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Jacob Joyce, Pittsburgh Symphony Assistant Conductor, makes his Heinz Hall subscription concert debut this Saturday and Sunday January 22 and 23 conducting concertos by Corelli and Geminiani, plus Stravinsky sharing the program with his colleague Moon Doh who conducts Bartok. Jacob explains why he loves baroque music and tells us about his work with the Indianapolis Symphony plus his story so far. He also talks about his work with the Pittsburgh Youth Symphony as their new conductor.
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Moon Doh arrived as Pittsburgh Symphony Assistant Conductor just two weeks ago and now leads his first subscription concert at Heinz Hall January 22 and 23. He discusses the joy of Bartok and tells Jim Cunningham that his path from Korea has been winding but wonderful most recently with several appointments in Germany. He has climbed hundreds of steps to the top of Cologne Cathedral in whistling wind and he promised to share lessons in dancing Gangnam Style.
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The story of a veteran Pittsburgh Symphony violinist who joined in 1968 under William Steinberg. Richard DiAdamo is admired by his colleagues for his artistry and, more recently since retiring, an heroic struggle with cancer which metastasized to multiple areas and further caused strokes and blindness. He started the violin at age 8 in Philadelphia studying with Armand DiCamillo of the Philadelphia Orchestra. Richard traces his path to the Eastman School of Music, his participation in the Howard Hanson American Music Festivals, study with Joseph Knitzer and Carroll Glenn followed by work at the Taos School of Music in New Mexico. He joined the Syracuse Symphony conducted by Karl Kritz who had emigrated to the US in 1937 first serving as assistant in the early years of the Pittsburgh Symphony. Richard played alongside violinist Louis Krasner who commissioned the Alban Berg Concerto. He founded the Amati String Trio. He won the Pittsburgh Concert Society Audition in 1981. The following year he gave the world premiere of Thomas Janson’s Harlequin for Richard DiAdamo which won praise from critics Robert Croan in the Pittsburgh Post-Gazette and Tim Page who described it as “committed and praiseworthy” in the New York Times following the first New York performance at Symphony Space with David Stock conducting.
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Benjamin Grosvenor returns to Heinz Hall to play the Rachmaninoff Piano Concerto No. 2. Always a crowd favorite, Benjamin talks about the piece's appeal, handling the Covid pandemic and more in this conversation with WQED-FM's Jim Cunningham.
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