115. Because I’m toying with a near-future thriller concept for my second book, I appreciated the characters, pace, and world of Echo Boy. Also, I haven’t read much YA (young adult) since I was a YA myself, and I do enjoy the definition of one’s identity and coming to know the world that are typical of that age category.

Resources for wonderful writers

The Write Now with Scrivener podcast features interviews with authors in all genres. It was a fun surprise to hear Natasha Bell, a thriller author who taught a one-day course I took at City Lit on writing autofiction. (My affiliate link for the Scrivener writing software is here.)

Lisa Cron’s Story Genius: How to Use Brain Science to Go Beyond Outlining and Write a Riveting Novel focuses on characters’ backstories and psychology: their “live wire” that is the root of their expectations and desires. The plot is there to serve that third (electrified) rail. Using her scene card format has strengthened my writing.

I’m on Chill Subs most writing days, to look for magazines and contests, and to track my submissions. The team there also runs the weekly Sub Club newsletter with listings of agents, small presses, contests, and magazines open to submissions and pitches.

Updates on my moseying

Since the last edition of The Spark, I’ve been rewriting my 93k-work creative nonfiction manuscript as standalone short stories. The collection links memoir with my family's intergenerational tale: the tragedies and triumphs of Chinese and Eastern European Jewish immigrants who converged in California.

It’s quite handy having a bunch of short stories to submit to contests and magazines. In the spring, two of my stories, “His Bones” and “Things My Dad Told Me,” were longlisted in Flash 500 Short Stories 2024. In April, “Data Double” was produced and critiqued on The Failing Writers’ podcast. (“…we take a look at another listener's bit o' writing they've kindly sent in to share with the class. This week we try and make Madelyn Postman cry...”)

And in June, I almost gave my family a heart attack with my screaming when I found out that “Things My Dad Told Me” was shortlisted for The Hope Prize and will be published in an anthology by Simon & Schuster Australia this December. All royalties will go to mental health charity Beyond Blue.

Submissions stats — tracked on Chill Subs4 accepted15 pending4 withdrawn (accepted elsewhere)31 rejected