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The Stack: Would you @#$% us? We’d @#$% us.
What do you get when you combine Bruce Willis, bioterrorism, and an experimental French film that resembles a PowerPoint deck? You get 12 Monkeys, Terry Gilliam's time-travel movie - well, other time travel movie - that manages to be both trippy and brilliant despite a distressingly low number of actual monkeys.
The Stack: we also exist in a time loop.
Who benefits? YOU benefit from the return of the Stack!
In our third season premiere we are talking about DC's IDENTITY CRISIS, by Brad Meltzer and Rags Morales.
Join us as we talk about DC's grand plans and difficult material. And Joss Whedon gets mentioned, because apparently that's impossible to avoid these days.
The Stack: not even Zatanna can stop us.
Here we are! The finale of season 2. Yet another year has gone by in which we have proved the gypsy wrong!
Our extra-sized season closer (even for this notoriously long-winded show), in what is becoming a weird tradition, ranges far and wide over Marvel's great trade dress reimagining of last fall, Marvel Now. Is it a reboot? Is it a marketing ploy? Why are there two X-Force books that aren't very good? We discuss all this and more.
Plus that Hickman guy's name may come up once or twice in passing.
Season 2 of the Stack wraps up in typically ridiculous fashion. See you on the other side.
This week we are rather profanely talking about the David Milch HBO Western Deadwood, famous for Al Swearengen and more f-bombs per minute than David Mamet's discarded drafts for Glengarry.
Seriously, folks, the explicit tag on this episode is not meant ironically. Very, very explicit.
But we have a lot of fun talking about a show we really, really love, and that you should too. Unless you're a hooplehead.
To paraphrase the Tenth Doctor: we're sorry. We're so, so sorry.
Sex! And violence! And superheroes! Oh my!
It's THE BOYS by Garth Ennis, Darick Robertson, and a host of other artists. And Black Noir. And, gods save us, Team Titanic.
There is something so monumentous in this week's show on the 117 versions of Ridley Scott's sci-fi neo-noir Blade Runner that we dare not spoil it here.
Here's a fun drinking game, though: every time someone says the word "replicant" or "subtle," take a drink.
Yes, we will visit you in the hospital.
From the publisher's feed