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The Principal Guest Conductor of the Metropolitan Opera, Daniele Rustioni, speaks with Jim Cunningham in the Guest Conductor's Dressing Room at Heinz Hall about his program for March 27,28 and 29, with Yefim Bronfman playing the Schumann Concerto, Beethoven's Eroica Symphony and Samuel Barber's School for Scandal Overture. Maestro Rustioni discusses his upcoming concerts, his work in Pittsburgh (including his visit to Carnegie Hall in December 2025 to hear the Orchestra play), and his operatic engagements in Europe.
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Piano superstar Yefim Bronfman is a Mets fan. Yefim also loves making his coffee mostly at home in New York when he isn't jetting around China, Los Angeles, San Francisco, Pittsburgh, Boston or wherever great music happens.
He spoke with Jim Cunningham in his dressing room at Heinz Hall after rehearsing the Schumann Concerto. He plays March 27-29 with Daniele Rustioni and the Pittsburgh Symphony. It's their first time working together.
Yefim also talks about his love for the opera but gets to the Met only now and then with his full calendar. He admires Clara Schumann but has not yet played her music. He has met members of the extended Schumann family and Franz Schubert's family was represented in a chance meeting in Los Angeles. Yefim plays the fierce Alfred Schnittke Concerto and music by Mathias Pintscher too but he is a master of the classics of Vienna and Central Europe. Is classical music growing or getting smaller? It is changing, he says while noting that Music Director Andris Nelsons of the Boston Symphony will be all right. It is a big loss to have his contract end after next season.
Pittsburgh is a favorite stop. He's be back next season with Liszt and there is talk of adding one more concert next fall.
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Piano legend, global classical music superstar, and Musical America Artist of the year 2026 Emanuel Ax plays Brahms' First Concerto with Manfred Honeck and the Pittsburgh Symphony this weekend at Heinz Hall! WQED's Jim Cunningham ventured down to Heinz Hall for a chat with Mr. Ax during Friday's rehearsals.
Ax talks about his honors and the memory he has of pianist Arthur Rubinstein at the Rubinstein Competition in Tel Aviv in 1974, as well as the premiere of the John Williams's Piano Concerto written for him and heard with the composer onstage last year in Los Angeles. He remembers many Pittsburgh personalities with great warmth, including Byron Janis, Andre Previn, Lorin Maazel, and Mariss Jansons.
Ax reflects on the Brahms, calling it a piece full of "Hungarian passion," and highlights some of his favorite recordings. He also provides his outlook on the current state of classical music in the public world.
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