Blake, Beethoven and Tempest is a philosophical play about the poetic imagination. Through his use of literary allegory, author Stanley K. Freiberg explores the lives, works, and creative ideologies of Romantic poet William Blake, and composer Ludwig van Beethoven.
The play is set on Prospero’s enchanted island from Shakespeare’s The Tempest where symphonies and literary characters at once materialize and then melt into thin air. Artistic influences and traditions appear and disappear from the dreamlike shared consciousness of Blake and Beethoven, both shipwrecked on the island.
After The Hidden City, a Poem of Peru was successfully adapted for the stage and produced to critical acclaim by Julian Cervello in 2015, Freiberg knew that Cervello would also be the one to bring Blake, Beethoven and the Tempest to the stage.
“That Julian Cervello has taken upon himself to adapt and direct the book-
length work for stage presentation is both gratifying and remarkable. His
skillful inclusions of Stephanie Johanson’s imaginative illustrations from the
original work enhance the production.”
— Stanley K. Freiberg” (The Hidden City Theatrical Programme, 2015)
Here, Cervello reads the Preface and Opening scene of Blake, Beethoven and The Tempest. It is his hope and Freiberg’s hope that this work will also be produced in the near future.